Titoli in Realismo magico

Winner of the Icelandic Literary Prize, A Fist or a Heart is a gripping, artfully interwoven novel of power, secrets, and isolation by one of the most bracing and original voices of the author’s generation.

It was supposed to be a fresh start for eighteen-year-old Devon Grace and her father, but fate had other, darker plans. The Appalachian town of Millicent, Ohio, is poor and forgotten by the world - the perfect setting for a disgraced cop and his artistic "misfit" daughter to regroup after a tragic mistake upends their lives. Trouble is, the young men of Millicent are disappearing, including Devon's sole confidant and first love.

In this visionary novel framed as a hagiography, the ruminative, subjective memories of Gabriel’s witnesses - spiritual, familial, romantic, and political - converge to make sense of the man’s confounding works and message. As they do, a surprising portrait develops...not only of the deepening mystery of Gabriel Romero himself but also of a country in conflict and the faith it takes to fight the suspicion and fear that divide us.

#1 NEW YORK TIMES BESTSELLER OPRAH’S BOOK CLUB PICK From the National Book Award–winning author of Between the World and Me, a boldly conjured debut novel about a magical gift, a devastating loss, and an underground war for freedom. “This potent book about America’s most...

Scott McKenzie's father killed his mother and himself. Scott vowed to do anything in his power to stop similar murders. He longed to be a police officer, but a tour in Vietnam in 1970 derailed that career. Two years later, wounded in body and soul, Scott died. He didn't go on to what was next, though. Instead, he woke up with a chance to live his life over and over until he got it right. Murderers will never see him coming. But, by using violence to save others, is he losing his own soul?

Orphaned into an unforgiving foster home and raised as an outsider, Weird-Eye shoulders her unflattering nickname. She relies on her vivid imagination to sustain her work as a midwife bringing newborns into the world while World War II overruns her native Finland, desecrating life. She finds herself drawn to the handsome, otherworldly Johannes Angelhurst, a war photographer working for the SS.

The year is 1922. The carnival is Pontilliar's Spectactular Star Light Miraculum, set up on the Texas-Louisiana border. One blazing summer night, a mysterious stranger steps out onto the midway, lights a cigarette, and forever changes the world around him. Tattooed snake charmer Ruby has traveled with her father's carnival for most of her life and, jaded though she is, can't help but be drawn to the tall man in the immaculate black suit who has joined the carnival as a geek, a man who bites the heads off live chickens.

Most of the things Pillow really liked to do were obviously morally wrong. He wasn't an idiot; clearly it was wrong to punch people in the face for money. But there had been an art to it, and it had been thrilling and thoughtful for him. The zoo was also evil, a jail for animals who'd committed no crimes, but he just loved it. The way Pillow figured it, love wasn't about goodness, it wasn't about being right, loving the very best person, having the most ethical fun. Love was about being alone and making some decisions.

After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises. The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles.

Este libro de cuentos de Roberto Burgos Cantor lo conforman pequeñas historias - la del mecánico, la modista, el cantante, la reina, el obrero y líder sindical, la prostituta y otros personajes típicos de un barrio popular- que hacen parte de una gran historia, la de un lugar donde se entrecruzan destinos y donde la vida desgranan amores, sueños, fracasos.

On the highest point of an island, in a house clinging to the edge of a cliff, live Mary Rose and Harold Grapes, a retired couple still mourning the death of their son thirty-five years before. Weighed down by decades of grief and memories, the Grapeses have never moved past the tragedy. Then they’re uprooted by a violent storm. The disbelieving Grapeses and their home take a free-fall slide into the white-capped sea and float away. As the past that once moored them recedes and disappears, Mary Rose and Harold are delivered from decades of sorrow by the ebb and flow of the waves.

Mary Robinette Kowal stunned readers with her charming first novel, Shades of Milk and Honey, a loving tribute to the works of Jane Austen in a world where magic is an everyday occurrence. This magic comes in the form of glamour, which allows talented users to form practically any illusion they can imagine. Shades debuted to great acclaim and left readers eagerly awaiting its sequel. Glamour in Glass continues following the lives of beloved main characters Jane and Vincent, with a much deeper vein of drama and intrigue.

Fearless Queen Sigrid wants her twin children to fulfill their destinies: her son, Olaf, to become heir to the kingdom of Svealand, and her gifted daughter, Estrid, to secure passage to the underworld as she is promised to Hel, the Norse goddess of death. But Olaf's ascension to the throne depends on Sigrid's former husband, King Erik the Victorious, who despises her and suspects the twins are not his but Sweyn Forkbeard's, Denmark's exiled king.

Acclaimed fantasist Mary Robinette Kowal has enchanted many fans with her beloved novels featuring a Regency setting in which magic--known here as glamour--is real. In Valour and Vanity, master glamourists Jane and Vincent find themselves in the sort of a magical adventure that might result if Jane Austen wrote Ocean's Eleven. After Melody's wedding, the Ellsworths and Vincents accompany the young couple on their tour of the continent. Jane and Vincent plan to separate from the party and travel to Murano to study with glassblowers there, but their ship is set upon by Barbary corsairs while en route. It is their good fortune that they are not enslaved, but they lose everything to the pirates and arrive in Murano destitute.

Annabelle Aster doesn't bow to convention—not even that of space and time—which makes the 1890s Kansas wheat field that has appeared in her modern-day San Francisco garden easy to accept. Even more exciting is Elsbeth, the truculent schoolmarm who sends Annie letters through the mysterious brass mailbox perched on the picket fence that now divides their two worlds. In this unconventional and enchanting tale, Annie and her new neighbor must solve the mystery of what connects them before one of them is convicted of a murder that has yet to happen—and somehow already did.

It starts with a simple wish, and Emma Davies hardly notices when it comes true. She’s too preoccupied with a life she isn’t happy in - the spark in her marriage has fizzled, her career is headed nowhere and her boss is a misogynist. Her teenage daughter has grown distant, and her heart breaks daily for her teenage son with cerebral palsy. But soon Emma discovers her wishes are coming true, and she realizes that she has been given the power to change her life. Either that, or she’s going insane.

Los Cinco y yo es una novela arrebatadoramente original que unas veces se disfraza de memorias de infancia y otras de inquietante ficción de denuncia para pasar de la anécdota a la sátira y de esta a una teoría personal de la narración. Antonio Orejudo rinde homenaje y al mismo tiempo ajusta cuentas con su generación, la de los nacidos en el boom demográfico de los años sesenta, que no tuvo ningún protagonismo en la transición de la dictadura a la democracia.

Mike de Wolf is a pianist on the verge of his big break—until his friend Horace Hackett casts him as the tragic villain in a swashbuckling pirate novel. The plot? Buccaneers, lost love, and a duel between a noble English rogue and a poetic Spanish admiral. The villain? Mike himself—reimagined as the brooding Miguel de Lobo.

From the very first hour Cayden had set foot inside the massive, real-life game that was the Tower of Babel, nothing had gone according to plan. A unique skill, a handful of new friends, and the wrath of an ultra-wealthy, patricidal lunatic were just some of the complications to his best laid plans.
So why was he even surprised when a special event trapped him, his companions, and dozens of other players inside the tower, squaring them off against a murderous army of stone-faced warriors?

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.