Titoli in Shakespeare

In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.

Shakespeare's seven great tragedies contain unmistakable elements that set them apart from any other plays ever written. In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance.

Pericles, prince of Tyre, sets out to woo a princess and sails headlong into harrowing adventure. Pursued by an evil king, Pericles is blown from port to exotic port. Along the way he finds the love of his life, then loses her and their infant daughter in a storm-tossed sea. Happily, this is a romance - Shakespeare's first - where, in true storybook fashion, miracles reunite the lost with those who love them, bringing joy and safe harbor at last.

Julius Caesar is a marked man. Adoring commoners celebrate his battlefield victories, but those higher up the Roman political ladder worry that his ambition has grown too large. On a stormy night full of alarming sights and ominous portents, Cassius persuades Caesar's friend Brutus to help him with a momentous task: assassinate Caesar for the good of the Republic. But death doesn't stop Caesar, whose spirit haunts the destinies of his friends and enemies, threatening the republican ideal for which they murdered him.

Richard II is dangerously out of touch with his kingdom. He wastes money, raises taxes to support his lavish lifestyle, plays favorites, and cares more about his vanity than the common good. When Henry Bolingbroke - father of the future Henry V - challenges Richard for the throne, it's a fight the king can't win. But in losing his crown he gains far greater things: his humanity and his soul.

Kaikkien tyttärien isien on tunnettava legendaarisen kuningas Learin tuska, kun hän tässä Shakespearen tragediassa tulee lastensa nöyryyttämäksi ja tuhoamaksi: jokainen Learin kolmesta tyttärestä kertoo rakastavansa isäänsä, mutta vain yksi heistä puhuu totta. Eikä kuningas Lear välttämättä kaikkein rakastettavin olekaan. Hän on tyrannikuningas, joka päättää jakaa valtansa ja valtakuntansa tytärtensä Gonerilin, Reganin ja Cordelian kesken - mutta ei kolmeen yhtä suureen osaan: se tytär, joka osoittaa rakastavansa isäänsä eniten, saa valtakunnasta suurimman osan.

While exploring Shakespeare's plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare's genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways.

Macbeth is one of William Shakespeare's more brilliantly populated plays and remains among the most widely read. Award-winning writer and beloved professor Harold Bloom investigates Macbeth's interiority and unthinkable actions with razor-sharp insight, agility, and compassion. He also explores his own personal relationship to the character. The book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity.