Risultati Editore "Blackstone Publishing" in Satira

Evelyn Waugh’s first novel, Decline and Fall, is the daring and hilarious tale of Paul Pennyfeather, a theology student expelled from Oxford and sent to teach at a private boys’ school in Wales. Previously a modest young man, Paul finds himself a bit out of place amongst the teachers of Llanabba, who are all misfits, fools, and derelicts themselves: Prendy (the anxious) and Captain Grimes (the drunk), just to name two.

George Orwell's classic satire of the Russian Revolution has become an intimate part of our contemporary culture, with its treatment of democratic, fascist, and socialist ideals through an animal fable.

This bitingly hilarious American satire will forever define late twentieth-century New York style. Tom Wolfe’s bestselling modern classic tells the story of Sherman McCoy, an elite Wall Street bond trader who has it all: wealth, power, prestige, a Park Avenue apartment, a beautiful wife, and...

For Scott Hatcher, a former television writer turned struggling novelist with a failing marriage to boot, social-distancing and mask-wearing feel like fitting additions to his already surreal life. When his wife Marie and neighbor John Bergman disappear in the middle of the raging COVID-19 pandemic, Scott is naturally mystified and disturbed, but he is also about to learn that his picturesque neighborhood hides more than just the mundane routines of suburban life.

When he first meets Najwa at a lecture by Siri Hustvedt—whom he’s never read—our hero discovers a whole new world of feminist thought. Determined to impress her, he sets out sincerely on his journey to allyship. His mother confides in him about the dreams she had to sacrifice because of the patriarchy, and he laments the violence and oppression women face. But he can’t help but notice that they’re going about their activism the wrong way.

Meet Vanessa Salomon, a privileged and misanthropic French-American translator hailing from a wealthy Parisian family. Her twin sister is a famous movie star, which Vanessa resents deeply and daily. The only man Vanessa ever loved recently killed himself by jumping off the roof of her building. It’s a full life. Vanessa has just started working on an English translation of a titillating, experimental thriller by a dead author when she’s offered a more prominent gig: translating the latest book by an Extremely Famous French Writer who is not in any way based on Michel Houellebecq.

Wang Er, a twenty-one-year-old ox herder, is shamed by the local authorities and forced to write a confession of his crimes, but he instead takes it upon himself to write a modernist literary tract. Later, as a lecturer at a chaotic, newly built university, Wang Er navigates the bureaucratic maze of 1980’s China, boldly writing about the Cultural Revolution’s impact on his life and those around him. Finally, alone and humbled, Wang Er must come to terms with the banality of his own existence.

Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters—not because she wants to but because it’s the right thing to do—does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie. As they begin spending time together, getting pedicures and drinking martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century.

Ryan Fleming is a young agnostic reeling from his brother’s death. Though he is deeply angry with God, he makes good on a promise he made to his brother in the final moments of his life: to visit a church at least once. But shortly after his arrival, the slick megachurch’s shoddily installed video projector falls on his head—sending Ryan through a wormhole into another world. To make it back to his own universe, he must partner with a woman named Faith to awaken a long-sleeping King—the World-Maker who can make all things new.

Welcome to the world of Droll Tales, in which reality is a mutually agreed-upon illusion and life is painful, paradoxical, beautiful, and brief. With an oddball cast of characters who reappear in various guises throughout these interrelated stories, Smyles reveals an off-kilter world overlapping this one. And in giving us a tour of this enchanted, sometimes absurd place, with its own workings and ways of expression, she gives us a new way to understand our own.

This wickedly fun debut is a stunning reinvention of the myth of Narcissus as a modern novel of manners, about two young, well-heeled couples whose parallel lives intertwine over the course of a summer, by a sharp new voice in fiction.

Out of work for months, Lussi Meyer is desperate to work anywhere in publishing. Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre. But as soon as she arrives, Lussi finds herself the target of her coworkers’ mean-spirited pranks.

An unnamed paralegal, brought back to life through a controversial process, maneuvers through a near-future world that both needs and resents him. As the United States president spouts anti-reanimation rhetoric and giant pharmaceutical companies rake in profits, the man falls in love with lawyer Faustina Godínez. His world expands as he meets her network of family and friends, setting him on a course to discover his first-life history, which the reanimation process erased.

In music, counterpoint is the art of writing melodies that play in conjunction with one another, according to a strict set of rules, in order to emphasize the melody by contrast. In debate, point/counterpoint is a means of persuasion in which the speaker begins by conceding to their opponent’s argument before refuting it wholeheartedly. Aldous Huxley follows these traditions in his masterpiece Point Counter Point. The polarity between passion and reason in the intellectual life of the 1920s is demonstrated both in form and in theme in Huxley’s ambitious satire.

Hobart, 2022: a city with a declining population, in the grip of a dark recession. A rusty ship sails into the harbor and begins to unload its cargo on the site of the once famous but now abandoned Gallery of Future Art, known to the world as GoFA. One day the city’s residents are awoken by a high-pitched sound no one has heard for two generations: a factory whistle. GoFA’s owner, world-famous billionaire Dundas Faussett, is creating his most ambitious installation yet. He’s going to defeat technology’s dominance over our lives by establishing a new Year Zero: 1948.