Risultati Editore "Dreamscape Media" in Artisti, architetti e fotografi

A dazzlingly original and ambitious audiobook on the history of female self-portraiture by one of today's most well-respected art critics. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West...

The first major work of art history to focus on women artists and their engagement with the spirit world, by the author of The Mirror and the Palette. It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism...

The 1935 murder of architect Francis Mawson Rattenbury, world famous for his design of the iconic Parliament Buildings and Empress Hotel in Victoria, British Columbia, and the arrest and lurid trial of his thirty years younger second wife, Alma, and the family chauffeur, George Percy Stoner, her lover, who was half her age, riveted people. Debate continues even today as to which one of them really was responsible. 

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community. 

Vincent Van Gogh arrived in the French capital on the last day of February 1886, a month short of his thirty-third birthday. He was a man beaten down by life, half-starved, and nearly broken psychologically. He was saved by his brother Theo, who provided him with room, board, and, most crucially, emotional support while he attempted to master the difficult craft of painting. Thus far, Vincent's crude scenes of peasant life rendered in murky shades of brown and gray were both hackneyed and amateurish. 

Harry Truman and Pablo Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family. How did they come to be shaking hands in front of Picasso’s studio in the south of France?