Risultati Editore "Blackstone Publishing" in Autori

From a young age, James Joyce showed a precocious, original intellect and a confidence in his own artistic destiny. He would indeed go on to transform the nature of modern literature, employing a unique stream-of-consciousness technique rich in symbolism and wordplay. Through his art, the Dublin...

Samuel Beckett’s work evokes passionate responses: readers and playgoers either revere it or consider it a load of pretentious nonsense. But his philosophy of pessimism will always find a new generation of young readers, for it bursts the rainbow soap bubbles of illusion, leaving us blinking...

García Márquez stands on the shoulders of a great Latin American literary heritage. But he is also that modern rarity, a writer with aspirations to high art who also remains hugely popular. For those who fall under his spell, his novel, One Hundred Years of Solitude, is one of the richest...

“These notes make no pretense of being a record of fact. That isn’t their object. They are merely notes of impressions, a record of vagrant thoughts, hopes, ideas that have floated through the mind of one present-day American…It is my aim to be true to the essence of things. That’s what...

Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller, the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller’s life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller’s role as a public intellectual—this book demonstrates the synergy between Arthur Miller’s psychology and his plays. 

Warned not to write—and certainly not to bite—these women put pen to paper anyway and wrote themselves into history. From the fourteenth century through to the present day, women who write have been understood as mad, undisciplined, or dangerous. Female writers have always had to find ways to overcome or challenge these beliefs. Some were cautious and discreet, some didn’t give a damn, but all lived complex, eventful, and often controversial lives.

In elegant prose, Hilary A. Hallett traces Elinor Glyn’s meteoric rise from a depressed society darling to a world-renowned celebrity author who consorted with world leaders from St. Petersburg to Cairo to New York. After reporting from the trenches during World War I, the author was lured by American movie producers from Paris to Los Angeles for her remarkable third act. Weaving together years of deep archival research, Hallett movingly conveys how Glyn, more than any other individual during the Roaring Twenties, crafted early Hollywood’s glamorous romantic aesthetic.  

In 1895, a specialist straps five-year-old Katharine Hathaway, then suffering from spinal tuberculosis, to a board with halters and pulleys in a failed attempt to prevent her from becoming a “hunchback” like the “little locksmith” who does odd jobs at her family’s home. Forced to endure her confinement for ten years, Katharine remains immobile until age fifteen, only to find that none of it has prevented her from developing a deformity of her own. 

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

Aurelia, Aurélia begins on a boat. The author, 16 years old, is traveling to Europe. She has the confidence of a teenager cultivating her earliest obsessions - Woolf, Durrell, Bergman - sure of her maturity, sure of the life that awaits her. Soon she finds herself in a Greece far drearier than the Greece of fantasy, “climbing up and down the steep paths every morning with the real old women, looking for kindling”. Kathryn Davis’ hypnotic new book is a meditation on the way imagination shapes life, and how life, as it moves forward, shapes imagination.

The critically acclaimed poet and author of the collection Debris, Jonathan Wells gives us a thoughtful, candid, and powerful memoir about the universal exploration of adolescence and self-image, the frailty of masculinity, and all the places we seek comfort in a world trying to redefine us. 

Science fiction dwells mostly in the realm of possibility, where mysteries proliferate nevertheless, meaning is never static, and “time and history have convinced us that things are not as they seem”. So, too, does all language, argues Samuel Delany, in his vigorous justification for the writing life. Chronicling his struggle with dyslexia, the evolution of his gay and Black identity during the AIDS crisis, and his experiences and relationships through five decades as a writer of fiction and nonfiction, Delany is a longtime observer of language’s inner workings. 

Who was the real George Eliot? In Love with George Eliot is a glorious debut novel which tells the compelling story of England’s greatest woman novelist as you’ve never heard it before.

It happens to us all: We think we’ve settled into an identity, a self, and then out of nowhere and with great force, the traces of our parents appear to us, in us - in mirrors, in gestures, in reaction and reactivity, at weddings and funerals, and in troubled thoughts that crouch in dark corners of our minds. In this masterful collection of new essays, the apple looks at the tree. 

It’s tough being an author these days, and it’s getting harder. But, as Jason Boog shows in a rich mix of history and politics, this is not the first period when writers have struggled to scratch a living. Between accounts of contemporary layoffs and shrinking paychecks for authors and publishing professionals are stories from the 1930s when writers, hard hit by the Great Depression, fought to create unions and New Deal projects like the Federal Writers Project.

First published in 1906, The Mirror of the Sea was the first of Joseph Conrad’s two autobiographical memoirs. Discussing it, he called the book “a very intimate revelation…I have attempted here to lay bare with the unreserve of a last hour’s confession the terms of my relation with the...

This fine biography of H. L. Mencken tells of how, for better or worse, he rose to his unique position as comic genius and preeminent critic of American culture. InDisturber of the Peace, one finds the facts of the stormy Mencken legend: his hectic and hilarious editorship with George Jean...

In the underground tunnels below Grand Central Terminal, Lee Stringer—homeless and drug-addicted for eleven years—found a pencil to run through his crack pipe. One day he used it to write. Soon writing became a habit that won out over drugs, and before long Stringer had created one of the...

When Susan Richards adopted an abused horse rescued by the local SPCA, she didn’t know how Lay Me Down’s loving nature would touch her heart—and change her life. For more than a decade she had aspired to be a published writer but it was only with the memoir she wrote to honor Lay Me Down...

This rollicking semi-autobiographical novel weaves a tale of Wodehouse’s early days as a writer, romance gone awry, and the colorful characters he encountered. James Orlebar Cloyster, in order to marry his true love, embarks on a scheme of such clever deception that he very nearly manages to...