Risultati Editore "Tantor Audio" in Compositori e musicisti

Maximum Volume offers a glimpse into the mind, the music, and the man behind the sound of the Beatles. George Martin's working-class childhood and musical influences profoundly shaped his early career in the BBC's Classical Music department and as head of the EMI Group's Parlophone Records. Out of them flowed the genius behind his seven years producing the Beatles' incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, and Abbey Road.

Living in the Woods in a Tree is an intimate glimpse into the turbulent life of Texas music legend Blaze Foley (1949-1989), seen through the eyes of Sybil Rosen, the woman for whom he wrote his most widely known song, "If I Could Only Fly". It captures the exuberance of their fleeting idyll in a tree house in the Georgia woods during the countercultural 1970s. Rosen offers a firsthand witnessing of Foley's transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules.

January 1970: the Beatles assemble one more time to put the finishing touches on Let It Be; Crosby, Stills, Nash & Young are wrapping up Déjà Vu; Simon and Garfunkel are unveiling Bridge Over Troubled Water; James Taylor is an upstart singer-songwriter who's just completed Sweet Baby James. Over the course of the next twelve months, their lives---and the world around them---will change irrevocably.

Oft-hailed as the Jimi Hendrix of his generation, living guitar legend Joe Satriani has long transcended stylistic boundaries with a sound that raises the bar like a new horizon for the broader genre of instrumental guitar rock. Joe's six-string secrets have astounded listeners around the world for nearly 30 years. Featuring exclusive, firsthand interviews with Satriani, Strange Beautiful Music offers a unique look inside the studio with Joe, giving fans a chance to get up close and personal like never before.

When singer, musician, and broadcast journalist Malka Marom had the opportunity to interview Joni Mitchell in 1973, she was eager to reconnect with the performer that she'd first met late one night in 1966 at a Yorkville coffeehouse. More conversations followed over the next four decades of friendship, and it was only after Joni and Malka completed their last recorded interview, in 2012, that Malka discovered the heart of their discussions: the creative process.

There has never been a band like Pearl Jam. The Seattle quintet has recorded 11 studio albums; sold some 85 million records; played more than a thousand shows, in 50 countries; and had five different albums reach number one. But Pearl Jam's story is about much more than music. Not for You is the first full-length treatment of Pearl Jam's odyssey and importance in the culture, from the '90s to the present.

Weaving together more than a hundred interviews with Davis's bandmates, family members, friends, and peers, this book powerfully reconstructs Davis's extraordinary life and career. Washita Love Child thoroughly and finally restores the "red dirt boogie brother" to his rightful place in rock history, cementing his legacy for generations to come.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

When the Nicholas Brothers danced, uptown at the Cotton Club, downtown at the Roxy, in segregated movie theatres in the South, and dance halls across the country, audiences cheered, clapped, stomped their feet, and shouted out uncontrollably. In Brotherhood in Rhythm, Constance Valis Hill interweaves an intimate portrait of these great performers with a rich, detailed history of jazz music and dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style.

Before there was Johnny and June, there was Johnny and Saul. The Man Who Carried Cash chronicles a relationship that was both volatile and affectionate between Johnny Cash and his manager, Saul Holiff. From roadside taverns to the roaring crowds at Madison Square Garden, from wrecked cars and jail cells all the way to the White House, the story of Johnny and Saul is a portrait of two men from different worlds who were more alike than either cared to admit.

Sound Pictures traces the story of the Beatles' breathtaking artistic trajectory after reaching the creative heights of Rubber Soul. As the bandmates engage in brash experimentation both inside and outside the studio, Martin toils along with manager Brian Epstein to consolidate the Beatles' fame in the face of growing sociocultural pressures, including the crisis associated with the "Beatles are more popular than Jesus" scandal. Meanwhile, he also struggles to make his way as an independent producer in the highly competitive world of mid-1960s rock 'n' roll.

Merging memoir, anecdotes, and masterclasses on guitar, songwriting, and the artist's mindset, Lay It on the Line offers insight and perspective into the many roles Rik Emmett took on. "It" was always a parboiling, psychological gumbo: and this book attempts to finally share the recipe.

George Harrison met Muhammad Ali in 1964, when both men were on the cusp of worldwide fame. We Shook Up the World is the story of these two larger-than-life figures at a momentous time. A unique blend of biography and cultural history, this book goes to the very heart of the zeitgeist that each man inhabited and reinvented in profound and enduring ways.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

A sweeping history of three generations darkened by the long shadow of the Holocaust, The Cello Still Sings is a vivid, moving, and true story of personal discovery. As a child Janet is haunted by the eerie hush surrounding her parents' experiences. George and Katherine, two professional musicians and Holocaust survivors, bury the memories of who and what they were before, silencing the past in order to live.

Since exploding on the scene in the late 1970s, Journey has inspired generations of fans with hit after hit. But hidden under this rock 'n' roll glory is a complex story of ambition, larger-than-life personalities, and clashes. David Hamilton Golland unearths the band's true and complete biography, based on over a decade of interviews and thousands of sources.

Ella Fitzgerald (1917-1996) possessed one of the twentieth century's most astonishing voices. Historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer's difficult childhood, the tragic death of her mother, and the year she spent in a girls' reformatory school—where she sang in its renowned choir and dreamed of being a dancer.

Here is the epic tale of how these artists dominated American popular music over a fifty-year period, a roller coaster ride that gains momentum through the 1930s and '40s, reaches a crest of magical creativity in the 1950s and early '60s, and then crashes down by the early 1970s, a half century when the great American songbook dominated the airwaves and the fight for racial equality came to the forefront.

An androgynous gender-bending musician from the get-go, Cidny Bullens toured extensively with Sir Elton John and performed with Bob Dylan, undergoing a complete immersion in the drug-fueled excesses of 1970s rock 'n' roll. Despite getting sober, climbing the charts with the Grammy-nominated Survivor, as well as a Grammy nomination for his lead vocals in the soundtrack for the movie Grease, Bullens was unable to break out as a solo star in a world that allowed its artists to cross the gender line, but had much more narrow expectations about how women could behave and perform.

Few songs have captured the contradictions and ambiguities of the 1960s as memorably as "California Dreamin'," the iconic folk music single that catapulted the Mamas & the Papas into rock and roll history. In All the Leaves Are Brown, author Scott Shea details how John Phillips, Denny Doherty, Michelle Phillips, and "Mama Cass" Elliot became standard-bearers for California counterculture, following their transformation from folk music wannabes to rock sensations and chronicling the tumultuous events that followed their unexpected success.