Titoli in Studi sui media

From the front lines in Iraq, Afghanistan, Libya, and other conflict zones to the base of the burning Twin Towers on 9/11 to the eye of countless hurricanes, Rick Leventhal chronicles some of the most amazing stories he’s covered in his thirty-five years as a news reporter, anchor, and Senior Correspondent—with some life lessons thrown in along the way.

"Why do conservatives hate comedy? Why is there no right-wing Jon Stewart?" These sorts of questions launch a million tweets, a thousand op-eds, and more than a few scholarly analyses. That's Not Funny argues that it is both an intellectual and politically strategic mistake to assume that comedy has a liberal bias. Matt Sienkiewicz and Nick Marx take listeners—particularly self-described liberals—on a tour of contemporary conservative comedy and the "right-wing comedy complex."

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. Rebecca Weeks fills the gap in this area and defends the historiographic power of long-form dramas.

The speed of technological development, from cell phones to artificial intelligence, opens up exciting new opportunities for promoting human flourishing. It also raises grave risks, threatening not only personal privacy and dignity but also our collective survival. Technologies of Human Rights Representation asks: How can we open the black box of technological advances so that we can more fully understand their effects upon our lives? What can we do to make sure that these effects align with the values of human rights?

Head of an elite anti-terrorist unit, Major Noah Blakeley is hunting for the clandestine organization he believes to be at the center of a spate of seemingly random acts of terror. When his ex-wife is killed while on an archaeological expedition to Mongolia, closely followed by an attempt on his life, Noah finds himself hurled into a world where the lines between historical research and present-day terrorism are blurred. To discover the answers, Noah must trace his wife's final footsteps and beyond.

In 63 BC, frustrated by his failure to be elected leader of the Roman Republic, the aristocrat Catiline tried to topple its elected government. Backed by corrupt elites and poor, alienated Romans, he fled Rome while his associates plotted to burn the city and murder its leading politicians. The attempted coup culminated with the unmasking of the conspirators in the Senate. In How to Stop a Conspiracy, Josiah Osgood presents a brisk, modern new translation of the definitive account of these events, Sallust's The War with Catiline.

This classic in the field of ufology is filled with hard-hitting eyewitness testimony of one of the most important events of all time: the actual recovery of a UFO outside of Roswell, New Mexico, in 1947. For more than seventy years, government authorities have led us to believe the wreckage was merely a very conventional weather balloon - but the witnesses who were there continue to tell a different story. Witness to Roswell once again provides a "can't put down" written account of what really transpired in Roswell decades ago. 

How should we "fix" digital technologies to support democracy instead of undermining it? In Designing for Democracy, Jennifer Forestal argues that accurately evaluating the democratic potential of digital spaces means studying how the built environment - a primary component of our "modern public square" - structures our activity, shapes our attitudes, and supports the kinds of relationships and behaviors democracy requires.

Featuring profiles of Machu Picchu, the Nazca Lines, and other archaeological mysteries, Impossible Truths shines a startling new light on the true relationship between alien species and humankind. 

In this characteristically turbocharged new book, celebrated Rolling Stone journalist Matt Taibbi provides an insider's guide to the variety of ways today's mainstream media tells us lies. In the internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism's dirty tricks.

In the 1950s, Confidential magazine, America's first celebrity scandal magazine, revealed Hollywood stars' secrets, misdeeds, and transgressions in gritty, unvarnished detail. Deploying a vast network of tipsters to root out stars' sexual affairs, drug use, and sexuality, publisher Robert Harrison destroyed celebrities' carefully constructed images and built a media empire. Confidential became the best-selling magazine on American newsstands in the 1950s, surpassing Time, Life, and the Saturday Evening Post. Confidential's spectacular rise was followed by an equally spectacular fall.

If there had been no cover-up of Robert Kennedy's complicity in the murder of Marilyn Monroe in 1962 and he had been prosecuted based on compelling evidence at the time, the assassination of JFK by Bobby's enemies would not have happened - changing the course of history and preventing the murder of media icon Dorothy Kilgallen. 

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Bloomsbury presents Videotape by Oana Godeanu-Kenworthy by Noe Nishizawa Object Lessons is a series of short books about the hidden lives of ordinary things. Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed...

Este audiolibro es una investigación periodística y un recuento sobre una situación que, desde hace décadas, ha llevado a familias mexicanas enteras a abandonar sus hogares: la gentrificación o, como preferimos decirle, el blanqueamiento por despojo. Este fenómeno migratorio y socioeconómico rompe la identidad comunitaria y nos desarraiga del espacio que antes nos pertenecía.

Following the death of the family patriarch, a box of newly procured family documents reveals writer-filmmaker Chase Joynt’s previously unknown connection to Canadian media maverick Marshall McLuhan. Vantage Points takes up the surprising appearance of McLuhan in Joynt’s family archive as a way to think about legacies of childhood sexual abuse and how we might process and represent them.

يخوض الكاتب المصري "عاطف عزت" في بحار التاريخ برؤية مختلفة ومجهود بحثي قد يثير نقد الكثيرين. بعد كتابه "فرعون موسى" يبحث في تاريخ الحركة الماسونية العالمية، هل هي...

مع انتشار مواقع التواصل الاجتماعية أصبح الإنترنت جزء لا يتجزأ من حياتنا، وبسبب ذلك اتجه الجيل الجديد من الشباب الفلسطيني إلى الشبكة العنكبوتية واتخذوا منها...

Mother Trouble traces white maternal angst in popular culture across a span of more than fifty years, from the iconic Rosemary’s Baby to anti-vaxx mom memes and HGTV shows. The book narrows in on popular media to think about white maternal angst as a manifestation of feminism’s unrealized possibilities and continued omissions since the second wave. It interrogates intersecting systems of power which make mothers and their children the most impoverished people in the world and urges a greater appreciation in academic and popular thinking of the work that mothers do.

At the turn of the millennium, digital technologies seemed to have immense promise for transforming our society. With these powerful new tools, the thinking went, we would be free to live our best lives, connected to our communities in ways full of infinite potential. A quarter of a century on, this form of utopianism seems like a cruel mirage. So what happened? In Against Platforms, technologist and creator Mike Pepi lays out an explanation of what went wrong—and a manifesto for putting it right.