Titoli in Studi sui media

Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state.

Dive into a riveting exploration of conspiracy theories, hidden historical events, and little-known facts that challenge the narratives we’ve been taught.

En Enigmas los autores hacen un completo repaso por diversos tópicos inquietantes de la historia universal. Es un libro que nos enfrenta a lo desconocido y nos reencuentra con la fascinación atávica del ser humano por el misterio y lo inexplicable, desde el lejano pasado hasta todos los futuros posibles. Con este tercer libro, Francisco Ortega y Juan Andrés Salfate completan una trilogía sobre lo desconocido, que comenzó hace tres años.

Seit er die Tasse Bester Papa der Welt bekam, steht Daniel unter Druck, sich dieses Titels würdig zu erweisen. Da das Leben seiner sechsjährigen Tochter aber nicht nur aus Überraschungseiern, Achterbahn und Quatschmachen besteht, sieht er sich mit einer verrückten Aufgabe konfrontiert: Erziehung. Zu allem Überfluss bricht in seiner deutsch-türkischen Familie ein Kampf um den Titel »Lieblingsoma« aus, mit hohen Einsätzen: auf der einen Seite Lebensversicherung, Bioprodukte und pädagogisches Lernspielzeug, auf der anderen Seite Glitzerklamotten, Barbiepuppen und minutenlanges Knuddeln.

For a century, magazines were the authors of culture and taste, of intelligence and policy — until they were overthrown by the voices of the public themselves online. Here is a tribute to all that magazines were, from their origins in London and on Ben Franklin’s press; through their boom — enabled by new technologies — as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet.

En personlig fortælling om internettets storhed og fald – om at blive forført og siden forrådt af en teknologi, der er sivet ind i alle sprækker af vores liv. Mikkel Boris, en ret så gennemsnitlig internetbruger og millenial, har med denne bog sat sig for at undersøge, hvorfor internettet ikke er så fedt, som det plejede at være. Han erindrer en fjern fortid, der gik med at spille Mujaffa i skolens edb-lokaler, chatte med piger fra parallelklassen på MSN og slå sine venner ihjel på netcaféens natarrangementer.

We all wear hoods: the Grim Reaper, Red Riding Hood, torturers, executioners and the executed, athletes, laborers, anarchists, rappers, babies in onesies, and anyone who’s ever grabbed a hoodie on a chilly day. Alison Kinney’s Hood explores the material and symbolic vibrancy of this everyday garment and political semaphore, which often protects the powerful at the expense of the powerless—with deadly results.

The mall near Mat thew Newton’s childhood home in Pittsburgh, Pennsylvania, was one of the state’s first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center’s, and a monolithic clock tower illuminated year-round beneath a canopy of interconnected skylights. It also became the backdrop for filmmaker George A. Romero’s zombie opus Dawn of the Dead.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more. What influence did Francis...

Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

Sinn, wo steckst du? – Warum wir über die falschen Dinge zu viel nachdenken. Jede Generation hat ihre eigene Krise.Um die Last des Informationszeitalters zu bewältigen, riskiert unser Verstand so manches Ausweichmanöver: Wir lassen uns von Online-Astrologen in Jobfragen beraten, vergöttern (oder verdammen) Taylor Swift, als sei sie unsere eigene Mutter, klicken uns paranoid durch Insta-Profile und bringen unser Weltbild durch Algorithmen ins Wanken.

Where the Wild Things Were centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock's Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period's fictions—in film, television, and elsewhere—produced for and consumed by children.

Seeking Attention explores the essential but elusive nature of attention through a fresh lens. Drawing inspiration from Simone Weil's assertion that "attention is the rarest and purest form of generosity," this audiobook brings attention into focus through a novel collection of short "portraits" that each examine how archetypal figures—like the detective, the fan, the therapist, the parent, and the lover—engage with attention in unique ways.

Explores how chemicals and nanotechnology are being continuously delivered via chemtrail aerosols by jets, drones, and rockets in the guise of “climate change” Examines the public-private partnerships behind transhumanism, including Big Pharma, GMO agribusiness, DARPA/IARPA...

In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning, media that have taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be.

In the midst of widespread mass shootings in America, a common motif stands out: the perpetrators of these attacks often view themselves as vigilante saviors, whose job it is to regulate society in a way that exterminates their enemies. In this critique, Rachel Wagner makes the case that this unfortunate phenomenon is best understood through the idea of the cowboy apocalypse. She shows that across US media, from video games and movies to novels and TV, a story arc has been created that provides a complete myth about the end of the world and the future after that.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

From the nursery to the prison, from the clinic to the commune, Mother Media tells the story of how we arrived at our contemporary understanding of what a mother is and how understandings of "bad" mothering formed our contemporary panics about "bad" media.

A must-listen from the authors of Who Built the Moon?

This book begins by asking the listener if they can write a Black character. It then asks the listener questions about their knowledge and understanding of race and racism. Exploring the popular representation of law and order, healthcare and celebrity in the entertainment industry, and comparing this with the reality of these institutions throughout history and today, Lubimbi opens up the discussion and offers solutions to problems surrounding race, representation, and stereotyping.