Risultati Editore "ECW Press" in Musica

Grunge Is Dead weaves together the definitive story of the Seattle music scene through a series of interviews with the people who were there. Taking the form of an “oral” history, this books contains more than 130 interviews, along with essential background information from acclaimed music writer Greg Prato.

Performing with David Bowie, surviving the murky depths of the music business, enduring a painful divorce, and making the first music video in outer space, award-winning recording artist Emm Gryner has navigated through life’s highs and lows using a secret compass: singing. Her voice, and her desire to express herself in music, has been a constant, from the early days of playing in bands while growing up in a small town, to playing arena rock shows and stadiums. Across these years and on many travels, she’s discovered the human voice to be an unlikely guide.

Joel Plaskett has earned an awful lot of honourifics in his career so far, counting folk hero, indie darling, and national treasure among them. And that's just since the Halifax musician started making records of his own in 1999. For a decade before that, he was one quarter of Thrush Hermit, a band of scrappy Superchunk disciples who became hard-rock revivalists and one of the last survivors of the '90s pop "explosion" of major-label interest in Halifax.

Joel Plaskett has earned an awful lot of honorifics in his career so far, counting folk hero, indie darling, and national treasure among them. And that’s just since the Halifax musician started making records of his own in 1999. For a decade before that, he was one-quarter of Thrush Hermit, a band of scrappy Superchunk disciples who became hard-rock revivalists and one of the last survivors of the ’90s pop “explosion” of major-label interest in Halifax.

Ten Telecaster Tales shares the process of Emmett writing and recording ten songs for his Telecaster guitar, walking listeners through the creative journey, musical composition, guitar playing, and more. The most elaborate and detailed “liner notes” of Emmett’s career.

Bob Wiseman believes most things in life are universal or, as Lauryn Hill says, everything is everything. Bearing in mind that advice, Wiseman writes about finding the link between music and daily life, like what is common between Mary Margaret O’Hara, hiding around the corner with the lights turned off in order to record herself and his 5-year-old insisting he stop hurrying to her dance lesson and marvel at the fluff ball she is blowing toward the ceiling. Each entry is unique and compellingly written, but the themes throughout are ubiquitous.