Risultati Editore "Scribd Audio" in Narrativa di genere

In the singular world of the young, deaf narrator of Bug, there are just a handful of people who try to understand him when he gets into trouble at school. His father, a data analyst for Nutella whose real job is to pinpoint terrorists, is clueless about humans in real life. His brilliant brother, called IQ in public and Robin Hood in the hackersphere, has his back but is ever busier training his robot.

Amy Wirkner, a high school senior in Barnesville, Ohio, is a loner, nicknamed “Chevy” for her size. She’s smart, funny, and absolutely determined to escape from her small town in the Ohio Valley, a place poisoned by fracking. She does well in school despite the cruelty of her classmates and has her eyes on a college scholarship, so she can one day become a veterinarian and make something of herself.

The boy does not speak. The boy has no name. The boy, raised half-wild in the forests of southern France, sets out alone into the wilderness and the greater world beyond. Having never encountered another person aside from his mother, the boy must learn what it is to be human, to exist among people, and to live beyond simple survival.

Sophia Douglas can’t shake the fear that she’s in over her head. A spontaneous elopement and a layoff from her high-paying job are stressful enough, but a plus sign on her pregnancy test sends her into a panic. Fearing her husband, Terrence, might leave like her father did, Sophia confides her insecurities to Tara, her friend and mom of three. Though Tara Fisher encourages Sophia to trust Terrence, she’s hiding her own secret: A handsome attorney is pursuing her, and she’s questioning her commitment to Josh, her husband of 10 years.

Sick and abandoned by his wife and son, Oséias decides to go back to his hometown after 20 years away. During this time apart, he has heard about his family only through sporadic phone calls from his younger sister, Isabela. The shadow of the suicide of their sister Lígia, when she was 15, lingers over Oséias as he tries to reestablish contact with his siblings.

With a lucrative freelance career and a loving family, Deborah Earle has a life many women would envy. But her daughter, Amanda, is heading to college soon, and Deborah worries about having an empty nest. She thinks another child might be the answer. Her husband, Richard, however, may not be willing to start over so late in life.

As massive solar flares bombard the Earth, an intense electromagnetic pulse brings down America’s long-neglected power grid. The electric age ends and anarchy descends as desperate citizens panic. Artie Drager, whose dream Bahamas vacation turns into every parent’s worst nightmare, finds himself stranded thousands of miles from his home and only daughter, Jessica. As the horrible aftermath unfolds, Jessica is frantic about her father lost somewhere at sea. But first she must save herself right at home.

Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: The virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.

On 25 October 1415, a trapped and vastly outnumbered force of exhausted and demoralized English archers and men-at-arms faced a colossal army of French knights on a desolate field in northern France. What took place that day became one of the greatest moments of the Hundred Years War and English history. Based on chronicles of the times, Agincourt 1415: Field of Blood is a dramatic minute-by-minute retelling of the battle as seen through the eyes of the commanders and soldiers on both sides.

An article in a random travel magazine - about coyotes freely roaming the banks of the Rio Grande right in the middle of the city of Albuquerque - compels talented but socially isolated artist Margaret Shaw to pack up and move from New York City to New Mexico. She quickly settles into a Chicano/Mexican barrio near the river, spending long days at local junkyards attempting to satisfy another recent obsession - her determination to move her art from two dimensions to three.

When Malena Sevilla's tidy, carefully planned world collapses following her father’s mysterious suicide, she finds a letter - signed with an “A” - that reveals that her mother, whom she thought dead, is very much alive in San Isidro, a quaint town tucked in the Andes Mountains. Intent on meeting her, Malena arrives at Alameda Street and meets four sisters who couldn’t be more different from one another, but who share one thing in common: all of their names begin with an A.

May 1875: Mary Todd Lincoln is addicted to opiates and tried in a Chicago court on charges of insanity. Entered into evidence is Ms. Lincoln’s claim that every night a Savage Indian enters her bedroom and slashes her face and scalp. She is swiftly committed to Bellevue Place Sanitarium. Her hauntings may be a reminder that in 1862, President Lincoln ordered the hanging of 38 Dakotas in the largest mass execution in United States history. No one has ever linked the two events - until now.

Sam Baird is lost. Is she experiencing a bout of amnesia or worse, slipping into the depths of madness? Her memories have been erased and everything she thought she knew is gone. She cannot even be certain of her name. She looks at the man standing beside her at the lake’s edge, but he is focused on something poking out from the water. She hears a whisper. Has he said something to her? Or is it just her intuition, warning her?

American-born Margaret Mansour wants nothing more than to rekindle the struggling 20-year marriage to her Palestinian husband, Ahmed — but not if it means uprooting their home and children in America and moving halfway across the world. Young and ambitious Alison Mansour has a degree in Near East Studies, but her American education and Syrian background are of no use when her new marriage begins to crumble under the weight of cultural and religious differences.

To help heal a marriage on the rocks, river-rafting expert Gail, her husband Tom, and their son embark on a white water adventure in Montana. Along the way, they encounter two inexperienced rafters supposedly looking for their friends downriver. Little do they know that the men are escaped convicts whose bid for freedom has a body count.

On the outside, Dr. Jeremy Balint is a pillar of the community: the youngest division chief at his hospital, a model son to his elderly parents, fiercely devoted to his wife and two young daughters. On the inside, Dr. Jeremy Balint is a high-functioning sociopath - a man who truly believes himself to stand above the ethical norms of society. As long as life treats him well, Balint has no cause to harm others. When life treats him poorly, he reveals the depths of his cold-blooded depravity.

It’s 1835 in Utica, New York, and newlywed Helen Galway discovers a secret: Two runaway slaves are hiding in the shack behind her husband’s house. Suddenly, she is at the center of not only the era’s greatest moral dilemma, but her own, as well. Should she be a “good wife” and report the fugitives to her husband? Or will she defy convention and come to their aid? Within her home, Helen is haunted by the previous Mrs. Galway, recently deceased but still an oppressive presence.

Alma and her family live a life close to the land. Then, one night, she abruptly leaves it all behind. This is a propulsive, funny, and thought-provoking debut about a woman in isolation whose mind - fueled by capitalism, motherhood, and the search for meaningful art - attempts to betray her.

The stories in Elegy on Kinderklavier explore the profound loss and intricate effects of war on lives that have been suddenly misaligned. Arna Bontemps Hemenway’s stories feel pulled out of time and place, and the suffering of his characters seem at once otherworldly and stunningly familiar.

Eleven women confront dramas both everyday and outlandish in Caitlin Horrocks' This Is Not Your City. In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace - they have no other choice. Horrocks' women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.