Titoli in Poesia

ديوان للكاتب والشاعر مدحت العدل يتناول فيه عبر مجموعة من القصائد عددًا من الشخصيات التي اقترب منها عبر سنوات حياته سواء الفنية أو الخاصة، ليعكس بها حالة أو فكرة افتقدناها في حياتنا اليوم . وقد اختار الشاعر اسم «شبرا مصر » لديوانه ليعكس حالة التآلف التي تمثلها منطقة شبرا في التاريخ المصري، فقد جمعت منذ سنين بعيدة بين نماذج مختلفة عاشت في مصر...الأغنياء والفقراء - المسلمين والمسيحيين - الأجانب والمصريين؛ ولذا يبقى الحنين لشبرا مصر بكل ما تمثله من معانٍ مصرية في التعايش والصفاء، وبما تعكسه من حالة فريدة لم تتكرر في منطقة أخرى.

"Mtsyri," Mikhail Lermontov's celebrated poem, a true monument to classical Russian literature, is now available as a professionally narrated audiobook in Russian, the original language. I invite you to hear the touching story of a young monk deprived of freedom in childhood.

Inspiré du mythe de Perséphone, il célèbre la voix des femmes, leur force créatrice, les liens qui les rattachent au vivant, à l'amour et à l'animalité, ce qui rayonne en elles et perce le monde des ombres pour renaître sans cesse à la vie. Cette version est une lecture du texte original, interprétée par l'autrice et mise en musique par François-Pierre Fol (violoncelle) et Troy Von Balthazar (guitare, clavier) qui a aussi composé des chansons inédites en bonus. La basse sur One Happy Song est d'Antoine Brunet. Ce projet a bénéficié du soutien du Centre National du Livre.

First published in 1855, when Whitman was 37, Leaves of Grass announced a new voice and style in American letters. It attempted to reach out to the common person with an optimistic epic that took the nation as its subject and encouraged readers to connect with nature and unite in a harmonious society where race and class are transcended.

As he himself said, Drayton’s sonnets are the most “sportive” of the great Elizabethan love poems, “ever in motion,” by turns “wild, madding, jocund, and irregular,” yet maintaining a universality and sturdy good sense that have spoken to the hearts of hearers and readers for four centuries. This recording includes in full not only his famous final collection, Idea (1619), but also the earlier Idea’s Mirror (1594), as well as the various love sonnets that he wrote on other occasions.

Although grief is at the forefront of these poems, The Wild Delight of Wild Things is a simple love letter to Turner's late wife, poet Ilyse Kusnetz (1966-2016). The poems are also a love letter to our planet during the ongoing sixth mass extinction. Intertwining this immense grief, Turner explores the hybrid borderlands of genre, and the meditations on love and loss blur the boundaries between poetry and lyric prose. In Italian, the word "stanza" is rooted in the word "room."

On and off through my life, poetry has been a refuge, allowing me to convey my moods, thoughts, emotions, and beliefs. This collection reflects the sum of my experiences—sometimes light and joyful, other times inspired by life's challenges, such as loss. I hope these poems resonate with you and offer both comfort and inspiration. Thank you for taking the time to explore my journey through words.

Songs from Fern’s Pond is a collage of poetry, letters, and prose that captures the universal resilience of the human spirit through the humor and courage of a woman who fearlessly pursued the life she dreamed of. A duet of text between mother and daughter, it’s a transcendent vision of the rough, wild, and beautiful landscape of the heart—and a reminder that every chapter is worth living to its fullest.

Twenty one poems, delving into the connect with nature, humanity and day to day experiences with emotions and the sanctity of love. A soul searching quest woven into words flowing from the abyss of sentiment rising as the tidal waves to encompass the entirety of heartfelt feelings.

The Native-Born is Rudyard Kipling in full, booming voice—an ode to homeland, heritage, and the fierce pride of those raised under blazing southern skies. Through vivid imagery and pulsing rhythm, Kipling toasts the people of the far-flung British colonies: the “Sons of the Golden South,” the settlers and workers who carved their lives into vast prairies, tin-roofed towns, and coastlines battered by sun and sea.

Hari-hari membakar habis diriku. Setiap kali aku ingin mengumpulkan tumpukan abuku sendiri, jari-jariku berubah jadi badai angin. Dan aku mengerti mengapa cinta diciptakan. The days incinerate me. But each time I try to gather the heap of my ashes, my fingers changed to wind. And I understand...

La seule personne avec laquelle on vivra tout au long de notre vie, c'est nous. Ma maison en fleurs, c'est l'intimité et la difficulté d'être au monde parfois. C'est l'idée que l'on reste sa propre maison, même dans l'incendie. Pauline Bilisari y parle du rapport à soi, au corps, et à tout ce que l'on est. Elle écrit la santé mentale, la souffrance de vivre, et la force que l'on porte en soi, même lorsqu'on l'oublie.

Joseph Fasano’s The Last Song of the World delves into the chaos of the modern world, and searches for resilience in the face of environmental and societal devastation. Dripping with images of ancient ruins and mythological figures, these poems serve as vignettes of fatherhood, love, and desire against the backdrop of apocalyptic events.

Butchers, bakers, brewers, businessmen, farmers, fabric workers, entertainers, comedians, gluttons, lechers, spongers and swindlers, prostitutes and parasites, the pope and his priests, the king and his courtiers, compete for attention in this lively and subversive vision of corruption in fourteenth-century England.

L'autrice phare de néo-poésie nous propose un recueil plein de sensibilité et de force. Grâce à sa poésie hautement intime, on suit Pauline Bilisari sous les averses de la vie, plus ou moins violentes, parfois orageuses, mais avec la perspective de la douceur qui arrive. Elle nous entraîne dans un pas de deux qui explore le deuil, les désillusions, l'envie de vivre qui quelquefois vacille, mais aussi l'enfance et la sérénité retrouvée. Une danse sous la pluie, entre fêlures et reconstruction.

With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store.

I Climb the Mesas: Collected Poems of Paula Gunn Allen span the landscapes of the Southwest, excavate popular misunderstandings of Native women through history, and perhaps most importantly shines a light on a foremother of Native poetry, who was herself an icon to feminist legends like Gloria Steinem.

The author's original music compositions accompany each poem—a feature exclusive to the audio edition. Instant National Bestseller From TikTok star and author of I Hope You Remember—which John Stamos called a “gift to the world”—Josie Balka comes this evocative collection of over...

Read by the author. Do you feel like you live life looking in from the outside? From the way you speak, to the color of your skin, to the way you vote, or the way you pray, you don't fit the mold. And yet you find yourself still trying to prove yourself to others. In Set Me Free, New York Times...

Neal Pollack has been the Greatest Living American Writer across six decades, seven continents, and ten wives. He has won the Pulitzer Prize, the Booker Prize, the PEN/Faulkner Award (twice), and the Premio Simon Bolivar for contributions to the people's struggle in Latin America. In 1985...