Risultati Editore "Audible Studios" in Antologie e racconti brevi

A larval Great Old One is growing day by day in power and just about ready to pop. If Chad Gadenier can't convince "the powers that be" to get involved, not only New Orleans, but the entire world, is going to fall under the power of the nastiest of nasties. Now on the outs with the US government and in exile from his usual job of saving the world, Chad must rally the forces of light against the coming darkness. The problem is one guy with a sword and a sub-gun isn't going to solve this one.

These nineteen stories follow the paths of men and women, immigrants, minorities, and the poor, suffering from injustice and inequality. Written in the 1940s, Fast's clear-eyed and lively tales examine a world reeling from war and plagued by social unrest. With stories set in New York City, Europe, and India, this collection shares a remarkable global vision. Written during the rising Communist scare, Departure is a defiantly leftist portrait of a complex and ever-changing world.

A follow-up to his 1970 science fiction collection, The General Zapped an Angel, Fast’s book of 13 new science fiction stories is brisk and engrossing. In "The Hoop", a scientist builds a portal to an unknown destination, which the mayor of New York City hijacks to use as a garbage dump until the location’s surprising, and hilarious, revelation. And in "The Egg", set 3,000 years in the future, a research team discovers an egg, something they have never seen before, cryogenically frozen in a nuclear bunker. These 13 stories are bizarre, hilarious, poignant, and sure to entertain.

In a post-apocalyptic world, the young healer Snake ventures into unknown lands during her proving year. Her genetically engineered rattlesnake and cobra provide vaccines and medicines, while the rare alien dreamsnake eases pain and suffering. Of Mist, and Grass, and Sand won SFWA's Nebula Award. It is the first chapter of Dreamsnake, which won the Nebula, the Hugo, the Locus, and the Pacific Northwest Booksellers Award.

Two linked stories by Vonda N. McIntyre: “Wings” and “The Mountains of Sunset, the Mountains of Dawn.” Alien people abandon their dying planet in a generation ship, but a few are left behind.“Wings” was nominated for the Hugo and Nebula awards.

Union laborer Rohr Furland begrudgingly takes a job on a space freighter piloted by Captain Future, an immature and slightly crazed captain with an obsession for early 20th-century science-fiction novels. When they receive a distress call from a nearby space station, Furland and the first officer blend the dangers of reality into the captain's fantasy world.

Big bugs, cloned cats, and feral star-children play leading roles in the seven stories that make up Fast’s unconventional and thought-provoking collection. The Edge of Tomorrow is a significant foray into science fiction by one of the 20th century’s most prolific novelists. In looking beyond our universe, Fast reveals much about the America of his time - where the Cold War and a nascent civil rights movement stoked unconscious fears and desires.

These fifteen genre-bending stories are set against a backdrop of sudden violence and profound regret, populated by characters whose circumstances and longings drive them to the point of no return... and sometimes even further. Traversing the back roads of the south and beyond, these stories probe the boundaries of imagination, taking the listener to the fringes of a society where the world looks different, and once you visit, you won't ever be the same.

Nearly forty years after the publication of his first story, "The Wrath of Purple," in the science fiction magazine Amazing Stories, Howard Fast returned to the genre with a set of nine supremely entertaining tales. In this collection, a Vietnam general shoots down what appears to be an angel, a man sells his soul to the devil for a copy of the next day's Wall Street Journal, and a group of alien beings bestow a mouse with human thought and emotion.

The Hunter and The Trap presents two thrilling and suspenseful stories by Howard Fast, one of the most prolific authors of the 20th century. In “The Hunter,” celebrated but down-on-his-luck novelist Andrew Bell returns to New York from an African safari only to find himself the prey in someone else’s big game hunt. Bell must seek the help of an old friend in order to escape with his life.

This collection of short stories encompasses 20 years of work by Howard Fast, including some of his best-known and most treasured tales. Not merely fantasy or science fiction, these "Zen stories" explore the world’s mysterious and unanswerable questions, big and small, and the results are at once bizarre, humorous, chilling, and poignant. An American general shoots down what appears to be an angel during a Vietnam War battle, a celebrated author becomes a hunted man, and a mouse is granted human thought and emotion by a group of alien beings.

When two chrononauts from the 24th century travel back in time, they inadvertently disrupt the ill-fated voyage of the Hindenburg, causing it to land successfully. Now, lost in a parallel universe, their mistake will be felt by every single human being.

The second American Revolution has propelled the Southern-controlled United Republic of America into power, its oppressive laws enforced by the National Reform Program's re-education camps. The citizens are suffering from a militaristic tyranny and federal extortion at the expense of an ambitious space program designed to propagate the galaxy with model citizens of the Republic. A special bonus, author Allen Steele introduces this Hugo-nominated novella.

Four hundred years after mankind's arrival on Erna, the undead sorcerer Gerald Tarrant travels north in search of a legend. For it is rumored there is a forest where the fae has become so powerful that it devours all who enter it, and he means to test its power.

Según el Génesis, el primer castigo fue botánico, y consistió en expulsarnos de un paraíso, de un jardín. Desde entonces vivimos en la añoranza. Bajo esta tensión entre exilio y pertenencia, Clara Obligado nos invita, con su escritura híbrida, a un paseo por la naturaleza en el que se mezclan pensamiento y literatura, ensayo y memorias. Un itinerario por los espacios más indómitos y los más sometidos que chocan y crecen dentro de nosotros. Desde la niñez, desde la semilla, desde distintas partes del mundo, una reflexión poética y conmovedora, un canto a todo lo que crece.

Un grupo de mujeres que se resiste a la sordidez del paso del tiempo; dos amigas de vacaciones en un paisaje imponente, donde acecha la oscuridad y el pasado como un animal feroz; dos hermanas que retrasan desprenderse de las cenizas de su madre en el mar; una pareja que vive en la tensión del conflicto permanente. Con la mirada y el oído atentos a lo terrible, pero también a lo bello, los cuentos de Magalí Etchebarne, plenos en maestría, inteligencia y humor, se internan en la vida de unos personajes en constante batalla con el dolor.

Diez tramas que acaban conformando un mismo largometraje mental y que se ven no como cuentos de hadas pero sí como cuentos de embrujadas a la espera de la llegada de ese gran tornado que las lleve muy lejos o que las devuelva a ese sitio que jamás quisieron abandonar. En el más technicolor black & white, Navia enseña todo lo mucho y muy bueno que sus oyentes tienen para aprender de ella escuchándola –desde los créditos de apertura hasta el The End, por favor, shhh, sin hacer ruido– en el más elocuente y conmovido y agradecido de los silencios por toda su luminosa oscuridad.

Hay muchas maneras de decir adiós, hay instantes únicos en los que la ficción y la memoria se hibridan y enraízan en una misma página para exhibir la red de una despedida. De este umbral doloroso germinan las historias encadenadas con las que Clara Obligado nos acerca a tres mujeres y sus profundas pérdidas, a los diversos espacios y tiempos en que les tocó vivir.

Unas veces nos oprimen y otras oprimimos en el juego de las relaciones y la amoralidad del poder. Esbirros todos: del jefe, del hermano, del policía, del asesino, cuando no de uno mismo. Somos amos, somos esclavos y compartimos la supervivencia y la caída de estos personajes, que nos asquean, aterran o alarman en la misma medida que nos reconocemos en ellos. No busquen historias Disney ni fábulas morales en estas páginas. Acaban de tropezar con la contundencia y la fuerza de la mejor literatura mexicana.

Detengámonos en la «avidez», la nuestra y la de otros. La de todos. El deseo, la ansiedad, la ambición, la codicia. Lina Meruane nos expone a los sentidos materiales y metafóricos de esta palabra a través de una multitud de madres e hijas insaciables, de hermanas incisivas, de amigas y amantes afiladas así como de hombres salvajes y animales cuya hambre alimenta el amor y el odio, la miseria y el castigo, el resentimiento, el perdón. Un universo obsesivo por el que discurren objetos que cobran vida, cuerpos que la pierden, que se mutilan y se desgajan.