Risultati Editore "SAGA Egmont" in Filosofia

Välkommen till en helt ny värld! En värld där dina drömmar blir verklighet. Vad är attraktionslagen? Hur fungerar den? Och hur kan man använda den för att nå sina mål? I "Lev din dröm" berättar författaren Helena-Magdalena Ivekrans-Nätt allt du behöver veta om attraktionslagen, en naturlag som kan förändra ditt liv, och tankens kraft. Med en gedigen bakgrund inom såväl psykologi som personlig utveckling har hon satt samman en guide för hur du kan komma igång med ditt nya, bättre liv och uppfylla dina drömmar.

Bibelns budskap är visserligen främst avsett för de troende, men historikerna har med stor energi fördjupat sig i Gamla och Nya testamentet för att använda skrifterna som källa när de kartlägger tiden då världens första civilisationer uppstod. Bibelns berättelser må vara omöjliga att bekräfta ur ett historiskt perspektiv, men myterna kan ha rötter i verkliga händelser.

Jesus växte upp i ett fattigt hem utanför Jerusalem. Under hela sin barndom var han speciell, men efter att ha fyllt trettio börjar saker på allvar ta fart. Han påstår sig vara Guds son och ger sig ut på flera egendomliga resor för att frälsa och predika inför stora människosamlingar. Är han en förryckt galning? Eller är han i själva verket, som han påstår, Guds son? Matteusevangeliet är en av Kristendomens viktigaste kanoniserade texter.

Händelserna som tilldrar sig i Markusevangeliet tar sin början efter Jesus möte med Johannes döparen. Det blir ett omvälvande möte som för in Jesus på den väg som kommer att göra honom till en av världens mest mytomspunna och viktiga gestalter. För att sprida sin lära samlar Jesus ihop lärljungar ur olika skikt i samhället och ger sig ut på en profetisk resa. Men det blir snart tydligt att makten inte ser blitt på hans försök att sprida kristendomens lära. Jesus blir snart fängslad och torterad till döds. Men berättelsen tar inte slut där.

The Brahma Kumaris World Spiritual University presents "Knowing God", a calming, guided-meditation that will help you relax, unwind and find peace and maybe even enlightenment. Listen to the tracks and follow the guide to free yourself from the stresses of modern, daily-life.

"The Storm" (1704) is a founding document of modern journalism. It tells of the events of November 1703, when a hurricane struck Britain. It is composed of verbatim eyewitness accounts, solicited from survivors through a newspaper advertisement that Defoe placed shortly after the hurricane struck.

John Stuart Mill's "On Liberty" was first published in 1859. In the 21st century this text confirms Socrates' claim that "it is only the life of true philosophy that scorns the life of political ambition" (Plato's Republic, 521). Mill's thinking about freedom in civic and social life examines fundamental principles shared among conservative, liberal, and radical politicians. The life of true philosophy stands outside the political battles that are rampant in society and seeks the political wisdom that is necessary for a good life in any age.

After Socrates is sentenced to death by the Athenian court, his friend Crito comes to the prison to help him escape and go to another country. Socrates responds by saying that he would accept Crito's offer only if he can be convinced that it is right and just to do so. This dialogue is not only about Socrates' particular choice but also about the very essence of law and community. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them they are shown to be foolish rather than wise.

The dramatic nature of Plato’s dialogues is delightfully evident in the "Symposium." The marriage between character and thought bursts forth as the guests gather at Agathon's house to celebrate the success of his first tragedy. With wit and insight, they each present their ideas about love - from Erixymachus’s scientific naturalism to Aristophanes' comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima’s ethereal climb up the staircase of love to beauty itself.

Perception, memory, truth, and knowledge all play major roles in this dialogue. What is remarkable about Plato's treatment of those ideas is how contemporary are both the questions and the answers he puts in the mouths of his characters. Socrates is adamant in asserting that he does not know the answers but that his function is simply to help formulate and critically examine the doctrines presented by others.

Laches, a general in the Athenian army, saw Socrates fight bravely in the battle of Delium. When he and Nicias, another general, are asked to explain the idea of courage, they are at a loss and words fail them. How does courage differ from thoughtless and reckless audacity? Can a lion be said to be courageous? What about small children who have little idea of the dangers they face? Should we call people courageous who do not know whether their bravery will produce good or bad consequences?

"Plato was not a Platonist! I would like to show... that anyone who reads the dialogues of Plato without bias or an ax to grind will find a humorous, witty, pleasant friend; and not a desiccated scholarly mandarin. Plato was an open-minded, tolerant, reasonable individual, not a tight-lipped, pietistic, puritan. In a word, Plato was an Athenian, not a Spartan!". In the twenty-four centuries that have passed since the Athenians put Socrates to death, every generation has interpreted the meaning of Plato’s work differently.

Plato’s dialogues frequently cover several topics and show their connection to each other. The "Phaedrus" is a model of that skill because of its seamless progression from examples of speeches about the nature of love to mythical visions of human nature and destiny to the essence of beauty and, finally, to a penetrating discussion of speaking and writing. It ends with an examination of the love of wisdom as a dialectical activity in the human mind.

A dialogue between Socrates and Meno probes the subject of ethics. Can goodness be taught? If it can, then we should be able to find teachers capable of instructing others about what is good and bad, right and wrong, or just and unjust. Socrates and Meno are unable to identify teachers of ethics, and we are left wondering how such knowledge could be acquired. To answer that puzzle, Socrates questions one of Meno’s servants in an attempt to show that we know fundamental ideas by recollecting them.

The "Dao De Jing" exists on the border between poetry and philosophy, embracing both mythos and logos. Its poetic form can stand alone, but it is enriched when its timeless ideas are analyzed and explained through careful scholarship. For example: "He who knows others is knowledgeable. He who knows himself is wise." These words resemble Socrates’ account of his own quest in Plato’s "Apology". Ancient philosophy, both in China and in Greece, places self-knowledge at the center of the search for wisdom.

"The Birth of Tragedy" stands alongside Aristotle’s "Poetics" as essential works for all who seek to understand poetry and its relationship to human life. In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche’s analysis and integration of the Apollonian and the Dionysian.

Aristotle's Poetics is best known for its definition and analysis of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed: "poetry is more philosophical and more significant than history." Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset? Plato lived in Athens, Greece.