Risultati Editore "Blackstone Audio, Inc." in Arte e intrattenimento

Augustus Rodin was not only the greatest sculptor but also one of the most remarkable personalities of modern times. Frederic V. Grunfeld's exhaustive biography, the first in over fifty years, documents a lifetime of both artistic and personal struggle against poverty, against the conservative Salon, and against an art establishment that for years denied him recognition.

The Los Angeles Times affectionately referred to Freddy Powers as the "Ol Blue Eyes' of Country Music" and wrote that if you were to "ask country superstars Willie Nelson, George Jones or Merle Haggard (they'll)...tell you that he's one of country music's best-kept secrets". The Texas Country Music Hall of Fame inductee has been to the top of the charts as both a producer for Willie Nelson's Grammy-winning LP Over the Rainbow and a songwriter for many of country music legend Merle Haggard's number one hits.

Doty Meets Coyote is an audio tapestry of traditional and original Native American stories from the American West told by master storyteller Thomas Doty. It is Thomas Doty's work as a storyteller not only to perpetuate the Old Time myths with integrity but to add new stories to the collective basket of folklore, just as tellers before him have done for centuries. Storytelling is an ancient tradition as well as a living art.

Reggae superstar Bob Marley is one of the world’s most important and influential artists. Exodus, named by Time magazine as “Album of the Century,” is Bob Marley’s masterpiece of spiritual exploration. Recorded in London after an assassination attempt on his life sent Marley into exile from Jamaica, Exodus is the most lasting testament to his social conscience. Now, in The Book of Exodus, Goldman chronicles the making of this album, from its conception in Jamaica to the raucous but intense all-night studio sessions in London.

Labor Day, 1969: Two recent college graduates move to New York to edit a new magazine called the National Lampoon. Over the next decade, Henry Beard and Doug Kenney, along with a loose amalgamation of fellow satirists such as Michael O’Donoghue and P. J. O’Rourke, popularized a smart, caustic, ironic brand of humor that has become the dominant voice of American comedy. Ranging from sophisticated political satire to broad raunchy jokes, the National Lampoon introduced iconoclasm to the mainstream, selling millions of copies to an audience both large and devoted.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.