Risultati Editore "Brilliance Audio" in Arte e intrattenimento

Sir Arthur Conan Doyle’s detective genius, Sherlock Holmes, came to NBC radio in 1930 starring Richard Gordon. By 1939, Basil Rathbone was heard as Holmes with Nigel Bruce as Doctor Watson. The duo was simultaneously starring in a popular series of Sherlock Holmes features for Fox, and later for Universal.

Our Miss Brooks was a situation comedy show heard on radio and seen on television and films. It starred Hollywood film and New York stage veteran Eve Arden, who had specialized in playing the wisecracking friend to the heroine. The series centered on Connie Brooks, a smart, sharp-witted, lovable English teacher at fictional Madison High School. Between gentle wisecracks, Miss Brooks doted on nerdish student Walter Denton (Richard Crenna) and frequently locked horns with crusty, cranky Principal Osgood Conklin (Gale Gordon).

Lucille Ball was an accomplished actress, comedian, model, entertainment studio executive and producer. She was the star of the self-produced TV sitcoms I Love Lucy, The Lucy Show, Here's Lucy and Life with Lucy, as well as television specials aired under the title The Lucy-Desi Comedy Hour. This collection contains 10 of her popular radio performances, and we hope you will Love Lucy all over again.

A no-holds-barred memoir of legendary Dead Kennedys and Red Hot Chili Peppers drummer D.H. Peligro, Dreadnaught chronicles Peligro from his pre-DK years growing up in a deprived St. Louis ghetto to his years in San Francisco with Jello Biafra, East Bay Ray, and Klaus Flouride - from Los Angeles with the Red Hot Chili Peppers through years of drug and alcohol abuse all over the world amidst a backdrop of some of the most defining periods of late 20th century cultural, social, and music history.

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen.

This collection contains 12 of the greatest shows ever broadcast during the Golden Age of Radio – including episodes of The Jack Benny Program, Burns & Allen, Gunsmoke, The Amos ‘n' Andy Show, Richard Diamond, Private Detective, Suspense, Dimension X, The Whistler, Sherlock Holmes and more. Radio’s finest actors perform before the microphones, including: Jack Benny, Tom Conway, Bud Abbott, Lou Costello, Nigel Bruce, Chester Morris, Dick Powell, Howard Duff, George Burns, Gracie Allen, William Conrad, John Dehner and many more.

The future of our cities is not what it used to be. The modern-city model that took hold globally in the twentieth century has outlived its usefulness. It cannot solve the problems it helped to create - especially global warming. Fortunately, a new model for urban development is emerging in cities to aggressively tackle the realities of climate change. In Life After Carbon, urban sustainability consultants Pete Plastrik and John Cleveland assemble this global pattern of urban reinvention from the stories of 25 "innovation lab" cities across the globe.

The Whistler was one of radio’s top mystery programs airing from May 16, 1942 until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer’s every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps. The Whistler often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective.

Created by Blake Edwards (of Pink Panther fame), Richard Diamond, Private Detective came to NBC radio in 1949 starring film actor and crooner Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder My Sweet and jumped at the chance to play a suave detective on radio. Richard Diamond was a light-hearted New York-based private eye who enjoyed ribbing the cops and singing songs to his millionairess girlfriend, Helen Asher (played by Virginia Gregg). Its theme “Leave it to Love” was whistled by Powell at the beginning of each episode.

The Dealmaker's Ten Commandments contains a practical, no-nonsense methodology for negotiating deals, managing your time, and handling crisis all at the highest level. Peppered with entertainment industry war stories, The Dealmaker's Ten Commandments has been forged in the white-hot crucible of brutal transactional combat.

What’s your story? It’s a question human beings have been asking each other since we first gathered around a campfire. Millennia later, this human need for storytelling hasn’t changed. We communicate most effectively through our personal stories - and our professional success depends on it. This groundbreaking guide shows you how to tap into the timeless power of storytelling to transform your business.

Reminiscent of Humphrey Bogart’s character “Rick Blaine” from the classic film Casablanca, Rocky Jordan was banished by enemies from St. Louis and relocated to Cairo, Egypt. Now living in Northern Africa, Rocky Jordan owns and operates his gin joint (the Café Tambourine) and finds an assortment of mystery and intrigue while unwillingly moonlighting as a crime fighter. Cairo‘s Police Chief, Sam Sabaaya, is an Egyptian Muslim who strictly adheres to the law. Often times, when a crime is committed, Jordan is the prime suspect - forcing him to solve the crime so he can clear his name and save his neck.

The Columbia Workshop aired on CBS radio from 1936 until 1947. Created by Irving Reis, it was an experimental platform with no boundaries for what radio had to offer. Broadcast from New York, it featured the biggest stars from stage, screen and radio including Orson Welles, Burgess Meredith, Agnes Moorehead, Art Carney, Charles Laughton, Vincent Price and Laurence Olivier. Stories were by William Shakespeare, Oscar Wilde, Charles Dickens, John Keats, Edgar Allan Poe, Ernest Hemingway, Rudyard Kipling, Mark Twain, Lucille Fletcher, Carl Sandburg and Herman Melville with music by Bernard Herrmann.

Based on the book Cloak and Dagger: The Secret Story of the O.S.S. by Corey Ford and Alistair McBain, the radio version of these fascinating true stories kept listeners on the edge of their seats. The combination of Hoskin’s accurate research and Cooper’s lively, fast-paced writing helped make Cloak and Dagger one of the best espionage-adventures ever to hit the airwaves. The Office of Strategic Services - the progenitor of our Central Intelligence Agency - was one of American history’s most colorful and compelling WWII intelligence gathering efforts.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista, a set of regular players and characters.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke and they made it the #1 western on radio. It soon made a successful transition to television becoming the longest-running dramatic series in TV history. Join William Conrad (U.S. Marshal Matt Dillon) in the continuing “story of the violence that moved west with young America and the story of a man who moved with it, Matt Dillon, United States Marshal.”

Produced by Louis G. Cowan, Command Performance aired between 1942 and 1949 over the Armed Forces Radio Network (AFRS) with a direct shortwave transmission to American troops overseas. Performed before a live audience in Hollywood, the weekly listening military audience was estimated at 95.5 million. Troops sent in requests to hear their favorite celebrities, and they also suggested unusual ideas or situations for them to be put into. Top stars of the day appeared, including Bob Hope, Bing Crosby, Shirley Temple, Frank Sinatra, Clark Gable, Ginger Rogers, Cary Grant, Humphrey Bogart and many more.

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928 they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday through Friday adventures of Amos 'n' Andy. Department stores open in the evening piped in the broadcasts, so shoppers wouldn't miss an episode.

Author Jack Boyle created the modern Robin Hood-like character, Horatio Black, known to friend and foe as Boston Blackie. Blackie was a reformed jewel thief and safecracker, constantly suspected of crimes he did not commit. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime. The wisecracks exchanged between Blackie and Faraday made the program an enjoyable mix of comedy and mystery. Enjoy 12 of the finest detective adventures of Boston Blackie in this thrilling collection!

"Creepy crawling" was the Manson Family's practice of secretly entering someone's home and, without harming anyone, leaving only a trace of evidence that they had been there, some reminder that the sanctity of the private home had been breached. Now, author Jeffrey Melnick reveals just how much the Family creepy crawled their way through Los Angeles in the sixties and then on through American social, political, and cultural life for close to fifty years, firmly lodging themselves in our minds.