Risultati Editore "Scribd Audio" in LGBT

My Favorite Girlfriend Was a French Bulldog is a novel told in 15 stories, linked by the same protagonist, our narrator, who - in her own voice and channeling the voices of others - creates an unsparing, multigenerational portrait of her native Cuba.

An unnamed narrator writes a letter to an old college friend, Adam, with whom he has been staying since his abrupt return to the States from Israel. Now that the narrator is moving on to a new location, he finally reveals the events that led him to Adam’s door, set in motion by a chance encounter with Uzi, a spice merchant whose wares had developed a cult following. From his first meeting with Uzi, the narrator is overwhelmed by an animal attraction that will lead him to derail his life, withdraw from friends, and extend his stay in a small town north of Tel Aviv.

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

After a decade-long relationship with a dominatrix he called Daddy, Emerson Whitney had begun to crave something besides submission. It came as a full surprise‚ submission had been so central to his early adulthood, to his trans identity. Dizzied by new questions of control and aging, and living in a tent while his relationship ends, Emerson stumbles upon an advertisement for a storm-chasing tour. For thrill seekers, it says. Unsure what else to do, he signs up.

Emerson Whitney writes, "Really, I can't explain myself without making a mess." What follows is that mess—electrifying, gorgeous, defiant. At Heaven's center, Whitney seeks to understand their relationship to their mother and grandmother, those first windows into womanhood and all its consequences. Whitney retraces a roving youth in deeply observant, psychedelic prose—all the while folding in the work of thinkers like Judith Butler, Donna Haraway, and C. Riley Snorton—to engage transness and the breathing, morphing nature of selfhood.

Fasting for Ramadan is structured as a chronicle of daily meditations during two cycles of the 30-day rite of daytime abstinence required by Ramadan for purgation and prayer. Estranged in certain ways from his family’s cultural traditions when he was younger, Ali has in recent years re-embraced the Ramadan ritual, and brings to this rediscovery an extraordinary delicacy of reflection, a powerfully inquiring mind, and the linguistic precision and ardor of a superb poet.