Risultati per "Jam" in Studi afro-americani

La definizione di saggio per le opere non narrative di Baldwin è certamente impropria. Baldwin è un artista, prima di essere un intellettuale, e il suo appassionante confronto con la realtà americana è opera di uno scrittore. Fanno da legame le immagini, le intuizioni, le facce e la sequenza di emozioni e impressioni, piuttosto che l’organizzazione delle idee, perché Baldwin è sempre più impegnato, nei saggi come nei romanzi, a raccontare una storia. Pubblicato per la prima volta nel 1963, La prossima volta il fuoco di James Baldwin colpisce dritto al cuore della cosiddetta “questione nera”.

This groundbreaking and highly acclaimed work examines the two most influential African American leaders of the twentieth century. While Martin Luther King, Jr., saw America as "essentially a dream . . . as yet unfulfilled," Malcolm X viewed America as a realized nightmare. James Cone cuts through superficial assessments of King and Malcolm as polar opposites to reveal two men whose visions are complementary and moving toward convergence.

Sundown Towns examines thousands of all-white American towns that were - and still are, in some instances - racially exclusive by design.

Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity's highly refined process of socialization has inadvertently created and maintained segregated societies.

The consensus view of the Civil War - that it was first and foremost a war to restore the Union, and an antislavery war only later when it became necessary for Union victory - dies here. James Oakes’s groundbreaking history shows how deftly Lincoln and congressional Republicans pursued antislavery throughout the war, pragmatic in policy but steadfast on principle. In the disloyal South the federal government quickly began freeing slaves, immediately and without slaveholder compensation, as they fled to Union lines.

The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk.

A must-listen for anyone concerned about social justice and the future of our democracy, The Last Plantation exposes the mechanisms that perpetuate racial inequality in the halls of Congress and challenges us to confront and transform this unequal workplace that shapes our politics and society.

In the years following Brown v. Board of Education, countless Black citizens endured violent resistance and even death while fighting for their constitutional rights. One of those citizens, Clyde Kennard, a Korean War veteran and civil rights leader from Hattiesburg, Mississippi, attempted repeatedly to enroll at the all-white Mississippi Southern College in the late 1950s. In A Slow, Calculated Lynching, Devery S. Anderson tells the story of a man who paid the ultimate price for trying to attend a white college during Jim Crow.

James Anderson critically reinterprets the history of southern Black education from Reconstruction to the Great Depression. By placing Black schooling within a political, cultural, and economic context, he offers fresh insights into Black commitment to education, the peculiar significance of Tuskegee Institute, and the conflicting goals of various philanthropic groups, among other matters.

In his reflections on God, Jesus, suffering, and liberation, James H. Cone relates the gospel message to the experience of the Black community. But a wider theme of the book is the role that social and historical context plays in framing the questions we address to God as well as the mode of the answers provided.

Through over ten years of research, interviewing activists along with unprecedented access to their personal archives, Tracy and Sonnie tell a crucial, untold story of the New Left. Their deeply sourced narrative history shows how poor and working-class individuals from diverse ethnic, rural and urban backgrounds cooperated and drew strength from one another. The groups they founded redefined community organizing, and transformed the lives and communities they touched.

On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture.

Outdoor journalist James Edward Mills's book The Adventure Gap is a groundbreaking volume that is equal parts adventure story, history, and inspiration as it chronicles the first American all-Black summit attempt on Denali in 2013. Mills uses this momentous expedition as a jumping-off point to explore diversity in the outdoors, from Mathew Henson who stood at the North Pole in 1909 to contemporary adventurers such as polar explorer Barbara Hillary and rock climber Kai Lightner.

First published in 1969, Black Theology and Black Power is the first systematic presentation of black theology that also introduced the voice of a young theologian who would shake the foundations of American theology. Relating the militant struggle for liberation with the gospel message of salvation, James Cone laid the foundations for an interpretation of Christianity from the perspective of the oppressed that retains its urgency and challenge today.

Rising to accept a prestigious award, Jody Lulich wondered what to say. Describe how caring for helpless, voiceless animals in his own shame and pain provided a lifeline, a chance to heal himself as well? Lulich tells his story in In the Company of Grace, a memoir about finding courage in compassion and strength in healing-and power in finally confronting the darkness of his youth.

American Founders reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

American Apartheid shows how the Black ghetto was created by Whites during the first half of the 20th century in order to isolate growing urban Black populations. It goes on to show that, despite the Fair Housing Act of 1968, segregation is perpetuated today through an interlocking set of individual actions, institutional practices, and governmental policies. In some urban areas the degree of black segregation is so intense and occurs in so many dimensions simultaneously that it amounts to "hypersegregation".

This unique collection, compiled especially for Naxos AudioBooks, features original recordings from 1908 to 1947 of Booker T. Washington's "Atlanta Exposition Address", the poetry of Paul Laurence Dunbar and Langston Hughes, the rarely heard humour of Charley Case, readings from "God's Trombones" by James Weldon Johnson, and much more.

The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life.