Mik and Nik reminisce about their training home: Adelaide’s old Centre for the Performing Arts (CPA) on Grote Street, a boutique TAFE acting school set inside a converted teacher’s college with its own theatre. They outline its history while noting how little of this is documented online.

They describe CPA as a rough-and-ready, constantly producing “factory” shared with dance, costume/design, and tech students, where everyone learned practical skills and did public performances year-round. The acting department’s spine was David Kendall’s Laban/Yat Malmgren-based movement psychology, supported by Jen Havelberg’s movement training, and Linklater voice work—designed to create employable, hard-working actors. Alongside the Hogwarts-like chaos (car-park experiments, endless rehearsals, blunt progress panels, staff-and-student pub culture), Nik contrasts the grim, tightly controlled dance program with the more alive acting culture, and recounts switching courses after being told she was meant to be an actor. They shout out key staff like Peter Dunn, Paul Pearce and Chris Iley, mention notable grads (including Nathan O’Keefe, Renato Mussino, Kate Cheel), and end by joking that the CPA barely even had a “green room.”

https://en.wikipedia.org/wiki/Drama_Centre_London

https://en.wikipedia.org/wiki/Yat_Malmgren

Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis

A Mik Allen Concepts production

www.mikallenconcepts.com

In this episode of the Green Room, Mik and Nik sit down on a scorching Adelaide day to discuss their thirty-year journey as a married couple in the performing arts industry. They recount the highs and lows of balancing their personal lives, careers, and raising a family. From their early days of dealing with ego and competition, to navigating the challenges of becoming parents, and the complexities of working together on various projects, they offer an honest and insightful look into their lives. They also touch on issues like mental health, gender dynamics, and the unique stressors of their profession. The episode concludes with reflections on their ongoing passion for the arts and their hopes for the future, both for themselves and their children, who are also creatively inclined.

A Mik Allen Concepts production

www.mikallenconcepts.com

In this episode, Michael and Nikki, a long-term married couple working in the Australian performing arts industry, discuss censorship and its impact on creativity and management within the arts sector. They reference recent events surrounding the 2026 Adelaide Writers Week Festival, where a Palestinian author was uninvited, leading to significant upheaval including board resignations. The discussion extends to their personal experiences with censorship in their careers and how funding bodies often control and limit creative expression. They also touch on the broader issues of political interference, the challenges of securing funding, and the evolution of festivals like Adelaide Fringe and Adelaide Festival. Recorded at Mylor Cricket Oval, the podcast reflects on the role of art in society and the importance of maintaining artistic integrity in the face of external pressures.

APPLES

Written by Richard Milward
Adapted & directed by John Retallack

https://boundlesstheatre.org.uk/productions/apples/

A Mik Allen Concepts production

www.mikallenconcepts.com