What Can Acting Learn From Ritual? With Christopher Fuelling
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What can acting learn from ritual? I sit down with Christopher Fuelling — theater director, tenor, and interdisciplinary artist whose work spans physical theater, ritual, and immersive performance — for a conversation about what happens when performance becomes a deeply embodied experience instead of something we just watch. We talk about Meyerhold's biomechanics and the otkaz/stoika principles, his Atlantis production that opened with "everything we're about to tell you is complete bullshit we made up," Boal's critique of Aristotelian catharsis, and the ethical question at the center of his work: does your ritual expand agency, or concentrate it in the hands of the people who wrote it? We close with three communal breaths.
Find Christopher here: Teatro Korazon — teatrokorazon.org
The Actor's Nervous System explores acting, embodiment, psychology, and the nervous system.
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