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The Tragically Hip Podcast Series

The Tragically Hip Podcast Series

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A Series of Podcasts devoted to Canadian supergroup, The Tragically Hip.

Dewvre podcasts and such. 2025
Musica
  • Episode Three - The Craft
    Oct 21 2026
    May 3rd, Theatre Aquarius in Hamilton. Mary Francis Moore walks jD right up to the wings and stops, because of a rule he didn't know about.Mary Francis directs "It's a Good Life If You Don't Weaken," and the tour so far has been the design studio, the stage management office, and the green room where the cast can watch the stage between scenes. Then the wings. That's as far as jD goes. (Nobody wants to be the guy who breaks the magic.)That's day three of It's A Good Life, five episodes, one a day, all week, from The Tragically Hip Podcast Series. Yesterday was the cast. The Craft is everybody you don't see - the director, the choreographer, the guy who built the world on the stage, and the guy who lights it. jD went in braced for gear talk, cues, rigging, and words he'd have to look up later (he still couldn't tell you what a fly gallery does, and Mary Francis showed him one). There's a little of that. Mostly there's one word, from almost everyone he talked to. Trust.Scott Penner had to hand in his set drawings with half a script and no ending, working from a brief for "something specifically ambiguous." Then one photograph turned up in a pile of 90s street art and photo collages, and it got two words from across the table. Jason Hand spends the first third of rehearsals not thinking about lighting at all, then goes looking for the colour of a sandstorm. Marc Kimelman films himself dancing to every song, works from one idea of Gord Downie's, and once got himself to the front row of a music video shoot for The Hip and kept thinking up questions until they called cut. Jesse LaVercombe calls himself a fountain of bad ideas, and he has the receipts: a script of about 75 pages, and a document of cuts that runs to 546.Then the room itself. A final song swapped out days before the first preview, and how the new one was ready by Sunday. A rehearsal that was one show at ten o'clock and a different show by lunch. A producer who will tell you exactly how he is during tech (not at his best, his words). And for every fan who gets nervous about The Tragically Hip in a musical at all, somebody on the team who walked in on day one feeling the same way, and what he'd say to you now.WHAT ELSE IS IN HERE• Mary Francis Moore on more than a decade of shorthand with Bob Foster, and meeting Marc for the first time.• Michael Rubinoff and Mary Francis on saying no to each other, and why the best idea wins.• The song Marc calls his hardest to choreograph, and why it's a fever dream.• Ahmed Moneka on checking in with Ali Momen along the way, and Ali on carrying every song that came before into the one he's singing.• What's hiding in the paint once the first reveal settles, some of it in Arabic."You'll never see in this show where my work begins or ends." - Marc Kimelman, choreographerWHO YOU HEAR• Mary Francis Moore, director, and artistic director of Theatre Aquarius.• Michael Rubinoff, producer.• Scott Penner, set designer.• Jason Hand, lighting designer.• Marc Kimelman, choreographer.• Ahmed Moneka and Jesse LaVercombe, who wrote the book.• Plus Ali Momen and Talia Schlanger from the cast.Big thanks to Mary Francis, Michael, Scott, Jason, Marc, Jesse, and Ahmed for letting a fan with a microphone stand in the wings and ask questions. What jD found back there wasn't everybody agreeing. It was a room full of people willing to say no in the dark until the right idea showed up, and nobody keeping score of whose it was. He's seen the show at least six times and still can't find the seams. So there's that. Tomorrow on It's A Good Life: The Music, with Bob Foster, and what it takes to make songs by The Tragically Hip that were never written for a stage sing on one."IT'S A GOOD LIFE IF YOU DON'T WEAKEN" - KINGSTONThe Thousand Islands Playhouse brings the musical to the Kingston Grand Theatre, in association with Theatre Aquarius. First preview Thursday, October 22, and it runs to November 8. Opening night, Friday, October 23, is already sold out. Tickets: kingstongrand.ca/events/TIP2026THE TRAGICALLY HIP ALBUM COUNTDOWNA new show for 2027, and you set the order. Rate all fifteen records by The Hip before November 30, and the countdown starts Monday, January 4, at 8pm ET on YouTube. Ballot: forms.gle/KdMfMuApxGb4Nf5w7THE TIP JAREditing is hard. Help keep the battery charged. Tips, never donations: buymeacoffee.com/tthtop40FIND USHome: home.tthpods.comEmail: tthpodcastseries@gmail.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.comMORE FROM THE TRAGICALLY HIP PODCAST SERIESIt's A Good Life - Setting the Scene and The Players: days one and two, right before this one in the feed.Yer Hipstories - Hamilton: https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/fae76ee3-738f-4007-80c8-7140729bb295Creative team credits via the Thousand Islands Playhouse and Stage Door. Run dates via the Kingston Grand Theatre and the Thousand ...
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    35 min
  • Episode Two - The Players
    Oct 20 2026
    May 1st, opening night in Hamilton. On jD's left, a fan of The Hip who doesn't do musicals. On his right, a woman who's never heard of them.His buddy David is the first one, and he mentions the musicals thing on the drive in (great timing, David). The second is 82, the mother of a Theatre Aquarius subscriber, and she knows nothing about The Tragically Hip. Nothing. Then intermission. Guess which one of them ends up at the merch table. Two people, same row, opposite ends of the room, and when jD told that story to the cast, Brandon McGibbon said it was the whole job in one sentence.That's day two of It's A Good Life, five episodes, one a day, all week, from The Tragically Hip Podcast Series. Yesterday was where the idea came from. The Players is about the people who have to stand up there and carry it. Seven of them sat down with jD between April and May, and when he asked how they found The Hip, most of them didn't tell him a story about a band. They told him a story about Canada.Ali Momen came here from Iran when he was three, and The Hip were the backdrop to how he understood "the canvas of Canada." Years before there was a script, he had a very specific note for the producer. Karim Butt came over from Pakistan, heard 'Bobcaygeon' and 'Poets' on the radio and thought they were pretty cool, then got booked for the workshop and went straight to one documentary. You can guess how that went. Tahirih Vejdani's first memory of the band runs through a high school teacher in Regina with a claim to fame. Rebecca Auerbach found out she knew a lot more of the words than she thought. Talia Schlanger calls the whole thing zero burden and pure joy. And Sameer Cash grew up calling Gord Downie Uncle Gord.Then the harder part. Somebody behind the script asking if they were cool enough, rocky enough, grungy enough to touch these songs. A bar band voice on a musical theatre stage, and an apology to musical theatre for every bad thing ever said about it. The one song by The Hip a cast member could play at 18, learned on a trip to Nepal, and the day she found out where it was going. Why somebody calls The Hip the cast's emotional support animal. And a note from Gord that Sameer hadn't gone back to until now.Most of them brought their own families into the roles. A mother's convenience store in Regina. A father and a brother-in-law. A country left behind for something better. One of them was in Kingston on August 20, 2016, and carries what Gord said from that stage into this show. And one cast member shares a story about their grandfather, the show, and a lot of gratitude. It's theirs to tell, so it's in the episode.WHAT ELSE IS IN HERE• A cast member who met Tom Thomson by way of 'Three Pistols' and kept on reading.• The workshop audition Mary Francis Moore promised would not get them the job.• 'Little Bones' cranked in the car on the way to a first audition, and the guitar hook that said this might work.• Jesse LaVercombe on how fast they found Jonathan, and what Brandon did to the writing.• Bob Foster's arrangements, Marc Kimelman's choreography, and a song at least one of the cast had never heard before."That's the two people that you're thinking about, and you want to do a show that's for both of them." - Brandon McGibbon, JonathanWHO YOU HEAR• Ali Momen as Waleed.• Talia Schlanger as Kate.• Brandon McGibbon as Jonathan.• Karim Butt as Sam, the narrator.• Rebecca Auerbach as Abigail.• Tahirih Vejdani as Didi.• Sameer Cash as Fadi.• Plus Ahmed Moneka and Jesse LaVercombe, who wrote the book, and producer Michael Rubinoff.Big thanks to Ali, Talia, Brandon, Karim, Rebecca, Tahirih, and Sameer for giving a fan with a microphone their time this spring in Hamilton. jD went in to ask about a band and came out with seven people talking about what it feels like to find a home. Some found it in Canada, some found it in a song by The Tragically Hip, and most of them found it in both. So there's that. Tomorrow on It's A Good Life: The Craft."IT'S A GOOD LIFE IF YOU DON'T WEAKEN" - KINGSTONThe Thousand Islands Playhouse brings the musical to the Kingston Grand Theatre, in association with Theatre Aquarius, October 22 to November 8. Opening night, Friday, October 23, is already sold out. Tickets: kingstongrand.ca/events/TIP2026THE TRAGICALLY HIP ALBUM COUNTDOWNA new show for 2027, and you set the order. Rate all fifteen records by The Hip before November 30, and the countdown starts Monday, January 4, at 8pm ET on YouTube. Ballot: forms.gle/KdMfMuApxGb4Nf5w7THE TIP JAREditing is hard. Help keep the battery charged. Tips, never donations: buymeacoffee.com/tthtop40FIND USHome: home.tthpods.comEmail: tthpodcastseries@gmail.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.comMORE FROM THE TRAGICALLY HIP PODCAST SERIESYer Hipstories - Kingston: https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/c37eccb0-036d-45d0-827b-...
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    37 min
  • Episode One - Setting the Scene
    Oct 19 2026
    April 19th, around four o'clock, outside Theatre Aquarius in Hamilton. jD is about to sit with the whole creative team, with no idea what's coming.The first preview is three days out. jD bought a ticket for April 22nd thinking it was the premiere. It wasn't (musicals have previews, it turns out - lesson one of about 400). That's the spirit of It's A Good Life, five episodes, one a day, all week, from The Tragically Hip Podcast Series: one fan, uncool and underqualified, let into the rooms where "It's a Good Life If You Don't Weaken" got made. It's the first musical built from the songs of The Tragically Hip, and it's moving to Kingston.Setting the Scene starts at the start. Where the idea came from, who said yes, and how a story about a man who can't go home again ended up in Kingston, of all places. But first, the question nobody wants to ask out loud: what is a musical, anyway? Jen Towndrow, Armand, and Autumn McDonald love them, and they make the case. One fan who walked out of a jukebox show wondering what just happened makes the other one.Then the people who built it. Michael Rubinoff, the producer, knew exactly where he wanted to be if Y2K took the world down at midnight, and he knew one thing about this show before he had the rights to a single song. Jake Gold, manager of The Hip, had two conditions. A month later came a phone call, a radio story out of Afghanistan, and the song that played once the plane was in the air.Ahmed Moneka shouted his love for an Ontario town off a bridge, and somebody told him which song to go home and play. Jesse LaVercombe found The Hip somewhere "in the ether" and came aboard late, which meant sprinting. Mary Francis Moore offered up the room at Theatre Aquarius partly so she could watch. And Brett Christopher in Kingston had been dreaming about this for fifteen years before anyone else got the rights. That news landed hard, at first.Somewhere in all of it the story leaves Toronto for a smaller city with prisons on one side and universities on the other. You'll hear why that move mattered. And on April 23rd, at a talk in the theatre, somebody asks for the whole show in one word.WHAT ELSE IS IN HERE• What "the book" of a musical is, for anyone who assumed it was a book.• The Zoom where Michael asked the band for three minutes before getting down to business. And what he told them first.• Friends whose fathers came from Iran and Peru, and the band they learned Canada through.• Lindsay Pereira's CBC story, and why Jake told Michael he had to read it.• Kensington Market, Kingston, and why a small town makes you earn it."If I had one kick at the can with this music and there was one way I could use this music to tell the story, I did always believe that this was the story to tell." - Michael Rubinoff, producerWHO YOU HEAR• Michael Rubinoff. Producer of "It's a Good Life If You Don't Weaken," and the originating producer of "Come From Away." A fan first.• Jake Gold. Manager of The Tragically Hip.• Ahmed Moneka and Jesse LaVercombe. Co-writers of the book, ten years making theatre together, "King Gilgamesh and the Man of the Wild" included. Jesse on moving north: "Sometimes I feel like as an American living up here, it's like living in a really low-stakes Twilight Zone."• Mary Francis Moore. Director, and artistic director at Theatre Aquarius, the National Centre for the Development of New Musicals.• Brett Christopher. Managing artistic director of the Thousand Islands Playhouse, the show's Kingston co-producer. He lives in Kingston.• Jen, Armand, and Autumn. The crash course in musicals.Big thanks to Michael, Jake, Ahmed, Jesse, Mary Francis, and Brett for letting a fan with a microphone into the room three days before the first preview, and to Jen, Armand, and Autumn for explaining it all first. A lot of new Canadians found their way in through The Tragically Hip. This is the story of how that ended up on a stage. Tomorrow on It's A Good Life: The Players."IT'S A GOOD LIFE IF YOU DON'T WEAKEN" - KINGSTONThe Thousand Islands Playhouse brings the musical to the Kingston Grand Theatre, in association with Theatre Aquarius, October 22 to November 8. Opening night is Friday, October 23. Tickets: kingstongrand.ca/events/TIP2026THE TIP JAREditing is hard. Help keep the battery charged. Tips, never donations: buymeacoffee.com/tthtop40FIND USHome: home.tthpods.comEmail: tthpodcastseries@gmail.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.comMORE FROM THE TRAGICALLY HIP PODCAST SERIESYer Hipstories - Hamilton: https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/fae76ee3-738f-4007-80c8-7140729bb295Yer Hipstories - Kingston: https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/c37eccb0-036d-45d0-827b-08582d3f8bbaRun dates via the Kingston Grand Theatre and the Thousand Islands Playhouse. Lindsay Pereira's story via CBC.#ItsAGoodLife #TheTragicallyHip #...
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    31 min
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