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The Problematic Gaze

The Problematic Gaze

Di: David Moor and Lee Arnott
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Winner - ‘Best History Podcast’ - Independent Podcast Awards 2025


‘Top 30 Podcasts To Listen To Right Now’ - The Radio Times 2025


Direct from PG Towers, join social historian Dr Lee Arnott and TV producer Dave Moor for a lighthearted look at the world of TV, Film and Popular Culture of yesteryear that has since been considered problematic. Each week we focus on a different piece of pop culture, and put it into context by looking at the news events and cultural landscape of the year it was released. Out and proud, Dr Lee and Our Dave present a humorous take on life as LGBTQ+ men of a glorious age, and present a digestible mix of academic social commentary, unflinching life lessons, media analysis, and hot takes on feminism, race, politics and cancel culture.

Hosted on Acast. See acast.com/privacy for more information.

© 2026 The Problematic Gaze
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  • Whatever Happened to Baby Jane? (1962): Bette Davis, Joan Crawford & the Feud That Became Legend
    Nov 3 2026
    Click here to visit our YouTube ChannelThis week, we're heading into the wonderfully unsettling world of Whatever Happened to Baby Jane? (1962), the psychological thriller that brought two of Hollywood's greatest stars together for a spectacularly uncomfortable family reunion.With Bette Davis as the grotesquely theatrical former child star Baby Jane Hudson and Joan Crawford as her wheelchair-using sister Blanche, it's a film packed with jealousy, resentment, faded glamour and some truly extraordinary performances.But is it really a story about two sisters who hate each other, or does it reveal something much more troubling about Hollywood's treatment of ageing women?And, naturally, could you get away with it today?First, we're travelling back to Britain in 1963 for our regular Culture Corner.It's a year of scandal, satire and enormous social change.The Profumo affair exposes the secrets of Britain's political establishment, the Duke and Duchess of Argyll's divorceprovides sensational headlines, and a new generation of satirists begins challenging the country's traditional deference to authority.Meanwhile, Beatlemania is sweeping the nation, Dr Beeching's railway proposals threaten the future of Britain's branch lines, National Service is coming to an end, and nuclear anxieties continue to fuel the Campaign for Nuclear Disarmament.At the cinema, James Bond returns in From Russia with Love, while television prepares to introduce a mysterious traveller called Doctor Who.And, of course, we'll be taking a look at what Britain was listening to as the pop revolution gathered pace.Then it's time to enter the Hudson household.We revisit the making of Whatever Happened to Baby Jane?, its extraordinary success, its Academy Award recognition and the performances that transformed two established Hollywood stars into icons of psychological horror.But behind the famous make-up, costumes and deliciously theatrical dialogue lies a rather uncomfortable question.Why was Hollywood so terrified of women getting older?We explore the industry's double standards, the limited opportunities available to ageing actresses and the emergence of the genre sometimes labelled hagsploitation — a term we're rather less enthusiastic about than grande dame guignol.And what about that legendary feud between Bette Davis and Joan Crawford?Was their rivalry really as extraordinary as Hollywood folklore suggests, or have decades of publicity, gossip and dramatisation turned a complicated professional relationship into something far more sensational?We separate the mythology from the better-documented incidents, including that unforgettable Academy Awards episode.We also examine the film's more problematic elements, including its treatment of disability, the character of Elvira and the racial stereotypes associated with the so-called “magical Negro” trope.Then there's the film's extraordinary afterlife.From its influence on later psychological thrillers featuring older female stars to its status as a beloved piece of queer camp cinema, Baby Jane has become far more than simply a horror film.Is it a cruel spectacle built around ageing women, a surprisingly sharp criticism of Hollywood, or a glorious combination of both?And how much of its appeal comes from the fact that Bette Davis and Joan Crawford were quite simply magnificent?With Fontaine the poodle keeping us company, we revisit the film, its stars, its cultural legacy and the uncomfortable questions that still make it fascinating more than sixty years later.Was Baby Jane the real monster, or was Hollywood itself the villain?Join Dr Lee Arnott and Dave Moore for another affectionate, irreverent and occasionally horrified look at a classic film through modern eyes.GAZER HOMEWORK: Nest week were watching two episodes of Tales Of The Unexpected: The Flypaper and Lamb To The SlaughterClick here to visit our YouTube site, The Gaze Channel, where you can watch video versions of our podcast.Our YouTube site also contains playlists for each episode with provides wider context to each episode.Click here to follow us on all our socialsAnd if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at theproblematicgaze@gmail.com. We love hearing from you! Hosted on Acast. See acast.com/privacy for more information.
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    56 min
  • 'Ghostwatch' REWATCHED! (1992): The Halloween TV Show That Terrified Britain
    Oct 31 2026

    Channel 5 is bringing Ghostwatch back into the spotlight this Halloween with a brand-new documentary, Ghostwatch: The Night That Terrified Britain, airing on Saturday 31 October at 9.15pm — exactly 34 years after the original BBC broadcast.

    To mark the occasion, we're reopening the archives at The Problematic Gaze and revisiting our own deep dive into one of the most extraordinary and controversial moments in British television history.

    On Halloween night in 1992, millions of viewers settled down to watch what appeared to be a live BBC investigation into a haunted suburban home.

    With Michael Parkinson in the studio, Sarah Greene inside the house, Craig Charles reporting from outside and Mike Smith taking viewers' calls, everything looked reassuringly familiar.

    But something wasn't quite right.

    There were strange noises, unexplained disturbances and a mysterious presence known only as Pipes.

    And as the evening progressed, things became increasingly unsettling.

    The problem? Many viewers believed it was all real.

    In fact, Ghostwatch was an elaborately staged television drama, written by Stephen Volk and directed by Lesley Manning, which blurred the boundaries between fiction and reality with extraordinary results.

    The broadcast prompted thousands of complaints, made national headlines and became so controversial that the BBC never repeated it on British television.

    But was Ghostwatch a brilliantly innovative piece of television horror, or had the BBC taken its Halloween trick a little too far?

    In this special Halloween reissue, Dr Lee Arnott and Dave Moor revisit the programme that frightened a generation.

    We explore the familiar television faces that made the deception so convincing, the ingenious techniques used to create an atmosphere of mounting dread, the mystery of Pipes and the extraordinary public reaction.

    We also consider the programme's lasting influence on horror, its transformation into a cult classic and why, more than three decades later, people are still talking about that Halloween night.

    And naturally, we're asking the question at the heart of The Problematic Gaze:

    Could you get away with it today?

    In an age of reality television, social media, fake news and increasingly sophisticated screen trickery, could a programme like Ghostwatch still convince — and terrify — a modern audience?

    With Channel 5's new documentary revisiting the original broadcast and its extraordinary legacy, there's never been a better time to return to the house, turn down the lights and look out for Pipes.

    Whether you watched it live in 1992, discovered it years later or have never seen it at all, join us for a very special Halloween trip into British television history.

    Just remember: it's only television. Isn't it?

    This episode is a special Halloween reissue from The Problematic Gaze archive.

    Subscribe to The Problematic Gaze for more classic film and television, nostalgia, cultural history and the occasional programme that probably shouldn't be watched alone.

    Click here to visit our YouTube site, The Gaze Channel, where you can watch video versions of our podcast.


    Our YouTube site also contains playlists for each episode with provides wider context to each episode.


    Click here to follow us on all our socials


    And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at theproblematicgaze@gmail.com. We love hearing from you!

    Hosted on Acast. See acast.com/privacy for more information.

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    52 min
  • Carrie (1976): Prom Night, Periods & the Horror of Being a Teenage Girl
    Oct 27 2026
    Periods, pig's blood, religious repression and quite possibly the worst school prom in cinema history. Welcome to Carrie!Hello Gazers!This week we're going back to 1976 for Brian De Palma's horror classic Carrie, starring Sissy Spacek as the painfully shy teenager whose schooldays are about to take a rather spectacular turn for the worse.But is Carrie simply a terrifying tale of supernatural revenge, or is it really about the horrors of being a teenage girl?And, more importantly, could you get away with it today?We begin with one of cinema's most uncomfortable opening sequences, as Carrie's first period becomes a source of humiliation in the school changing rooms.It's a scene that raises some interesting questions about the male gaze, the representation of teenage girls and why De Palma chooses to introduce his heroine in quite such an intimate way.From there, we explore the relentless bullying Carrie endures, her emerging telekinetic powers and her deeply troubled relationship with her fanatically religious mother, Margaret White, played with extraordinary intensity by Piper Laurie.Then, of course, there's the prom.The dress. The date. The bucket. And one of the most memorable sequences in horror-film history.We discuss how Carrie turns teenage cruelty into something genuinely disturbing, whether its portrayal of female anger can be read as empowering, and why the film seems determined to punish its heroine just as she begins to find a little happiness.Is Carrie a monster, a victim, or simply an outsider pushed beyond her limits?Along the way, we revisit the making of the film, Sissy Spacek and Piper Laurie's Oscar-nominated performances, its box-office success and its extraordinary influence on popular culture.We also look at the various attempts to revisit Stephen King's story, including the remakes and the forthcoming television adaptation.And then it's time for Culture Corner!Although Carrie was released in America in 1976, British audiences had to wait until January 1977, so we're taking a trip back to Britain at the beginning of a particularly memorable year.The Ford Fiesta was arriving on British roads, the Sex Pistols were making headlines after being dropped by EMI, and the Sinclair pocket television offered a glimpse of a technological future that wasn't quite as convenient as advertised.Meanwhile, Britain was dealing with political tensions, IRA bombings and the death of former Prime Minister Anthony Eden.And naturally, we couldn't visit January 1977 without switching on Top of the Pops to see what Britain was buying, listening to and dancing around its living rooms to.It's a fascinating contrast: while Carrie White was discovering the terrifying possibilities of her own power, Britain was entering the year of punk, pop and enormous social change.We finish with our verdicts on Carrie, its legacy and whether its treatment of women, sexuality, religion and teenage cruelty still stands up today.Is Carrie a feminist horror masterpiece, or does its portrayal of female rage reveal something rather more problematic?Join us for another affectionate, irreverent and occasionally horrified look at a classic film through modern eyes.Subscribe to The Problematic Gaze for more film and television nostalgia, forgotten cultural history and questionable attitudes.Click here to visit our YouTube site, The Gaze Channel, where you can watch video versions of our podcast.Our YouTube site also contains playlists for each episode with provides wider context to each episode.Click here to follow us on all our socialsAnd if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at theproblematicgaze@gmail.com. We love hearing from you! Hosted on Acast. See acast.com/privacy for more information.
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    1 ora e 9 min
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