Season 8 of The Object begins March 16! All-new episodes, bonus content, and more about the almost famous, the nearly lost, and more surprising true stories at the intersection of art and history. Subscribe now so you never miss an episode!

Now, enjoy the second in our bonus series of Fireside Stories: The incredible, fast, and forgotten life of painter Bob Thompson. The original Basquiat, seeming to come out of nowhere with sold-out shows of his colorful remixes of Old Masters. Riding with the Beat poets in the race to live all of life all at once. And leaving behind several lifetimes' worth of work—in just a few years.

You can see Thompson's Homage to Nina Simone, a reimagining of Nicolas Poussin's Bacchanal with Lute-Player, from about 1630, in the collection of the Minneapolis Institute of Art.

This rollicking, sold-out live show of The Object podcast was recorded February 7, 2026, at the Minneapolis Institute of Art with host Tim Gihring and musical guest jeremy messersmith. It's our Valentine's show, with quizzes, storytelling, and curator conversation all about the gods in—and often out of—love.

Messersmith, a NPR Tiny Desk alum whose new song F••• This has become a viral hit, performs a choice selection of tunes about our tragicomic relationship with the heart, plays a quiz, and talks about the ideal love song. European art curator Rachel McGarry explains why we remain enamored of classical myths. And Gihring spins a story of Eros and Psyche across thousands of years.

A big thank-you to messersmith, McGarry, and show runner Dexter Carlson, who donned an inflatable plastic cupid-bear costume for her welcome remarks that probably should have remained petroleum.

Our season 8 premiere is just weeks away in mid-March! Subscribe so you never miss an episode and keep an eye out for the next live taping sometime in May.

One month to go until the new season of The Object premieres! Subscribe so you don't miss it, and in the meantime enjoy bonus and encore episodes like this one from early in The Object archives.

William Edmondson is a middle-aged laborer in Nashville, Tennessee, at the height of the Great Depression, when God tells him to carve a tombstone. Soon, he's the first African American artist to have a solo show at the Museum of Modern Art, in New York. But his celebrity is strangely short-lived, and only much later does the real story of his rise and fall from the heights of the art world come to light. You can see one of his many sculptures of a ram, of the Dorset sheep variety local to Tennessee, in the collection of the Minneapolis Institute of Art.