The Nine Ladies: Stones, Sorcery & Protest
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EPISODE 3 — “The Nine Ladies: Stones, Sorcery & Protest”
On Stanton Moor, a small stone circle sits low among the heather — modest in size, rich in stories. Known as the Nine Ladies, this Late Neolithic/Early Bronze Age monument has been reimagined repeatedly across four thousand years: as pagan temple, as Christian cautionary tale, as Victorian druidic relic, and — most recently — as the focus of a modern environmental protest.
In this episode, we explore how archaeology, folklore, and activism collide on a single patch of moorland, and why small monuments sometimes accumulate the largest meanings.
Hidden Derbyshire: Landscapes of Time
A documentary storytelling podcast about the places where history, folklore, and landscape intersect.
**Primary Archaeology & Landscape Sources**
* **Barnatt, John** (1990). *The Henges, Stone Circles and Ringcairns of the Peak District*.
— Includes Nine Ladies & Stanton Moor cairn complex.
* **Barnatt & Collis (eds.)** (1996). *Barrows in the Peak District*.
— Covers cairns, ring cairns, typology, and landscape sequencing.
* **Barnatt & Smith** (2004). *The Peak District: Landscapes Through Time*.
— Essential landscape archaeology context.
* **Derbyshire Archaeological Journal** (19th–20th c. volumes).
— Antiquarian field notes, early measurements, cairn mapping.
* **Historic England Scheduling Notes** — Nine Ladies + King Stone + associated cairns.
— Official designation, context, and landscape assessment.
### **Chronology Notes**
* Assigned to **Late Neolithic / Early Bronze Age (c. 2200–1500 BC)** via:
✔ comparative typology of small stone circles
✔ proximity to round cairns (Bronze Age funerary)
✔ absence of later intrusive features
* No major excavation; dating remains inferential not direct.
**Comparative Monument Clusters**
Useful parallels for scale & function:
* **Merry Maidens** (Cornwall)
* **Bodmin Moor Circles** (Cornwall)
* **Burnmoor Circles** (Cumbria)
* **Rollright Stones** (Oxfordshire)
— Most share folklore of petrification, dancing, or taboo-breaking.
**Folklore & Victorian Reimagining**
* Christian petrification legend (19th c.) attested in:
— **Glover, S. (1829). *History of Derbyshire*.**
— regional antiquarian society papers
* Victorian Druid revival influence:
— “sabbath dancers”, “fiddler/king stone” motif
— aligns Nine Ladies with pan-British folklore template
**Modern History: Quarry Dispute & Protest**
* Quarry expansion proposals (late 20th–early 21st c.) led to:
✔ long-term protest camp
✔ treehouses & makeshift dwellings
✔ collaboration between druids, environmentalists, walkers & locals
✔ protracted planning & legal process
* Reported in:
— Local & regional press (Derbyshire Times, Peak Advertiser)
— BBC regional coverage
— Archaeology & heritage advocacy (Council for British Archaeology)
— Heritage conservation casework files (Historic England, NPA)
**Consensus Statements**
Most archaeologists agree:
✔ Nine Ladies belongs to prehistoric ritual landscape of Stanton Moor
✔ Cairns → funerary; circle → ceremonial
✔ King Stone = outlier marking threshold/procession
✔ Folklore overlays are post-medieval & Victorian
✔ Monument significance = cumulative, not singular
### **Open Interpretive Questions**
Still debated or unknown:
• Function: ritual vs procession vs social gathering
• Astronomical or calendrical alignments (inconclusive)
• Relationship between cairns & circle (sequence/ritual choreography)
• Why small-scale circles persist across Britain despite regional variation
*Accessible Public Sources**
For general audiences:
* Peak District National Park Heritage Pages
* Friends of the Peak District / CPRE materials
* Buxton Museum Prehistory collections
* Visitor guides for Stanton Moor & Nine Ladies
* Local walking books (often surprisingly well researched)
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