This week Darcy and Huck (finally) recap New York Print Week 2026. Explained as “Fashion Week for prints,” centered on IFPDA and The Brooklyn Fine Art Fair, plus satellite fairs, gallery shows, and talks. Listen in to hear about how Monkey Mountain Khronikle became a crowd-pleasing interactive “head-exploder,” Jen’s meticulous booth prep, laugh about a decal mishap, and swap survival notes on stomach bugs, meds mishaps, and commuting mistakes.

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Join Darcy and Huck as they dive into the physical challenges of creating large-scale art. Huck shares his journey of tackling monumental woodcut blocks at 54, reflecting on how time has impacted his process.

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The Great Warmadillo: Dürer’s Rhino, Tribute Prints, and “Magic” Hits

Darcy and Huck dig into Albrecht Dürer’s legendary 1515 Rhinoceros—made from a written description—and how it sparked Huck’s 2017 tribute, The Great Warmadillo. They trace the Warmadillo’s origins, from a roadside armadillo sighting to a surreal, art-history-packed print that nods to politics, migration and more. Along the way, Huck introduces the idea of “magic prints”—and explains why you can’t predict when one will suddenly take on a life of its own.

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