Stones of Venice, Volume 1 copertina

Stones of Venice, Volume 1

Stones of Venice, Volume 1

Di: John Ruskin
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Immerse yourself in The Stones of Venice, a captivating three-volume exploration of Venetian art and architecture by the esteemed English art historian John Ruskin. First published between 1851 and 1853, this influential work reveals how Venices architectural wonders reflect the principles outlined in Ruskins earlier masterwork, The Seven Lamps of Architecture. With meticulous detail, Ruskin examines over eighty churches and delves into the citys architectural evolution from Byzantine to Gothic to Renaissance, all while weaving a rich history of Venice. This seminal text ignited a passion for Venetian architecture in Victorian Britain and beyond. Notably, the chapter The Nature of Gothic from volume 2 resonated with luminaries like William Morris, who celebrated it as a cornerstone of the Gothic revival. It also inspired literary titans such as Marcel Proust, whose narrator expresses profound admiration for Ruskin during a Venetian visit. The Stones of Venice is not just a book; its a pivotal contribution to 19th-century literature and art history. (Summary adapted from Wikipedia by Leni)Copyright Assorted Non Fiction Arte Mondiale Scienze sociali
  • Seven Lamps of Architecture-John Ruskin
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    Seven Lamps of Architecture by John Ruskin.

    The Seven Lamps of Architecture, published in May 1849, is an extended essay written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. To an extent, they codified some of the contemporary thinking behind the Gothic Revival. At the time of its publication A.W.N. Pugin and others had already advanced the ideas of the Revival and it was well under way in practice. Ruskin offered little new to the debate, but the book helped to capture and summarise the thoughts of the movement. The Seven Lamps also proved a great popular success, and received the approval of the ecclesiologists typified by the Cambridge Camden Society, who criticised in their publication The Ecclesiologist lapses committed by modern architects in ecclesiastical commissions.

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