One of the most passionately beloved movies of the 1990s, and indeed all of film history, it is peculiar that while you will meet people who haven't seen this film, you will never meet people who don't like it and gleefully tell you so. The fact that when Shawshank first emerged it was largely ignored or made fun of for having a convoluted name, and lost almost every award it was nominated for to Forrest Gump (coming next week) is remarkable in retrospect.

It really only hit and became abidingly popular when it reached television screens. Perhaps the story itself does not suit being sat in a cinema with a lot of strangers feeling awkward and emotionally charged over this prison drama, and it in fact calls for a more intimate, quiet level of attention

One thing is for sure, it made for one hell of a podcast, and we were lucky enough to get back Ryan Estrada, our man in South Korea who once again holds a deep connection with this very special movie: www.ryanestrada.com

Guest: Ryan Estrada

[School of Movies 2026]

Truman Burbank lives a charmed existance, residing on a little island town that is distinctly old fashioned and twee. In reality, Truman's every movement is being broadcast to the viewing planet, and has been since his infancy. But Truman is beginning to suspect something is up, and his unseen father figure Christoph (compellingly played by Ed Harris) is working hard to restore the show to its comforting routine.

A surprisingly abiding dramatic sci-fi classic from the late 90s and one of Jim Carrey's finest (and least irritating) performances. This movie is somehow more relevant today in the era of parasocial fixation on people who broadcast their lives all day and night, than it was in the late 90s when this wasn't possible.

And welcome back to the show, Ryan Estrada, our man in South Korea who has a special attachment to this multilayered film: www.ryanestrada.com

Guest: Ryan Estrada

Next Week: The Shawshank Redemption

[School of Movies 2026]

'The Lies of Casablanca'. That was going to be my original title for this episode. When I got to sit down and watch this impeccable film on the big screen, it struck me how often the main characters lie; to each other, to themselves, to us... and yet we as the audience are almost always in the advantagous position of being able to clearly discern each lie.

So, Sharon and I delved into a true classic, venerated throughout the second half of the 20th Century, but now somewhat in decline on lists of Greatest Films of All Time, unseated by the works of Christopher Nolan and Denis Villeneuve. However, there is something so very fitting about going back to something powered by nostalgia, its original audience now long-dead, but its central message; 'For the love of god, we must defy Nazis' delivered at a point in history that Hitler still hadn't been beaten, feels more relevent than ever.