In this episode of Sounds of Film, Tom Needham sits down with Sook-Yin Lee, the director and co-writer of PAYING FOR IT, to discuss her daring live-action adaptation of Chester Brown’s acclaimed graphic novel. The film tells the story of an introverted cartoonist who, when his long-term girlfriend wants to redefine their relationship, begins seeing sex workers and discovers a new kind of intimacy. Combining humor, emotional depth, and intelligence, it challenges conventional ideas of love, non-monogamy, and human connection, while bringing underground comic culture to vivid life on screen.

PAYING FOR IT features standout performances from Dan Beirne, Emily Lê, and Andrea Werhun, with cinematography by Emmy Award-winner Gayle Ye, production design by Olivia D’Oliveira, and an original score co-composed by Dylan Gamble and Lee herself. Chester Brown’s artwork is woven throughout the film, giving it an authentic graphic novel sensibility while highlighting the perspectives of sex workers in a thoughtful and nuanced way. The film is a deeply personal yet universally resonant meditation on intimacy, desire, and the choices we make in search of connection.

Sounds of Film, hosted by Tom Needham, has been the home of insightful conversations with filmmakers, composers, actors, and cultural figures for more than three decades. Past guests include Billy Joel, Cornel West, Chuck D, Michael Moore, Carter Burwell, Nile Rodgers, Hal Hartley, Howard Shore, Ernest Dickerson, Barbara Kopple, Alec Baldwin, and Dionne Warwick, among many others, offering listeners a behind-the-scenes look at the artistry, craft, and stories that shape cinema and music today.

In this episode of Sounds of Film, Tom Needham speaks with Emmy-nominated filmmaker Adam Bhala Lough about his bold, provocative, and darkly funny new documentary Deepfaking Sam Altman. When Lough is unable to secure an interview with OpenAI CEO Sam Altman, he takes a radical turn—building an AI version of Altman using publicly available data and cutting-edge technology. The result is “SamBot,” an artificial co-director that becomes both collaborator and mirror, reflecting Lough’s own fears, ambitions, and blind spots.

Blending investigative journalism, satire, and deeply personal reflection, Deepfaking Sam Altman explores our culture’s growing obsession with simulation, power, and connection in the digital age. In the conversation, Lough discusses the ethics and legal complexities of deepfakes, the emotional experience of bonding with an AI, the blurred lines between parody and responsibility, and what it means to be human in a world increasingly shaped by machines. The interview offers a fascinating look behind the scenes of one of the most talked-about documentaries of the year and a candid exploration of the promises—and dangers—of artificial intelligence.

About Sounds of Film

Sounds of Film, hosted by Tom Needham, explores the powerful connection between music and cinema through in-depth conversations with directors, composers, musicians, and industry legends. Past guests have included Billy Joel, William H. Macy, DA Pennebaker, Chuck D, Laurie Anderson, Carter Burwell, Whit Stillman, Dionne Warwick and many more, making the show a trusted destination for filmmakers, film lovers, and music fans alike.

Remembering Scott Adams — creator of Dilbert, host of Real Coffee with Scott Adams, and an early champion of The Sounds of Film.

He generously joined us when the show was just getting started, and those conversations about the simulation, his books, and big ideas will always be special.

This week on a Classic SOUNDS OF FILM, Tom Needham welcomes legendary singer-songwriter, actor, and recovery advocate Paul Williams for an in-depth conversation about his extraordinary career and his work with Jim Henson’s Muppets. Williams, whose iconic songs include “We’ve Only Just Begun,” “Rainy Days and Mondays,” “Evergreen,” “An Old Fashioned Love Song,” and “The Rainbow Connection,” shares stories from his decades in music, film, and television.

The conversation highlights Williams’ timeless contributions to the Muppets universe, with a special focus on The Muppet Christmas Carol and the beloved holiday classic Emmet Otter’s Jug-Band Christmas. Originally broadcast on HBO in 1977 and nominated for four Emmy Awards, Emmet Otter’s Jug-Band Christmas features Williams’ music performed by an all-puppet cast of woodland creatures. He also discusses his CD collection of music from the special and reflects on composing for other Henson projects, including The Muppet Movie and A Muppet’s Christmas: Letters to Santa.

For over 30 years, The Sounds of Film has been the nation’s longest-running film, music, and ideas-themed program, delivering a unique mix of interviews and music to listeners across Long Island, parts of Connecticut, and worldwide via online streaming. Past guests have included Alec Baldwin, Billy Joel, Noah Baumbach, Matthew Broderick, Ralph Macchio, Marco Beltrami, and Alexander Payne, bringing unforgettable insights into film, music, and pop culture.

Listen to this special episode and the entire Sounds of Film podcast on Spotify, Apple Podcasts, and Amazon Music.

On this episode of Sounds of Film, host Tom Needham speaks with acclaimed documentary filmmaker Michael Pack, director and producer of The Last 600 Meters, a compelling look at two of the deadliest battles of the Iraq War told through the firsthand testimony of the Marines and soldiers who fought them.

In this episode of The Sounds of Film, host Tom Needham speaks with filmmaker Johnny Ma, writer and director of The Mother and the Bear. The film tells the story of a Korean mother who travels to Winnipeg after her daughter’s accident and unexpectedly finds herself on a path of personal transformation.

In this episode of The Sounds of Film, Tom Needham speaks with acclaimed Palestinian filmmaker and visual artist Scandar Copti, the writer and director of the powerful new film Happy Holidays. The multi-layered drama follows four interconnected characters—Rami, Hanan, Miri, and Fifi—as they navigate the pressures of patriarchal values, cultural expectations, and the social systems that shape their realities.

Known for his Oscar-nominated debut Ajami, Copti once again challenges viewers to confront the mechanisms of perception and oppression that define everyday life for Palestinian and Israeli communities. Through his innovative use of non-actors, shifting perspectives, and emotionally intimate storytelling, Copti offers a bold exploration of identity, generational conflict, and the human cost of systems that regulate truth and behavior.

The Sounds of Film welcomes director Jota Mun, whose feature documentary Between Goodbyes offers an intimate and emotionally layered view of international adoption and family reunion.