Oh dear, it looks like we’ve been so desensitized to horror that full disclosure doesn’t mean diddly (doesn’t mean DIDDY) any more. Like, what even is happening with the Epstein Files? The rats don’t personally go in for annual bingo cards because they’re adults and not dead-eyed youths reducing every uncomfortable aspect of life to a game or meme trope, but that said, if either rat had a bingo card it would definitely not have had billionaire pedo cannibals on it. Never mind the fact they’re billionaire pedo cannibals who have either directly bankrolled or endorsed a live-streamed genocide, and that they are billionaire pedo cannibals our current government is not doing anything to distance us from. Like, I’m not keen on having America mining us or whatever, but I feel doubly not keen when the man behind the drill allegedly banged a child and then ate some of her (ALLEGEDLY). Feels like a no brainer tbh. Anyway…in this sort of Waitangi special the rats get nostalgic about the glass wares on the marae; a very specific type of cup that must’ve been part of some national standard at one time. Or a Briscoes sale. Likelier the Warehouse. Also; would Johanna ever fake her own death?

The answer is probably yes, but not for the reasons you’re thinking. And then, if only because they have to, the rats discuss the Super Bowl, that American ritual of sound and fury which obviously split into factions this year with Turning Point’s sub par alternative show, headlined by a geriatric pedo who at the very least hasn’t eaten anybody (that we know of). While the rats have a heated debate about whether the symbolism of a Halftime Show has any social or cultural impact whatsoever, the world burns more and more furiously, and every able body under the age of sixty wonders whether they’d go as far as snipping their own achilles heel to dodge the draft. You know, like Trump did.

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Welcome back to the gutter where the living ain’t easy and the joys of scraping by are . . . well, few and far between. But like, ‘community’. And like, ‘therapy’. Because while everything is on fire you can at least anaesthetise with self-care and yet another instalment of whatever the Kardashians are up to these days (*vomit sound). On the Kardashians, the rats revisit Kanye’s public apology for like, the last few years in which he identified as a Nazi and made songs about hitler, as well as rubbing shoulders with soft-cock fake-goth abuser Marilyn Manson, and a slew of albums which suffered not only from ironic fascism (???) but also lacked the glory of previous albums in which craft was the priority and not flaccid alt-right shock. Can we really forgive a balding bipolar has-been because, to quote his apology, he had a ‘head injury’ that made him think jews bad hitler good? Probs not tbh.

Also; clearly Nicola Willis is terrible at her job. But with one of her few credentials being in English and poetry, the rats wonder what a poet Willis used to write about. Did she subvert canon and use kiwi imagery steeped in the miseries of Sylvia Plath? (Think a pavlova drizzled in period blood). Or maybe she used staccato stream of consciousness, like an affluent Janet Frame, minus the flare or urgency (and talent). The rats can only guess without eyes on Willis’s actual work, but they have to assume she’s a better poet than treasurer because if not, the safest thing would be for this early work to stay buried lest it resurface as just another humiliation on an already long list; somewhere between disappearing boats, e-scooter fails, and a collection of Blazers so plain they’d make Margaret Thatcher look like Liberace.

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