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Priceless Crimes

Priceless Crimes

Di: Creator at Obomedia
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Ever wondered about the untold stories behind history's most audacious art heists? Priceless Crimes uncovers the thrilling world of stolen masterpieces and the cunning minds who take them.

Join us as we delve into the shadowy realm of art theft, exploring everything from legendary museum robberies to intricate forgery schemes. We go beyond the headlines to reveal the meticulous planning, dramatic escapes, and often shocking fates of priceless artifacts.

New episodes arrive daily, Monday through Sunday, at 9:00 AM, bringing you a fresh dose of high-stakes intrigue. Each installment offers meticulously researched narratives, presenting a gripping account of the world's most infamous art criminals and the detectives who hunt them.

Priceless Crimes is for anyone fascinated by unsolved mysteries, true crime with a sophisticated twist, and the allure of hidden treasures. If you're captivated by the intersection of art history and criminal enterprise, this is your ultimate destination.

Subscribe now and unlock the secrets of the art world's greatest capers.© 2026 OBOMEDIA Creators Crimini reali
Episodi
  • Fisherman Pulls a Painting from the River: The Willoughby Substitution

    Fisherman Pulls a Painting from the River: The Willoughby Substitution
    Aug 30 2026
    Fisherman Pulls a Painting from the River: The Willoughby Substitution

    At dawn on October 14, 2014, a fisherman pulled a PVC tube from the Rappahannock and found an oil painting wrapped inside - the same Willoughby-labeled Still Life that a museum claimed had hung uninterrupted for six years. Two paintings, one label, and a museum catalog that recorded 23 quiet edits over eleven months-how did a substitution live inside the Cressmore without triggering alarm?

    In this episode, we walk through the timeline, the forensic notations, and the catalog edits that framed the Cressmore mystery, focusing on the single structural irregularity and the audit trail that exposed it. How could documentation and physical objects be altered together, and what did the pattern of two edits per week conceal?

    Person: Kelly Webb
    Date: October 14, 2014
    Location: Rappahannock River
    Person: Kimberly Rice
    Edits logged: 23 edits from November 2013 to October 2014

    - The recovered painting measured roughly 22 by 30 inches and was oil on linen.
    - The gilt-edge label on the stretcher read "WILLOUGHBY - Still Life with Quince and Pewter, circa 1887."
    - The Cressmore museum record indicated the same work had been on display since 2008.
    - Kimberly Rice purchased the work at a Richmond auction in 2008 for $47,000.
    - The collections-management system recorded 23 edits to the Willoughby record across eleven months.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    18 min
  • Blank Frame, Open Door: How a Code Let an Impressionist Vanish

    Blank Frame, Open Door: How a Code Let an Impressionist Vanish
    Aug 29 2026
    Blank Frame, Open Door: How a Code Let an Impressionist Vanish

    Fear and fascination meet: a hundred-thousand-dollar American Impressionist vanishes and the only clue is a blank canvas in its own gilded frame, a rollup door left open exactly eight inches, and a six-digit alarm code generated from a crossword answer. How did a public podcast mention and a director’s routine become the key to a theft that triggered no alarm?

    In this episode, you’ll hear the timeline of the discovery, the museum staff and alarm-access list, and how a routine public interview contained the pieces that made the code predictable - could a crossword method really let a painting disappear?

    Person: Heather Myers
    Date: September 11, 2019
    Artist: Warren Colby
    Artwork: September Lowlands
    Location: Caulfield Regional Art Museum, Renner Falls, North Carolina

    - The loading bay rollup door was left open exactly eight inches the morning the painting was discovered missing.
    - The blank canvas left inside the gilded frame measured forty inches by fifty-two inches and showed professionally applied white gesso.
    - The museum’s active alarm code on August 1, 2019 became 121523, derived from the crossword solution LOWLAND.
    - Phil Garrett arrived at 9:15 AM, fourteen minutes after Heather Myers called the non-emergency line.
    - Emily Edwards was assigned to the case on September 12, 2019 after eleven months at the Cultural Property Unit.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    18 min
  • The Empty Gilded Frame: How a Restorer Stole a Masterpiece Inside It

    The Empty Gilded Frame: How a Restorer Stole a Masterpiece Inside It
    Aug 28 2026
    The Empty Gilded Frame: How a Restorer Stole a Masterpiece Inside It

    A septic contractor found an ornate nineteenth-century European gilded frame roughly thirty-six by forty-eight inches sitting empty on a workbench in August 2011 - the painting it once held, valued at about $400,000, was missing. How did a skilled frame conservator replace a genuine canvas with a convincing forgery and move a high-value regionalist work through three institutional authentications without anyone noticing the empty rabbet?

    In this episode, we follow the timeline from a Virginia estate inspection to the discovery that a masterpiece attributed to Everett Sutherland was gone, and we trace the people, places, and small forensic detail that cracked the case. What did the photographs taken by a contractor reveal that museum experts had missed?

    Person: Robert Rogers
    Date: August 2011
    Person: James Caulfield
    Value: $400,000
    Person: Larry Baker

    - The empty frame measured roughly thirty-six by forty-eight inches and was layered in gesso and water-gilt.
    - The painting Late Summer, Cedar Fork was attributed to Everett Sutherland and valued at roughly $400,000 at auction.
    - Baker worked eight months at the Dunmore Museum from August 2006 through March 2007 as a frame conservator.
    - Caulfield purchased a painting and a frame from Baker in 2006 for $280,000.
    - Three institutions authenticated Late Summer, Cedar Fork: the Dunmore Museum (March 2007), the Sutherland Estate Foundation (September 2008), and Brant-Alcott (February 2010).

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    19 min
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