Carl Miller is a veteran tour manager and rock-and-roll raconteur whose memoir Backstage Chronicles offers an unfiltered look at the legends and loopholes of touring. As the author and compiler of the book, Miller draws from his decades of experience on the road—working with major figures such as Cat Stevens, Ginger Baker, and Iron Maiden.

Through vivid, funny, and occasionally shocking stories, he shares backstage escapades, of him and friends, including Stevie Wonder driving a tour bus, getting stuck in a lift with Steve McQueen, and losing £75,000 of Led Zeppelin’s money, among many others

Beyond the anecdotes, Backstage Chronicles also paints a picture of how touring culture has evolved, and a look at what was really the wild west of rock n roll, which makes Spinal Tap feel real.

If you'd like to get the book it's available through amazon online.

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Iain McKell is a distinguished British photographer and filmmaker celebrated for his powerful portraits and social-documentary work, particularly his chronicling of British youth subcultures since the late 1970s.

His prints will be exhibited in the upcoming show Blitz – The Club That Shaped the 80s, which opens on September 20th and runs until March 29th, 2026 at the Design Museum in Kensington, London.

Alongside the exhibition, he's published a monograph titled New Romantics under the imprint Little Acorn Press, featuring portraits I made in 1980 at the age of 22.

Every Tuesday, the Blitz Club played out its weekly scene, and he would attend with invitation cards in hand. He handed them to people who caught my eye, inviting them to a Thursday afternoon pop-up studio he set up at the Orangery in Holland Park. To his delight, many came, including Vivienne Westwood, Billy Idol, and George O’Dowd, to name just a few.

The result is a rare and intimate documentation of a dynamic cultural movement as it was just beginning to emerge.

Born in Weymouth, Dorset, in 1957, Iain began his photographic journey at 19 as a seaside portraitist while studying graphic design at Exeter, before moving to London in 1979 to devote himself fully to photography

His early self‑published book, SUB CULTURE (1979), spotlighted the Mod and Skinhead revivals and led to opportunities photographing Blitz Kids in 1980s London, Madonna’s first magazine cover, and other influential editorial work in i‑D, The Face, and L'Uomo Vogue.

McKell is perhaps best known for his decade‑long immersion in the world of New Age Travellers—documenting a modern nomadic subculture through his book The New Gypsies (2011) and exhibitions across London, Paris, Milan, and New York.

His other notable books include Fashion Forever: 30 Years of Subculture (2004) and Beautiful Britain: Photographs from the 1970s to the Present (2012) McKell’s approach is both empathetic and unromanticized: he immerses himself in the lives of diverse communities to produce honest, poetic visual narratives that explore themes of rebellion, identity, and belonging

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