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Most movies weren't directed by Steven Soderbergh, but few were as notably not directed by Steven Soderbergh as this one: MONEYBALL, the true story of the 2002 Oakland Athletics' revolutionary sabermetrics-based hiring strategy, was 5 days from shooting when Sony pulled the plug on Soderbergh's version. After a rewrite by Aaron Sorkin and a few cast change-ups, a slicker, Fincher-lite version directed by Bennett Miller made it to theaters, and we're talking about the whole deal. This ep has it all, quite frankly: in-depth script revision analysis, baseball talk, sports politics, and a long conversation about how statistics and "disruption" inform the world. It turns out everything is Moneyball, maybe? Give this one a listen, folks.

As always, thanks to Jetski for our theme music and to Jeremy Allison for our artwork.

Get your silly little trunks on, listener: we're headed to the octagon this week to talk HAYWIRE, Soderbergh's much-delayed 2011 (anti-?) spy thriller starring MMA fighter Gina Carano. And joining us is our friend, podcaster and musician Ryan Torgeson (@molecularlioneI)! We talk mid-2010s action cinema, mixed martial arts, Soderbergh's decision to alter Carano's voice in post, Carano's decision to blow her career up by being a hateful moron, special consultant and Duvdevan Unit war criminal Aaron Cohen, and more.

Further Reading:

"Steven Soderbergh, an MMA Fighter, and Five Stars Walk Into a Spy Movie" by Adam Nayman

"Gina Carano took her fighting to a new level for 'Haywire'" by Nicole Sperling

"Steven Soderbergh on 'Haywire,' 'Magic Mike' and Why He's Given Up on 'Serious Movies'" by Nigel M. Smith

"Haywire's Body Talk" by Kiva Reardon

"Covert Affairs: Why 'Haywire' is the Most Sneakily Political Movie of the Year" by Matt Singer

"The Vulture Transcript: Steven Soderbergh on Haywire, Pranking Matt Damon, and His Looming Sabbatical" by Jennifer Vineyard

"'Haywire' Star Gina Carano Addresses Voice Alteration Controversy" by Lauren Schutte

"Disgraced actor Gina Carano denies ruining her own career with anti-trans jokes and Nazi comments" by Jake McKee

Further Viewing:

THE IPCRESS FILE (Furie, 1965)

FUNERAL IN BERLIN (Hamilton, 1966)

THE EXPENDABLES (Stallone, 2010)

THE RAID (Evans, 2011)

Scott Adkins movies

Follow Ryan:

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Support us on Patreon:

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Artwork by Jeremy Allison:

https://www.instagram.com/jeremyallisonart

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month.

We're trying something new this week - we've recorded a feature commentary track! Watch Clint Eastwood's 1971 directorial debut PLAY MISTY FOR ME as we talk about it. Sure, we did an episode on this movie already, but that was three years ago. We're different now! We've learned new stuff and forgotten most of what we said then, anyway.

In the episode, we'll explain exactly how to sync our conversation with the film, but we've designed this as something you can listen to as a regular podcast episode, too. Let us know if you'd like more of this sort of thing!

Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork.

This is an unlocked episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month.

This week we're taking a look at a bunch of songs about, featuring, or otherwise related to Clint Eastwood...which is a great reason to bring on Jetski, aka Ian Ostaszewski, the composer of the Paid Costly For Me theme music! We chat Gorillaz, Metallica, the Beastie Boys, My Chemical Romance, and more - plus Ian's podcast-related birthday present!

Let us know if you want more of this, because there are a lot of songs about Clint.

Here's the playlist with full songs: https://www.youtube.com/playlist?list=PLPxgPXB-kIxujvyWI6Wkyu0QqmdcZiLdA

Thanks as always to Jetski for our theme music (duh) and to Jeremy Allison for our artwork.

Follow Jetski:

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https://jetski0.bandcamp.com/

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Support us on Patreon:

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This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month.

Merry Christmas, everybody - here's the episode one day early just because we love ya. Not unlike a certain jolly old elf, Ian stopped by Jake's home for a quick visit a few weeks back, and the boys (plus FPG) ran a 10K race together that was, for some reason, in celebration of Bill Melendez's 1965 television special A CHARLIE BROWN CHRISTMAS. So we decided to discuss this classic short and Peanuts creator Charles M. Schulz, who like our usual subject was a Bay Area legend who loved golf and jazz. Plus we threw in a little bit of field audio from our fateful footrace. Enjoy and have a safe and happy holiday!

As ever, thanks to Jetski for our music and to Jeremy Allison for our artwork.

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Wash your hands, folks: it's time to talk CONTAGION, Steven Soderbergh's absurdly prescient 2011 pandemic disaster film. We talk public health, hyperlink cinema, Soderbergh's evolving digital aesthetic, the nature of government, and the film's second life as a Covid lockdown classic. With a special Kate Winslet audio collage that Ian definitely asked for! Check it out.

Further Reading:

The Viral Underclass by Steven Trasher

Health Communism by Artie Vierkant and Beatrice Adler-Bolton

Spillover: Animal Infections and the Next Human Pandemic by David Quammen

The Coming Plague by Laurie Garrett

Further Viewing:

OUTBREAK (Petersen, 1995)

THE DOUBLE LIFE OF VERONIQUE (Kieślowski, 1991)

28 DAYS LATER (Boyle, 2002)

28 WEEKS LATER (Fresnadillo, 2007)

28 YEARS LATER (Boyle, 2025)

BUGONIA (Lanthimos, 2025)

JOE DIRT (Gordon, 2001)

Kate Winslet's 2020 hand-washing tutorial video: https://www.youtube.com/watch?v=EhIpAnDHZHc

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Support us on Patreon:

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Artwork by Jeremy Allison:

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This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month.

In our first-ever Patreon Listeners' Choice poll, something like 52% of you voted for David Fincher's ZODIAC, the movie we probably should have done within the first five premium eps if we're being honest. But now we've done it! It's all here: Dirty Harry inspiration Dave Toschi, true crime ethics, Bay Area geography, what this movie is actually saying, and about a full hour of Melvin Belli stuff. Enjoy!

As always, thank you to Jetski for our theme music and Jeremy Allison for our artwork.

Open your notebooks and fill up your glasses of water, folks: today we're looking at Steven Soderbergh's two documentaries on Spalding Gray. And Ian's pissed off! We're joined once more by our friend, writer and critic Rob Rubsam, to talk 1996's GRAY'S ANATOMY, a sort of longform music video for Gray's "monolog" of the same name, and Soderbergh's 2010 posthumous "autobiography" of Gray, AND EVERYTHING IS GOING FINE. How does a figure like Gray emerge and rise to fame? Where does we place him in the long tradition of neurotic white guys who make everything about themselves? Is Jake one of those? And why is Ian so mad about this guy? We answer these questions and more - check it out.

Further Reading:

"The Catastrophe" by Oliver Sacks

"Vanishing Act" by Alex Williams

"In New Film, Spalding Gray Tells His Own Tale" by Karen Michel

A Supposedly Fun Thing I'll Never Do Again by David Foster Wallace

Me Talk Pretty One Day, etc. by David Sedaris

The World According to Dave Barry by Dave Barry

À la recherche du temps perdu by Marcel Proust

Austerlitz by W.G. Sebald

The Mezzanine by Nicholson Baker

Gargoyles by Thomas Bernhard

Anything by John Berger

Further Viewing:

MY DINNER WITH ANDRE (Malle, 1981)

SWIMMING TO CAMBODIA (Demme, 1987)

VANYA ON 42ND STREET (Malle, 1994)

JOHN MULANEY: NEW IN TOWN (Polito & Szymanski, 2012)

MIKE BIRBIGLIA: MY GIRLFRIEND'S BOYFRIEND (Barrish, 2013)

PARKER GAIL'S LOCATION IS EVERYTHING (Buono & Thomas, 2016)

Follow Rob Rubsam:

https://x.com/rob_rubsam

https://www.robertrubsam.com/

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Artwork by Jeremy Allison:

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