Feeling worn out by the work of resistance? How do you persevere?

Today’s book is: Living Resistance: An Indigenous Vision for Seeking Wholeness Every Day, by Kaitlin B. Curtice. In an era in which "resistance" has become tokenized, Kaitlin Curtice reclaims it as a basic human calling. Kaitlin Curtice shows that we can learn to practice embodied ways of belonging and connection to ourselves and one another through everyday practices, such as getting more in touch with our bodies, resting, and remembering our ancestors. She explores four "realms of resistance"—the personal, the communal, the ancestral, and the integral—and shows how these realms overlap and why all are needed for our liberation. Readers will be empowered to seek wholeness in whatever spheres of influence they inhabit.

Guest: Kaitlin B. Curtice is an award-winning author, poet-storyteller, and public speaker. As an enrolled citizen of the Potawatomi nation, she writes on the intersections of spirituality and identity and how that shifts throughout our lives. She writes online for On Being, SELF Magazine, and more. Her work has been featured on CBS and in USA Today. Her books include Native, Living Resistance, and Everything Is A Story. She writes The Liminality Journal.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer of the Academic Life podcast and newsletter.

Listeners to this episode may also be interested in:

• How We Show Up
• Indigenous D.C.
• We Refuse: A Forceful History of Black Resistance
• What Might Be
• The Diné Reader
• Night of the Living Rez
• A Calm and Normal Heart
• Becoming the Writer You Already Are
• The Lost Journal of Sacajewea
• How can mindfulness help?

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

This episode was originally published on May 11, 2023

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Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.

An Alaṅkāra Reader (Columbia University Press, 2026) is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth to eighteenth century CE. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.

Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

Yigal Bronner is a Sanskritist whose areas of interest include literature, literary theory, and South Asian intellectual history more generally. He worked on this volume while teaching in the Department of Asian Studies at the Hebrew University of Jerusalem and now teaches in the Department of History, Classics, and Religion at the University of Alberta. His books include Extreme Poetry: The South Asian Movement of Simultaneous Narration (2010) and A Lasting Vision: Dandin's Mirror in the World of Asian Letters (2023).

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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In this NBN episode, host Hollay Ghadery speaks with Chris Banks about his poetry collection, The Bureau of Useless Splendor (ECW Press, 2026).

Poet Chris Banks is immersed in what is wondrous and strange about human connection, pop culture, and most importantly, the elusive search for understanding and hope in an accelerating century marked by socioeconomic disparity and climate change.

Banks writes direct, accessible poems with strong allusions and 100% certified “fresh” images so seasoned poetry fans and those not accustomed to the genre can both find something to enjoy. He reminds readers that everyone needs “a bushel of smiles” or “a first aid / kit of laughing gas” to poison our anxieties with joy, and he does not shy away from difficult topics like toxic masculinity or mental health struggles. “Beauty is not beauty / without the ugliness surrounding it,” Banks says.

In Bureau of Useless Splendour, Banks lets his imagination roam across the science of DNA sequencing, internet memes, space-time physics, Canadian nationalism, a lunar discussion between Canadian poet Gwendolyn MacEwen and American poet Frank Stanford, and even reimagined fortune cookie “fortunes” — as if to illustrate that tucked away among the allusions to pop culture and Shakespeare, poems about Johannes Gutenberg and the Martian mountain Olympus Mons, there exists a dusty old office where the poet sits, creating vivid, delightful pieces and mischievous “invoices” dedicated to the beauty and wonder of this world.

Chris Banks is a Pushcart-nominated Canadian poet with eight collections of poems. He has won two national awards, and his poems have appeared across Canada and the United States. Banks runs The Woodlot, a Canadian poetry reviews and essays website. He lives and writes in Kitchener, ON.

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.

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