From the mid-seventeenth to early eighteenth century, a wide network of English-speaking men, women, and children took up residence in the Ottoman Maghrebi regencies of Algiers, Tunis, and Tripoli. There they formed expatriate communities, engaged with the societies around them, and undertook their businesses, from trading to captivity redemption to international politics.

Moving beyond official diplomatic records and printed texts, Britain and the Ottoman Maghreb, 1662–1712: Merchants, Consuls, and Cultural Exchange (Oxford University Press, 2026) by Dr. Nat Cutter delves into thousands of personal letters and financial records, where we find friendship, conflict, adoration, derision, manipulation, and scandal across cultures and countries. In so doing, it offers new ways of thinking about British-Maghrebi relations in a transitional age for global trade and military-naval power, moving beyond plaintive consular complaints, gunboat diplomacy, and brutal captivity to accommodate positive cooperation and mutual benefit.

These expatriates became embedded mediators, hybridised European and Ottoman cultural forms, and experienced distanciation from both homeland and hostland to enjoy and manipulate both. For them, Algiers, Tunis, and Tripoli were not solely sites for danger or exploitation but, as peace was progressively established with each regency, increasingly places for pragmatic cooperation, personal and professional advancement, commercial success, and enjoyment.

Expansive networks of correspondence and cooperation around the Maghreb, Mediterranean, and Britain embedded the expatriates in a cross-cultural trade in material goods and information and allowed them to manipulate the course of trade and diplomacy between Britain and the Maghreb. The expatriates were less marginal, miserable, and misbehaving Britons and more embedded, canny, Mediterranean actors.

Nat Cutter, Mary Lugton Postdoctoral Fellow and Assistant Lecturer in History, University of Melbourne

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In the first pages of The Souls of Black Folk, W. E. B. Du Bois meditates on the question, "How does it feel to be a problem?"

In this profound response to that question, Zahi Zalloua endeavours to think through the shared Black and Palestinian experience of being racialized as a problem. Zalloua argues that today's anti-Blackness is not a lingering feature of a regrettable past that only occasionally manifests its ugly face. Rather, anti-Blackness permeates white civil society. Black being stands for the anti-human, its being is barred and degraded. And while Black being denotes criminality, Palestinian being denotes terrorism – a problematic being produced by Orientalism and used to legitimize oppression. Both the Black and Palestinian are framed as existential threats that undermine the very structures of white and Zionist dominance.

To Exist as a Problem: Being Black, Being Palestinian (Bloomsbury, 2026) provides a searing critique of such assumptions, arguing that Blacks and Palestinians do exist as a problem, but a different problem than the one dictated by the petrifying white and settler gaze. They exist as a threat because the mechanisms of structural racism make them so. In order for racism to thrive, they must be othered in the profoundest sense. In asking how a politics can be constructed in the face of this hegemony, Zalloua constructs a model of solidarity that places Black lives and Palestinian liberation at the forefront of the anti-racist struggle

Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature at Whitman College, USA, and Editor of The Comparatist. His most recent publications include To Exist as a Problem: Being Black, Being Palestinian, Fanon, Žižek and the Violence of Resistance, The Politics of the Wretched: Race, Reason, and Ressentiment; and Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Samar Abdel-Rahman's Egyptian Male Film Stars in the Nasser Era: Envisioning a National Identity (American University of Cairo Press, 2026) explores male stardom in Egyptian cinema produced during the early years following the Free Officers' revolution of 1952, through the lives and careers of three key stars: Omar al-Sharif, Ismail Yassin, and Farid Shawqi. In attempting to find a balance between the traditional and the modern, the Nasser era placed an emphasis on education, work, and gender equality. Yet, faithfulness to Egyptian traditions and values remained a key part of the state’s vision of collective identity. Samar illuminates how these stars promoted a civic identity that aligned with the regime’s ambitions, and how each of them—through melodrama, comedy, and action—negotiated a different facet of masculine identity that spoke to the ambivalent constructions of hegemonic masculinity during this critical post-colonial period.

Samar Abdel-Rahman holds a PhD in film studies from King's College London and is currently a lecturer of World Cinema at the University of Liverpool. Her research, which focuses on stardom and performance in Middle Eastern and North African Cinemas, has been published in edited volumes including The Routledge Companion to European Cinema.

Saman Nasser holds an MA in world history from James Madison University, where he currently works as an educational staff.

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