Karmic Winds: Reflections from “The Smartest Guy in Hollywood” (Rare Bird Books, 2026) is a memoir of power, collapse, and reckoning by Peter M. Hoffman, a Yale-trained lawyer and Hollywood insider who once stood at the center of the independent film boom and later found himself stripped of status, freedom, and certainty. As president of Carolco Pictures, Hoffman helped steer an era-defining slate that included Terminator 2, Basic Instinct, and Rambo, navigating a world of massive egos, creative brilliance, and financial brinkmanship. But ambition has its cost. After the industry turns, legal battles mount, and a federal conviction leads to imprisonment, Hoffman is forced into a confrontation far more exacting than any boardroom negotiation: a reckoning with his own choices, illusions, and moral blind spots. Set partly within the quiet, disorienting confines of Terminal Island federal prison, Karmic Winds traces a journey through humiliation and loss toward clarity and acceptance. Drawing on philosophy, Buddhism, and a lifelong search for meaning, Hoffman examines the nature of justice, the seductions of power, and the invisible forces—personal and systemic—that shape our lives. Neither a tell-all nor a plea for absolution, Karmic Winds is a deeply reflective account of success and failure, told with intellectual rigor and emotional restraint. It is a story of what remains when the titles disappear, the noise falls away, and one is left alone with the self...and the winds that carried them there.

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When American churches face financial difficulties, a disproportionately high number of Black churches reorganize under chapter 11 bankruptcy. There are no easy explanations for this distinction: not location, denomination, leadership structure, or the reasons for the loans. In Forgive Us Our Debts: How Black Churches Use Bankruptcy to Survive (U Chicago Press, 2026), legal scholar Pamela Foohey asks why, then, Black churches account for two-thirds of all congregations that file for chapter 11 bankruptcy every year.

Drawing on case studies of six Black churches and one white church, and 150 interviews with church leaders, members, and attorneys, Foohey finds answers in a long history of predatory lending. Unable to negotiate with recalcitrant loan officers, Black churches turn to the legal system to force reasonable concessions from lenders to prevent the stripping of their wealth and the destruction of their communities. While the structural discrimination remains, these churches have found in the bankruptcy system a refuge and some power to fight back.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Understanding the world of art—particularly antiquities and archaeological artifacts—requires tracing how objects are removed from the ground, displaced by conflict or economic hardship, and ultimately reappear in the international art market. The odyssey of an artifact from its excavation site to an auction house, a private collection, or a museum display case raises a host of pressing concerns about the fragility of cultural heritage but also the global mechanisms that sustain its circulation. In recent years, growing awareness of a possible link between the illegal antiquities trade and terrorist financing has brought new scrutiny to regions marked by war and instability, particularly in the Middle East. In such places, archaeological sites are especially vulnerable to looting and illicit excavation, with the profits from these "blood antiquities" sometimes flowing back to fund further violence.

Art for War: Heritage Looting, Blood Antiquities, and the International Fight Against Terrorism Financing (Stanford UP, 2026) by Dr. Costanza Musu examines how this transformation in perception—from an archaeological concern to a matter of international security—reshaped the global response to antiquities trafficking. Viewing the trade through a security lens, the book offers scholars, policymakers, and students of international affairs a new way to understand how the protection of cultural heritage became entangled with the politics of counterterrorism and global security, sparking new debates over art, heritage, and security.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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