After years of Marvel fatigue, we dive deep into Thunderbolts*—the first MCU film since Endgame to genuinely move us. From Florence Pugh’s standout performance as Yelena to the surprisingly heartfelt “group hug” finale, we unpack why this movie finally brought back the magic that’s been missing. Along the way, we reflect on our shared Marvel journey, rank the post-Endgame films (spoiler: most didn’t make the cut), and rediscover what made these stories so meaningful in the first place.

Opening Catch-up

• Aubrey starts a new job as an after-school group leader for kids — “the fun person, not the teacher.”
• Peter updates on Gareth’s swim success (first places all around) and a hilarious 2 a.m. fridge alarm incident.
• Both discuss recovering from September burnout and their ongoing learning projects — Peter’s Save the Cat course and Aubrey’s self-taught math/physics review plan using ChatGPT as a tutor.

Main Topic — Marvel Since Endgame

• The two go phase by phase, movie by movie, revisiting the highs (Shang-Chi, No Way Home) and many lows (Eternals, Love and Thunder, Secret Invasion).
• Aubrey admits she used to defend Marvel “like an apologist,” but finally concedes the spark was gone.
• Peter jokes that Secret Invasion made him “angrier than anything he’s ever wasted time on.”

Thunderbolts*: The Return of the MCU?

• Directed by Jake Schreier, starring Florence Pugh, David Harbour, Sebastian Stan, Wyatt Russell, and others.
• Plot breakdown: Yelena leads a ragtag group of “broken people” — Bucky, Red Guardian, John Walker, Ghost — under the manipulative Valentina.
• The villain “Bob” becomes The Sentry and then The Void, forcing the team to confront their trauma inside a literal nightmare realm.
• The climax: they defeat the Void not by fighting, but by hugging Bob — a surprisingly emotional resolution.
• Post-credit: Valentina tries to rebrand them as “the new Avengers,” and the Fantastic Four ship appears.

Highlights & Themes

• Florence Pugh dominates — “It’s really Yelena and the Thunderbolts.”
• Standout emotional moment: Yelena’s tearful “Daddy, I’m so lonely” scene with Red Guardian.
• Symbolism: the opening fight mirrors the “shadow” motif that returns when the Void consumes people.
• The film’s power lies in broken people learning to support each other without pretending friendship fixes everything.
• Classic Marvel humor returns — from Bucky-as-congressman gags to Red Guardian’s sticker-covered tracksuit.