TikTok influencers @teppertoks and @nicolascurciowriter , hosts of the " Hollywood Hang" podcast, talk about balancing how to be an influencer while also being a creative.

And Matt and Oren get all the details on how they started and where their feeds lives today.

Kristen's main source of income had been making pitch decks for studios and production companies. And early on, she posted about how to create a pitch deck and the different people they are used to pitch. And Matt and Oren dive into how that turned into a job as a showrunner's assistant.

You won’t want to miss this episode if you’re dying to learn how to get on the blacklist and hear from two writers who have done it!

Help Matt's film: https://wefunder.com/badfeeling

Join the Just Shoot it Patreon! https://www.patreon.com/JustShootItPod

Matt's Endorsement: Watch the original "The Invisible Man"

Oren's Endorsement: "Club Kid", the movie https://www.imdb.com/title/tt38058097

Nick's Endorsement: Rub Lanolin Nipple Cream on your chapped lips. https://lansinoh.com/products/lanolin-nipple-cream

Kristen's Endoresement: The show "Team Moms: Baseball" https://www.imdb.com/title/tt41377479

Hosted on Acast. See acast.com/privacy for more information.

“Requiem for a Dream” editor Jay Rabinowitz https://www.imdb.com/name/nm0704950/

joins Matt and Oren in discussing the art of working for top-tier auteurs. Jay’s work includes notable films like "The Tree of Life", "I'm Not There", "O'Dessa", "Is God Is", and "Coffee and Cigarettes".

Matt and Oren dive deep into what it means to stand in for the director's point of view and simultaneously speak for the audience. Jay calls this like being “the boulder in the center of the river”, where a single rush of water encounters a boulder, separates, and continues on as a reshaped form. In that realm, what does intentionality mean? And how is it different for Terrence Malick vs. Darren Aronofsky?

After first cutting his teeth editing network TV – 4 acts, commercial breaks, and the strict regime around how long each act must be – Jay spent 15 or so years cutting commercials. And there he learned the art of making a cut that speaks to everyone in the hierarchy: brand, agency, director, and all the personalities in between.

You won’t want to miss this episode if you love film and the collaboration of auter-ship!!

REFUNDS -- we will be refunding everyone who signed up for event which, unfortunately we had to cancel.

Help Matt's film: https://wefunder.com/badfeeling

Join the Just Shoot it Patreon! https://www.patreon.com/JustShootItPod

Hosted on Acast. See acast.com/privacy for more information.

Yoko Okumura is back again! And she’s fresh off the release of her latest film with Universal Studios!!! Matt and Oren dive into what it was like to direct “The Last Kiss” and the art of working with Blumhouse.

Yoko imbues her unique style into everything she does. Colorful frames, an elevated look, and a lively reimagining and response to the last Hollywood cycle of muted, near monochromatic grit popularized over the last several years.

Oren and Matt get Yoko to reveal her latest struggle to shape a career as one of the rare few directors that Hollywood demands. And Yoko opens up about the challenges and the Everest-size task before her.

You won’t want to miss this episode if you've ever wondered whether the Quibi you directed is worth gold to your career!!!

Help Matt's film: https://wefunder.com/badfeeling

Join the Just Shoot it Patreon! https://www.patreon.com/JustShootItPod

Matt's Endorsement: "The Handmaiden" https://www.imdb.com/title/tt4016934/

Oren's Endorsement: "Digger" https://www.imdb.com/title/tt31450459/

Yoko's Endorsement: Script Notes Podcast of Craig Mazin breaking down "Finding Nemo" https://www.youtube.com/watch?v=i27IKil-LXw

Hosted on Acast. See acast.com/privacy for more information.