Air Week: April 20-26, 2026

Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part six, focusing on Imperial’s R&B releases from the first half of 1955. We’re splitting 1955 up into 2 parts to really focus on this pivotal year for Imperial and the world of music in general. Rhythm & Blues was really hitting the mainstream in ’55 and beginning to get its new name, Rock ‘n Roll. Before Fats Domino crossed over later in the year, he enjoyed a few million-sellers in early ’55 with “Thinking Of Your” and “Don’t You Know.” He’d soon score one of the first true Rock n’ Roll hits a few months later with “Ain’t It A Shame.” Dave Bartholomew kept busy producing Fats’ records as well as putting out great singles from relatively unknowns like Joan Scott, The Hawks and Billy Tate. The Spiders continued to score hits in ’55 and Pee Wee Crayton was releasing some solid sides that unfortunately missed the national R&B charts. Matt The Cat keeps those records spinning as he features part six of the Imperial Records Story on this week’s “Juke In The Back.”

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Air Week: April 13-19, 2026

Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part five, focusing on Imperial’s R&B releases from 1954. Fats Domino is still Imperial’s biggest star, but he only scores 2 charting records in ’54, while a new vocal group out of New Orleans, The Spiders, rack up 3. Their debut single, “I Didn’t Want To Do It,” establishes them as the most successful vocal group on Imperial. Pee Wee Crayton joins the roster, filling out an already stacked list of blues greats that includes T-Bone Walker. We’ll hear 14 year old future great, James Booker as Little Booker making his debut on Imperial and some great vocal group records from Bobby Mitchell & The Toppers, The Hawks and The Bees. Matt The Cat keeps those records spinning as he features part five of the Imperial Records Story on this week’s “Juke In The Back.”

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Air Week: April 6-12, 2026

Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part four, focusing on Imperial’s R&B releases from 1953. Fats Domino dominated the Imperial roster, racking up four charting singles in ’53, one going all the way to #2 nationally. Lew Chudd sent bluesman T-Bone Walker to New Orleans to work with bandleader and producer Dave Bartholomew and record at Cosimo Matassa’s famous J&M Recording Studio, while the “unsung hero” of this series, Lil’ Son Jackson continued recording in Fort Worth, TX. We’ll hear the debut singles from Bobby Mitchell & The Toppers as well as some rare sides from Lil’ Willie Gibson, “Boogie Bill” Webb and Rose Mitchell. Matt The Cat keeps those records spinning as he features part four of the Imperial Records Story on this week’s “Juke In The Back.”

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