Constantine's Mausoleum: The Church of the Holy Apostles — Fexingo History copertina

Constantine's Mausoleum: The Church of the Holy Apostles — Fexingo History

Constantine's Mausoleum: The Church of the Holy Apostles — Fexingo History

Ascolta gratuitamente

Vedi i dettagli del titolo

A proposito di questo titolo

In this episode, Lucas and Luna explore one of Constantine the Great's most ambitious and mysterious building projects: the Church of the Holy Apostles in Constantinople. Completed around 337 AD, it was designed as both a grand church and Constantine's own mausoleum, with his sarcophagus at the center, surrounded by cenotaphs of the twelve apostles. Lucas explains how Constantine saw himself as the 'Thirteenth Apostle' — a title later controversial among orthodox Christians. They discuss the architectural innovations, including a central dome and cruciform plan that influenced later Byzantine churches, and the relic of the True Cross kept there by his mother Helena. The conversation also covers the fate of the church after Constantine: the shifting of his relics under Constantius II, the emperor Julian's brief pagan revival, and the eventual destruction of the church in 1461 after the Ottoman conquest. Luna probes the political and theological motivations behind Constantine's self-identification with the apostles, and what this reveals about his Christian vision. The episode ends with reflections on how Constantine's burial site became a pilgrimage destination and a symbol of his unique blend of imperial power and Christian devotion.

#ConstantineTheGreat #ChurchOfTheHolyApostles #Constantinople #Apostle #Mausoleum #ByzantineArchitecture #Cruciform #Helena #TrueCross #JulianTheApostate #ConstantiusII #FourthCentury #RomanEmpire #ChristianHistory #Relics #Sarcophagus #ThirteenthApostle #FexingoHistory #LateAntiquity #ChiRho

Become a supporter of this podcast: https://www.spreaker.com/podcast/constantine-the-great-the-emperor-who-changed-christianity-forever-fexingo-history--6985513/support.
Ancora nessuna recensione