Welcome back to the sixth instalment of our true crime movies season, this week Sarah forces Dan to endure Ridley Scott's divisive 2021 biopic, House of Gucci, a film that Sarah has deemed “both true and a crime in many senses of the word”.

At two hours and 37 minutes, this is a girthy film that needed to be dramatically shorter, but somehow still rushes through key character developments. We unpack the strange tonal choice that borders on parody, debating whether the master filmmaker intended to lean into a theatrical comedia dell'arte style or simply didn't know what perspective he was trying to achieve.

We delve into the central performances: Lady Gaga’s committed portrayal of Patrizia Reggiani, which humanized the character even as she spirals; Adam Driver’s subtle work as Maurizio Gucci; and the bizarre prosthetics and "Super Mario Brother" accent delivered by Jared Leto, which we agree feels less like acting and more like a hate crime. Plus, we celebrate Al Pacino’s relatively subtle performance and the unexpected appearance of Jeremy Irons and Salma Hayek as the psychic.

Here’s what to expect in this episode:

• We attempt to justify the film’s baffling 2 hour and 37 minute run time.
• A serious discussion about the merits of Ridley Scott as a filmmaker.
• We unpack Lady Gaga's commitment to staying in her Italian accent for nine months.
• Dan explores the subtle visual bookend using Maurizio on a bicycle at the start and end of the movie.
• We question why Jared Leto's Paolo Gucci felt like he was starring in a completely different film.
• The confusion over the film's muted and washed-out colour grading.
• Our critique on the abrupt character reversals.

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