“‘What is that?' I asked. The Englishman answered calmly: 'It was my best enemy.’”

This is the story of the little books that went to war, and the Frenchman whose ghosts we'll read by their light.

In 1943, a consortium of American publishers began slipping pocket-sized paperbacks into the hands of GIs bound overseas: the Armed Services Editions. More than 120 million of these ASEs were printed by the war’s end, and they turned up everywhere: foxholes, troopships, field hospitals, and more. In fact, we’ll meet one colonel who fondly remembers a soldier reading aloud to their gun crew while German 88s whistled in. The Germans tried to kill them as they laughed and enjoyed good writing.

And among the 1,300-odd titles the program carried to the front were the works of a certain French master of the macabre: Guy de Maupassant. The Armed Services Edition gave GIs Maupassant the realist … but we’ll encounter two tales that reflect the Frenchman’s more ghoulish side.

Happy Halloween.

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Following the Challenger and Columbia Space Shuttle disasters, the government had to rethink space exploration. In 2006, NASA launched the Commercial Orbital Transportation Services program, allocating $500 million to encourage American entrepreneurs to develop cost-effective cargo and crew transport for the ISS. Today, private enterprises like SpaceX, Starlink, Blue Origin, and Rocket Lab are ubiquitous. Yet none of this progress would be possible without substantial government assistance.

Joining us is Casey Dreier, Chief of Space Policy at The Planetary Society and one of the world's foremost experts on NASA's budget and the political economy of space exploration. His data-driven analysis has been cited by The New York Times, POLITICO, The Washington Post, and NPR, and in 2025 he received a SpaceNews Icon Award for his work. Casey joins us to unpack what the data actually shows about the tradeoffs of commercial spaceflight — and what's at stake if the government cedes too much control.

The government gets a bad rap. But the roads under your feet, the forecast on your phone, and the letter in your mailbox are all government too. Hosted by Professors Greg Jackson and Lindsey Cormack, Government That Doesn't Suck is a seriously researched, fact-driven podcast examining the dreams, machinery, and real-world impact behind American government, one episode at a time.

"Wing Ding, you're either crazy as hell or you've got balls."

This is the story of the European Theater in 1943.

As Allied bombers learn the brutal cost of daylight precision raids over Ploesti and Schweinfurt, Allied armies fight their way onto the Italian mainland at Salerno, and the citizens of Naples rise to liberate themselves. Meanwhile, the U-boat is finally beaten back in the Atlantic, American Lend-Lease reaches a bleeding Soviet Union, and the tide turns in the East. And in occupied France, a fractured Resistance begins to cohere—thanks to the sacrifice of a hero named Jean Moulin—as Charles de Gaulle claims his place at the head of a nation not yet free.

We'll meet a tail gunner who flew into hell without his parachute, a colonel who took his burning bomber over the target rather than break his word, a thirteen-year-old who took on a German tank, and an American spy hiding behind a wooden leg and a wheel of cheese. Each is doing their part as the whole Allied world bends toward one looming date on the horizon.

Call it the pre-pre-D-Day episode. This is the European Theater, 1943.

Connect with us on HTDSpodcast.com and

• go deep into episode bibliographies and book recommendations
• join discussions in our Facebook community
• get news and discounts from The HTDS Gazette
• come see a live show
• get HTDS merch
• or become an HTDS premium member for bonus episodes and other perks.

HTDS is part of Audacy media network.

Interested in advertising on the History That Doesn't Suck? Contact Audacyinc.com