WHO CAN KILL A CHILD? (1976) d. Narciso Ibáñez Serrador (Spain)

Narciso Ibáñez Serrador's taboo-smashing classic, Who Can Kill a Child (1976), is a movie that packs a lethal punch both in terms of onscreen mayhem and intellectual philosophizing.

When a couple of English tourists (Lewis Fiander, Prunella Ransome) arrive on an isolated Spanish island, they begin to discover the mutilated corpses of adults and eventually realize the shocking truth: These innocent-looking youngsters have massacred their elders, exploiting the grownups' reluctance to defend themselves against the children.

Like his terrifying La Residencia (aka The House that Screamed) from 1969, Serrador mines a rich vein of audience manipulation by making his antagonists the "untouchable" fresh-faced youth, while the film (loosely based on Juan Jose Plans' novel, El juego de los niños) also pays homage to such obvious influences as Village of the Damned, Night of the Living Dead, and Alfred Hitchcock's The Birds, with the island village's tykes standing in for the avian threats.

With sparse dialogue, oft-blinding outdoor daylight settings courtesy of Goya-award winning cinematographer José Luis Alcaine, dread-filled atmosphere, and its downbeat/upbeat ending, Who Can Kill A Child is an unusual, provocative and extremely well made picture that provides a welcome change of pace from well-worn genre conventions.

Join AC and his fabulous panel of guests (Ashley Lamers, John McDevitt, Mackenzie Parker, Elena Romea) as we celebrate a half-century of this groundbreaking masterpiece of Spanish horror from one of the true masters of the genre, delivering biting social commentary on gender roles, political inequity, and tyranny against one's fellow humans while elegantly delivering a sinister and spellbinding thriller that will stick with you for days!
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ASHLEY LAMERS is a professional counselor, animal advocate, coffee enthusiast, straight edge vegan feminist, and horror lover with a "do no harm, take no shit" sensibility. She has two cats, a business, and many opinions.

JOHN MCDEVITT is a lifelong cinephile who programs two recurring film events in Chicago: SUPER-HORROR-RAMA! and Fetish Film Forum, a monthly screening series about fetish, kink, leather, and BDSM at the Leather Archives & Museum. John is fascinated by all genres of cinema and appreciates horror most of all for its willingness to explore what makes us uncomfortable and for the compassion it often extends to its characters and the viewer.

MACKENZIE PARKER is a filmmaker living in Los Angeles. He studied at Northern Illinois University and the Moscow Art Theater. He has worked on TV shows such as Sons of Anarchy and Agents of S.H.I.E.L.D. and is currently working as a staff editor for Digital Alliance.

ELENA ROMEA is the creator behind SpanishFear.com and Horror Rises from Spain. A researcher in literature and cinema, she holds a Ph.D. in Spanish Studies with a dissertation about the filmmaker José Val del Omar. Her work explores themes of estrangement, horror, myth, and cultural conflict.
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THE BEYOND (1981) d. Lucio Fulci (Italy)
THE HOUSE BY THE CEMETERY (1981) d. Lucio Fulci (Italy)

Italian director Lucio Fulci's 1981 pairing of The Beyond and The House by the Cemetery represents perhaps the most beloved period of his career, especially by horror fans. Paradoxically, these films are also why his wider cinematic career is often overlooked. By this point, Fulci was already a veteran filmmaker who had worked across comedy, westerns, crime films, gialli and historical dramas. But these days, The Beyond and The House by the Cemetery—alongside Zombie and City of the Living Dead—have become almost a shorthand for what "a Fulci film" is.

The Beyond follows a young New Yorker (played by Catriona McColl), who inherits a Louisiana hotel unknowingly built over one of the seven gates of Hell. As she attempts to renovate and reopen the building, increasingly inexplicable deaths and supernatural phenomena signal that the gateway is opening again. Those who love The Beyond love it precisely because it seems to operate according to nightmare logic rather than a conventional narrative: the plot is merely an excuse for Fulci and screenwriter Dardano Sacchetti to construct a succession of visceral images such as rotting corpses, carnivorous spiders, blind ghosts, exploding head shots, and an unforgettable vision of the afterlife. Its atmosphere of Southern Gothic decay, combined with Sergio Salvati's photography and Fabio Frizzi's hypnotic score, give it a dreamlike quality that immediately distinguishes it from straightforward splatter.

The House by the Cemetery feels inspired by other popular haunted house movies of the era like The Shining and The Amityville Horror, but Fulci makes the material distinctly his own through his fascination with irrationality, narrative threads that go seemingly nowhere, and sudden eruptions of brutality. When the Boyle family moves into an isolated New England house, their young son Bob becomes convinced that something terrible is living within. The combination of eerie atmosphere, disjointed storytelling, and outrageous violence have earned many fans over the ensuing years.

Together, these two films represent a particular moment in Fulci's career when he became indelibly linked with extreme horror. Their gore and visual imagination made him a hero to genre fans, while their surrealism, dread-filled atmosphere, and strange visual poetry made it clear he was more than a mere purveyor of exploitation fodder. Join AC and his amazing panel of guests (Sarah Binion, Jon Kitley, Bryan Martinez, Jimmy Seiersen) as we celebrate 45 years of The Beyond and The House By The Cemetery, the double-barreled blessing and curse of Lucio Fulci, The Italian Godfather of Gore… and yet so much more.
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SARAH BINION is a self-taught horror fan who has turned the simple question "What's your favorite horror movie?" into a personal mission to uncover hidden gems and overlooked masterpieces in the genre.

JON KITLEY has been running his website, Kitley's Krypt for 25 years. He's a columnist for HorrorHound magazine, a co-host on the Discover the Horror podcast, and attends multiple conventions and all-night horror movie marathons at the drive-in theaters! https://kitleyskrypt.com/

BRYAN MARTINEZ is the creator of The Giallo Room and is also the writer and director of the short films Gelato Giallo and My Friend Lisa (check em out on YouTube). He has had a passionate love affair with Giallo since he first watched a Spanish-dubbed version of All the Colors of the Dark at the tender age of 8.

JIMMY SEIERSEN from Sweden has written essays for the HORROR 101 and HIDDEN HORROR books, been a short film programmer for Lund Fantastic Film Festival (2010–2022), and creates short films that eventually make their way to YouTube: https://www.youtube.com/@JimmySeiersen
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

POSSESSION (1981) d. Andrzej Zulawski (France/West Germany)

Tonight, we dive deep into the abyss of challenging cinema with Andrzej Zulawski's Possession (1981). Deliberately abrasive and queasy, the idiosyncratic Polish director's best known film assails its audience from the opening scenes and never lets up for a second, leaving the viewer exhausted, exasperated, and exhilarated.

Returning home from a vaguely defined covert mission, Mark (played by the late great Sam Neill) is alarmed to find that the relationship with his wife Anna (Isabelle Adjani) has disintegrated into complete hostility and disgust. He soon discovers that she has taken up with several lovers, one of which might not be entirely… human. (F/x wizard Carlo Rambaldi designed the memorable creature effects.)

A technically astounding film, with Bruno Nyutten's cinematography swirling about the locations and characters with orgiastic glee while Andrej Korzynski's electronic score buzzes and pops. Neill and Adjani unleash extraordinary high-wire performances that rival anything these fine artists have done before or since (Adjani would win Best Actress Awards from both Cannes and the Cesars, and after witnessing her wrenching, utterly selfless showstopping aria of suffering in the train tunnel, who could deny her?) and they are surrounded by a marvelous ensemble of quirky and compelling players that toy with each other and the audience.

Brutally trimmed by 50 minutes (!) with entire sequences reshuffled, the original U.S. and UK releases were as notorious a bit of butchery as they come – the already challenging movie (later labeled as a Video Nasty by the British Board of Film Censors) floundered and disappeared. Thankfully, it has since reappeared on home video in its complete form, and we hope tonight's conversation continues to boost and brighten its signal, attracting further rediscovery by fans worldwide.

Join AC and his bravura panel of guests (Nile Arena, Emily Barney, Dominic Conti, Sophie Gordon, Thomas Puhr) as we celebrate 45 years of POSSESSION!
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NILE ARENA has created cinema collectives, worked the film festival circuit, and lent his voice to podcasts dedicated to the silver screen. His literary/weird fiction journal, Success Stories, is available now at some of the places books are sold.

EMILY BARNEY studies Czech language and is obsessed with Czech and Slovak movies. She's appeared on The Projection Booth Podcast's Czechtember series, and blogs at emily-barney.com. She's also a lifelong horror and cult movie fan, the weirder the better.

DOMINIC CONTI is a Chicago-based writer and actor. His first novel, Your Book Club, is now available. (Orders can be placed at dcontimail@gmail.com, or you can just say hi.)

SOPHIE GORDON is a film programmer, filmmaker, and musician based in Chicago. She currently programs international feature films at the Chicago International Film Festival, specializing in Latin American and LGBTQ+ cinema. As a filmmaker, she crafts queer genre films, and as a musician performs under the name Fina.

THOMAS M. PUHR's writing has appeared in Bright Lights Film Journal and the Los Angeles Review of Books, among others. His book, Fate in Film: A Deterministic Approach to Cinema, is available from Wallflower Press. He is the co-host of Gut Punch, a new film podcast from Beneficial Shock! Magazine.
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!