Faking It with Ariel and Morgan copertina

Faking It with Ariel and Morgan

Faking It with Ariel and Morgan

Di: Ariel Leigh Cohen & Morgan Smith
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A proposito di questo titolo

Faking It with Ariel and Morgan is the podcast that strips down the mystery of Hollywood’s most private moments, and makes you laugh while doing it. Hosted by Intimacy Coordinators Ariel Leigh Cohen and Morgan Smith, each episode dives into the world of film sets, sex scenes, and all the awkward, hilarious, and surprisingly tender stories that come with them.

From behind-the-scenes Hollywood secrets to spicy movie moments, we’re here to answer the questions you didn’t even know you had: How do actors fake it? What really happens under the covers on set? And what the actors are really wearing?

Expect a mix of comedy, storytelling, and real talk about intimacy, relationships, filmmaking, and the art of pretending. If you’re into funny film podcasts, behind-the-scenes stories, acting tips, NSFW comedy, and Hollywood chaos, you’ve just found your new obsession.

Subscribe now and stay real, Fakers.

© 2026 Faking It with Ariel and Morgan
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  • Her Throbbing Labia | Hormones Gone Rogue in "PEN15"
    Apr 22 2026

    This one is so real it hurts.

    Ariel and Morgan dive into PEN15 (Season 1, Episode 3: “Ojichan”). From the very first moment of “wait… what is happening to my body?” to the full spiral of can’t-stop-won’t-stop self-discovery, this episode captures the chaos, confusion, and intensity of discovering desire with absolutely no roadmap.

    They get into it all:

    • The painfully accurate portrayal of first arousal: awkward, obsessive, and completely all-consuming
    • Why casting adult actors as teens might allow the show to explore this safely without crossing ethical lines
    • The way PEN15 captures the feeling of “I must be the only one experiencing this”
    • How shame, secrecy, and silence around sex education shape those early experiences

    It’s cringey. It’s deeply familiar. And it turns one of the most private human experiences into comedy gold.

    Want to watch along? Our reaction covers Maya's first discovery (00:00:41), the Closet/Walkman scene (00:09:22), and the Classroom montage (00:04:14) We cut around the clips, so it won’t sync perfectly, but you’ll absolutely get the point.

    👉 Before you say anything - yes, Ariel mispronounced Maya Erskine’s last name. We know. We’re sorry. We love her.

    -----------------------------------------

    CREDITS — PEN15 (S1E3 “Ojichan”)
    Creators: Maya Erskine; Anna Konkle; Sam Zvibleman
    Director: Daniel Gray Longino
    Writers: Maya Erskine; Anna Konkle; Sam Zvibleman
    Producers: Maya Erskine; Anna Konkle; Sam Zvibleman
    Actors (featured in discussed scenes): Maya Erskine; Anna Konkle
    © 2019 Hulu / Lonely Island Classics, Odenkirk Provissiero Entertainment,
    AwesomenessTV. All rights reserved.

    -----------------------------------------

    Support the show

    🔗 Connect & Support the Show

    👀 Watch the Video Version: See our reactions! The video podcast is available on Spotify and YouTube.
    💌 Suggest a Scene & Get Bonuses: Join our Patreon to request movies for us to break down and access exclusive bonus episodes HERE!
    📱 Follow Us for Chaos: Get behind-the-scenes content and updates on Instagram @FakingItThePod
    🌐 Visit Our Website: Find all our links and more at FakingItThePod.com
    🎶Theme Song is Faking It by Mike Goetz

    🎧 Subscribe for Free: Never miss an episode! Subscribe on your favorite podcast app.

    💬 Review Us: Love the show? Give us 5 stars! It helps other listeners find us.

    Stay real, Fakers!

    Legal Disclaimer

    The views and opinions expressed in this podcast are our own. This episode is for entertainment and educational purposes only. Nothing here is intended to defame, slander, or infringe upon any individual or entity. All trademarks and copyrights remain the property of their respective owners.

    Mostra di più Mostra meno
    40 min
  • Hardcore Vanilla | The Unhinged Sex Scenes of "Buffy The Vampire Slayer" Explained
    Apr 8 2026

    👉 BIG OLD SPOILERS AHEAD! YOU'VE BEEN WARNED!

    The Buffy reboot/reimagining isn't happening for now. We are devastated. So naturally, we need to talk about Buffy and Spike in season 6.

    Ariel and Morgan are finally diving into Buffy the Vampire Slayer where things are darker, messier, and include a whole lot more property damage 👀.

    From literally breaking a house down during sex to invisible hookups to whatever the hell is happening on that balcony… they have thoughts.

    They get into it all:

    • The iconic Buffy/Spike “Smashed” scene: why it’s so hot and makes zero logistical sense
    • How the show tries to portray Buffy’s rock bottom through sex (and where it succeeds vs. fails)
    • The invisibility scene as a surprisingly perfect example of how simulated sex actually works on set
    • Why the show keeps saying Buffy and Spike are kinky… while showing the most vanilla execution imaginable
    • The difference between toxic intimacy vs. BDSM, and why those are not the same thing

    Plus: pants continuity crimes, mystery penetration logistics, and a full breakdown of our personal histories with Spuffy.

    Want to watch along? Our reaction covers "Smashed” (House scene): ~00:39:39, “Gone” (Invisibility scene): ~00:28:08, and “Dead Things” (Balcony scene): ~00:20:25 We cut around the clips, so it won’t sync perfectly, but you’ll absolutely get the point.

    -----------------------------------------

    CREDITS — BUFFY THE VAMPIRE SLAYER
    Creators: Joss Whedon

    “Smashed” (Season 6, Episode 9)
    Director: Turi Meyer
    Writers: Drew Z. Greenberg; Rebecca Rand Kirshner; Steven S. DeKnight

    “Gone” (Season 6, Episode 11)
    Director: David Fury
    Writers: David Fury; Rebecca Rand Kirshner; Steven S. DeKnight

    “Dead Things” (Season 6, Episode 13)
    Director: James A. Contner
    Writers: Steven S. DeKnight; Rebecca Rand Kirshner; Drew Z. Greenberg

    Actors (featured in discussed scenes): Sarah Michelle Gellar; James Marsters; Nicholas Brendon; Emma Caulfield; Alyson Hannigan
    © 1997–2003 Mutant Enemy, Inc. / 20th Century Fox Television. All rights reserved.

    -----------------------------------------

    Support the show

    🔗 Connect & Support the Show

    👀 Watch the Video Version: See our reactions! The video podcast is available on Spotify and YouTube.
    💌 Suggest a Scene & Get Bonuses: Join our Patreon to request movies for us to break down and access exclusive bonus episodes HERE!
    📱 Follow Us for Chaos: Get behind-the-scenes content and updates on Instagram @FakingItThePod
    🌐 Visit Our Website: Find all our links and more at FakingItThePod.com
    🎶Theme Song is Faking It by Mike Goetz

    🎧 Subscribe for Free: Never miss an episode! Subscribe on your favorite podcast app.

    💬 Review Us: Love the show? Give us 5 stars! It helps other listeners find us.

    Stay real, Fakers!

    Legal Disclaimer

    The views and opinions expressed in this podcast are our own. This episode is for entertainment and educational purposes only. Nothing here is intended to defame, slander, or infringe upon any individual or entity. All trademarks and copyrights remain the property of their respective owners.

    Mostra di più Mostra meno
    44 min
  • Orgasm Against The Machine | Sci-Fi, Stripteases, and Sex in “Barbarella”
    Mar 25 2026

    Get ready for one of the most bizarre and brazen films of a generation.

    In this episode, Ariel and Morgan travel back to 1968’s sci-fi cult classic Barbarella — a movie where Jane Fonda strips out of a spacesuit in zero gravity and later defeats a villain using… an orgasm machine.

    Yes. Really.

    The hosts break down how the film uses erotic spectacle, camp, and absurdity to create scenes that are both wildly objectifying and oddly revolutionary for their time.

    They get into it all:

    • How the famous zero-gravity striptease opening uses choreography, framing, and floating credits to tease and shock the audience
    • Why the “Excessive Machine” scene was extremely bold for mainstream cinema in 1968
    • Fascinating power dynamics where the villain weaponizes pleasure and the hero literally sets the situation on fire.
    • Why early Hollywood often treated sex as visual spectacle first and human experience second

    It’s campy. It’s chaotic. And somehow still iconic.

    Want to watch along? Our reaction covers the opening striptease (0:00:00) and the excessive machine scene (Time Code: ~1:15:00). We cut around the clips, so it won’t sync perfectly, but you’ll absolutely get the point.

    -----------------------------------------

    CREDITS — Barbarella
    Director: Roger Vadim
    Writers: Terry Southern; Roger Vadim; Claude Brulé; Vittorio Bonicelli
    Source Material: Based on the comic Barbarella by Jean-Claude Forest
    Producer: Dino De Laurentiis
    Actors: Jane Fonda; Milo O’Shea
    © 1968 Dino De Laurentiis Cinematografica / Paramount Pictures. All rights reserved.

    -----------------------------------------

    Support the show

    🔗 Connect & Support the Show

    👀 Watch the Video Version: See our reactions! The video podcast is available on Spotify and YouTube.
    💌 Suggest a Scene & Get Bonuses: Join our Patreon to request movies for us to break down and access exclusive bonus episodes HERE!
    📱 Follow Us for Chaos: Get behind-the-scenes content and updates on Instagram @FakingItThePod
    🌐 Visit Our Website: Find all our links and more at FakingItThePod.com
    🎶Theme Song is Faking It by Mike Goetz

    🎧 Subscribe for Free: Never miss an episode! Subscribe on your favorite podcast app.

    💬 Review Us: Love the show? Give us 5 stars! It helps other listeners find us.

    Stay real, Fakers!

    Legal Disclaimer

    The views and opinions expressed in this podcast are our own. This episode is for entertainment and educational purposes only. Nothing here is intended to defame, slander, or infringe upon any individual or entity. All trademarks and copyrights remain the property of their respective owners.

    Mostra di più Mostra meno
    38 min
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