Electronic Music copertina

Electronic Music

Electronic Music

Di: Sound On Sound
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A proposito di questo titolo

Welcome to the Sound On Sound Electronic Music podcast. On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear. More information and content can be found at https://www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideoCopyright 2026 Sound On Sound Ltd Musica
  • Modular Synthesis for Studio and Stage
    Apr 22 2026

    James Richmond and Julian Rodgers dive into the world of modular synthesis, explaining what it is and how it fits into both studio production and live performance. They explore the process of creating unique sounds from scratch, the challenges of patch recall and share practical advice for anyone looking to get started with modular gear.


    Chapters

    00:00 - Introduction

    00:52 - Modular Synth Definition

    01:50 - Semi-Modular

    02:59 - James' Modular Synthesis Work

    04:05 - Reaktor And Max

    07:32 - The Appeal Of Modular

    09:54 - Generating Your Own Sounds

    11:24 - Creating A System

    13:11 - Software Vs Hardware Systems

    14:02 - Creating Brand New Sounds

    16:16 - Stochastic Modulation

    21:31 - Handling Recall

    22:57 - Gigging With Modular

    26:42 - Preparing For Performance

    28:12 - East Coast Vs West Coast

    29:44 - Practical Performance Challenges

    31:34 - Careful Onstage Monitoring

    33:08 - Starting Out In Modular

    37:08 - Affordable Synthesis


    #NIreaktor #cycling74max #makenoisemaths #mutableinstrumentsrings #mutableinstrumentsclouds #doepfer #verbos


    James Richmond Biog
    James Richmond is a composer, producer and audio engineer working across electronic and guitar-based music. He is the guitarist and producer for Liam Vincent & The Odd Foxes, has released experimental electronic work under the name Euclidean Circuits and has a solo project called The Deathbird. He also develops bespoke audio tools through EventFieldAudio and writes about music production, studio systems and monitoring from his hybrid modular and analogue studio.
    https://www.jamesrichmond.com/
    https://www.facebook.com/jamesrichmondaudio/
    https://twitter.com/octatonic
    https://www.instagram.com/jamesrichmondaudio

    Julian Rodgers Biog
    Julian Rodgers is a freelance writer and audio engineer with a background in live sound. After many years working in education introducing new users to Pro Tools, he now lives by the sea in West Cornwall, where he plays keyboards in a couple of bands. He also plays bass and guitar equally badly, and remains an enthusiastic collector of microphones and opinions about all things audio.
    https://www.linkedin.com/in/julian-rodgers-04621926

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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    41 min
  • Kerrie - Techno DJ and Producer
    Mar 26 2026

    DJ and techno producer Kerrie joins Caro C to talk about her journey into DJing and production, the influences that shaped her sound and the live performance setup she now takes with her around the world.

    Chapters

    00:00 - Introduction

    01:21 - From DJ to Producer

    04:37 - Techno Influence

    06:26 - Producing From A Dancefloor Perspective

    09:23 - Live Performance Setup

    15:56 - Transporting Gig Kit

    18:27 - Combining Live And Studio

    20:13 - A Workflow Without A Laptop

    21:35 - Community And Shared Experiences

    26:35 - Sound Choices

    28:27 - Exploring Fresh Ideas


    #ElektronAnalogRytm #ElektronAnalogFour #ElektronDigitaktII #CycloneAnalogicTT-303BassBot #Allen&HeathXone:96 #StrymonBigSkyReverb #OtoBoumWarmingUnit #DoepferA-100 #Soundtoys


    Kerrie Anderson Biog
    Irish-born, Manchester-based Kerrie is a multidisciplinary artist and resident DJ at Tresor. Performing live sets, producing music and DJing worldwide, she also runs her label Dark Machine Funk, which showcases her raw, industrial-tinged techno sound.

    Kerrie developed her musical foundation during an 11-year tenure at Manchester’s legendary record shop Eastern Bloc Records, where she also held a DJ residency. Her high-energy sets blend UK, Detroit and European techno with electro and broken rhythms, earning appearances at venues including Berghain and fabric, as well as festivals worldwide.

    As a producer, she has released music on respected techno labels including Blueprint Records and Tresor Records, alongside her own Dark Machine Funk imprint. Now touring internationally, Kerrie continues to build a reputation for powerful productions and uncompromising techno rooted in decades of dedication to electronic music culture.

    https://www.facebook.com/DJKerrie

    https://www.instagram.com/kerrie_music
    https://x.com/kerrie_music

    Caro C Biog
    Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.

    URL: http://carocsound.com/

    Twitter: @carocsound
    Inst:
    @carocsound

    FB: https://www.facebook.com/carocsound/

    Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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    33 min
  • Daphne Oram - Electronic Music Pioneer
    Feb 5 2026
    To commemorate the centenary of electronic music pioneer Daphne Oram on 31 December 2025, Caro C explores Oram’s lasting influence in a conversation with Sarah Angliss and Ian Stonehouse. The episode continues with Shiva Feshareki and James Bulley discussing their Proms performance of Still Point, Oram’s innovative orchestral work from 1948 that integrated electronic sound and live manipulation.Chapters00:00 - IntroductionSarah Angliss & Ian Stonehouse02:15 - Composer, Inventor and the Radiophonic Workshop06:42 - Inspired by the sound-houses of Francis Bacon11:34 - Working In Frequency, Not Pitch13:01 - Tower Folly and the Oramics Machine16:09 - Working With Post-War Equipment22:12 - Insights and Inspiration from the Archives26:56 - Top Musical Selections From the ArchiveShiva Feshareki & James Bulley32:57 - A Proms Performance Of Still Point37:55 - The Daphne Oram Archive and Goldsmiths41:12 - Creating A Historically Accurate Performance45:22 - Following The Written Instructions53:27 - Creating An Updated ScoreSee also:https://www.soundonsound.com/people/graham-wrench-story-daphne-orams-optical-synthesizerhttps://www.soundonsound.com/people/story-bbc-radiophonic-workshopDaphne Oram BiogDaphne Oram (1925–2003) was a pioneering British composer and inventor, and one of the founders of the BBC Radiophonic Workshop. A trailblazer in electronic music, she developed the Oramics system, a groundbreaking method of composing sound by drawing directly onto film, allowing pitch, timbre and dynamics to be controlled visually rather than through traditional notation. Her work fundamentally reshaped ideas about how music could be created, laying the foundations for electronic composition, sound synthesis and experimental music practices that continue to influence composers, producers and sound designers today.Website: www.daphneoram.orgSarah Angliss BiogSarah Angliss is an Ivor Novello Award-winning composer, performer, and instrument designer working across film, theatre, and live performance in Europe and North America. Her work includes the electroacoustic score for Romola Garai’s Amulet and the opera Giant, which combines baroque instruments with electronics and DIY music machines. Drawing on European folk, cybernetics, and electroacoustic engineering, her music explores inventive sound design. Sarah has received the Visionary Award from the Ivors Academy (2021) and a Paul Hamlyn Award for Composers (2018). She’s recently joined the Augmented Instruments Lab at Imperial College, London, for researching lost alternative design strategies dormant in forgotten electronic musical instruments.Website: www.sarahangliss.comInstagram: @sarah_anglissIan Stonehouse BiogIan Stonehouse is an archivist, researcher and performer working in the Electronic Music Studios and Special Collections at Goldsmiths, University of London, with the archives of composers Daphne Oram, Lily Greenham and Hugh Davies. He has lectured in Sonic Art for over 30 years and was Head of the Electronic Music Studios at Goldsmiths from 2004-2019. Most recently he's been a research consultant and instrument maker for projects including Lily Greenham: An Art of Living at Badischer Kunstverein in Karlsruhe, Germany (2024), the Science Museum's Time Loops concert series with composer Gavin Bryars and the group Icebreaker (2024-25), Ensemble Contrechamps' Daphne Oram: An Individual Note concert at the Auditorium Ansermet in Geneva (2025), Nonclassical's Vari/ations: An Ode to Oram event at the Barbican in London (2025) and as part of an ensemble celebrating the legacy of experimental group Gentle Fire at Cafe Oto in London (2026).Bandcamp: ianstonehouse.bandcamp.comInstagram: @soonheisatuneShiva Feshareki Biog A doctoral composition graduate from the Royal College of Music, Shiva Feshareki is an Ivor Novello award-winning British-Iranian composer and turntablist, working at the intersection of contemporary-classical and electronic music. She has performed internationally in concert halls, galleries, and raves, including the BBC Proms, Southbank Centre, Barbican, Konzerthaus Berlin, Mutek Montreal, and Amsterdam Dance Event, collaborating with ensembles such as the BBC Singers, London Contemporary Orchestra, Ensemble Modern, and Vienna Radio Symphony Orchestra.Website: studiofeshareki.comInstagram: @shivafesharekiX - @shivafesharekiJames Bulley BiogJames Bulley is an artist and musician working with sound across installation, performance, immersive audio, film, theatre, and public art. His work has been presented internationally in galleries, concert halls, and public spaces. Projects include the world-premiere performance of Daphne Oram’s Still Point at the BBC Proms, alongside collaborations with artists, filmmakers, and institutions including Marshmallow Laser Feast, the National Trust, Opera North, and the BBC.Website: jamesbulley.comInstagram: @jjbulleyCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. ...
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    58 min
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