Curatorial Reimaginings copertina

Curatorial Reimaginings

Curatorial Reimaginings

Di: British Art Network
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A proposito di questo titolo

At least two decades into the ‘curatorial turn’, and after successive declarations about the ‘post-curatorial’, the ‘para-curatorial’ and the curator’s mutation into artist (or vice versa), the field we share as curators, researchers, activists and artists of different generations and different experiences continues to transform. While decolonial initiatives, eco-critical awareness and social justice claims may be foregrounded as never before, these sit alongside public sector cuts, unprecedented professional precarity and exhausting ‘culture wars’.


This conference, which took place in November 2024, provided an opportunity to share experiences, reflect and connect in a convivial atmosphere.

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Episodi
  • Welcome, Drafts and Rapid-Fire Presentations

    Welcome, Drafts and Rapid-Fire Presentations
    Nov 28 2025

    Opening words from Martin Myrone, Jessica Wan, Cicely Robinson, Rhona Sword and Lauren Craig. These are followed by Drafts, a series of recitations from disabled and/or migrant curators that focus on the concept of ‘gut knowledge’, as a way of doing and thinking which relies on trust, intuition and flexibility (within a Disability social model) – evidencing how the curatorial in itself is neurodivergent. We then have a series of Rapid-Fire Presentations looking at co-production in regional art collections, reflections and findings from a community curation experiment, and access and authority in the arts in relation to podcasting.


    Welcome

    00:00Welcome from Martin Myrone (BAN Convenor), and BAN Conference Convening Committee members: Jessica Wan, Cicely Robinson, Rhona Sword and Lauren Craig

    Drafts

    09:33Drafts: Recitations delivered by Jade Foster (DASH)

    Rapid-Fire Presentations

    36:20Introduction to the Rapid-Fire Presentations

    38:23Co-production in regional art collections: Sophie Hatchwell & Greg Salter (University of Birmingham)

    44:02Whose gallery is it anyway? Reflections and Findings from a Community Curation Experiment: Ilaria Casini (Edinburgh Printmakers)

    52:11Podcasting the Past: Audio, Access and Authority in the Arts: Jelena Sofronijevic (independent)

    57:44Q&A

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    1 ora e 20 min
  • Panel: Festival Futures

    Panel: Festival Futures
    Nov 28 2025

    This panel discussion brought together representatives from four UK organisations who are curating contemporary visual art in a festival format and has been convened by Liverpool Biennial as part of an ongoing investigation into the future viability and sustainability of the festival format in the visual arts. The panellists discuss the positives of delivering for ‘the moment’ and how one festival programme can embed or instil the necessary groundwork to sustain a festival’s future; the unique challenges of curating festivals, sustainable futures and programming across diverse venues and in response to place.


    Chair: Marie-Anne McQuay (Arts&Heritage)

    Panellists: Annie Jael Kwan (independent), Kim McAleese (Edinburgh Art Festival) and Ian Sergeant (University of the Arts London)

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    44 min
  • Plenary Roundtable

    Plenary Roundtable
    Nov 28 2025

    This concluding plenary roundtable brought together individuals at different stages of their careers to reflect on some of the wider issues around curatorial practice over the last years. Thinking specifically about curating in the wake of the momentous events of 2020-21 and in the context of the present political climate, the panel considered the possibilities for the future of the field.

    Chair: Sarah Victoria Turner (Paul Mellon Centre)

    Panellists: Leanne Green (Tate Liverpool), Jazz Swali & Marta Marsicka (Backlit Gallery) and Melanie Pocock (Ikon Gallery)

    00:00Plenary Roundtable

    58:47Closing words from Martin Myrone (BAN Convenor)

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    1 ora e 1 min
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