Anatomy of a Method
Florence did not have “a monster.” It had a ritual.
Point-blank shots, a knife, a repeated signature.
In this episode, I break down the script: essential chronology, dynamics, possible profiles, investigative leads, errors, media rhetoric. No folklore. With respect for the victims. What you will find here: the crime scene as language patterns and variants: choice of location, timing, weapon, escalation comparison of historical hypotheses and leads what is proven, what is mere narrative what remains today: memory, archives, investigative limits If you want the translation adapted in a specific register (e.g., for narration or academic presentation), just specify. I’m a criminologist, and I deal in stories.The stories inside my case files (forensic criminologist).
The stories of docuseries, fiction, and cinema (screenwriting consultant). Subscribe to this channel so you don’t miss any content. Follow and turn on notifications to experience a true Academy of Criminology.
Nowadays we hear very often about criminology, serial killers and heinous murders.
We hear about them on the news, cinema, literature, video games; the serial murderer has now polarized a good part of the media expression.
Who has never heard of Dr. Hannibal Lecter, or Dexter Morgan? And who has never seen an episode of CSI? But how much truth is there? How do serial killers act? How do they choose their victims? And why do they kill? Do investigation techniques really work as we see in TV shows?
These questions find their answers in this podcast, perfect for anyone who wants to approach the study of this discipline.
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