What happens when a documentary promises to show you everything, but somehow leaves you questioning absolutely everything? What happens when Nathan Fielder gets unprecedented access to Elizabeth Holmes?

You get one of the strangest, most fascinating documentaries of the year.

We're reviewing You Can See Everything, unpacking its storytelling, filmmaking choices, narrative, and the many things that just don't quite add up.

Side Note: I'm counting down to when Errol Morris releases his cut, so if you hear about it let me know.

Nathan Fielder made a secret documentary about Elizabeth Holmes, and India can't watch it. So we reviewed a ghost story instead.

This week on Cold Open, we rant about You Can See Everything, Fielder and Lance Oppenheim's three-hour A24 film about Holmes's last 34 days before prison. It's out in American cinemas and nowhere near us. So we imagine the whole thing ourselves: rehearsed prison cells, actors playing Elizabeth, and a staring contest that never ends.

Then we get into episode two of HBO's The Pet Cemetery Murders: A Ghost Story, and we have to be honest. It was extremely boring. We dig out the scenes worth your time, from a threat on a doorstep and a laugh you won't forget to a husband whose death was ruled a suicide after being shot twice. We also cover the witness who says a murdered woman's ghost made him talk, and whether you can trust a memory that comes back decades later.

Genuine request - help us find some links. A24, if you're listening, India would like to see your film.

Full spoilers for episodes one and two - and we are abandoning this documentary.

A woman who ran a pet cemetery in the Louisiana bayou disappears in 1985 and turns up in the Mississippi in chains. Decades later, a witness says her ghost made him talk. We review episode one of HBO's The Pet Cemetery Murders: A Ghost Story. We cover psychics, rumours of buried treasure, a town built on a massacre, and the hurricane that drowned the evidence. The road is treacherous and full of small spoilers!