On this very special episode of Call To Stage, we're revisiting some of our favourite moments from Amber's interviews with the cast of Legally Blonde The Musical from this year!

Re-live conversations with Jamie Chatterton (Warner), Karen Mavundukure (Paulette), Annabelle Terry (Vivienne), Jocasta Almgill (Brooke), Adam Cooper (Callahan), Rosanna Harris (Serena / Elle cover), Hannah Lawther (Elle cover) and George Crawford (Emmett) for the ultimate behind-the-scenes company conversation!

From pre-show rituals to the audition stories that got them into the room... and even relive the big reveal that George Crawford had been cast as Emmett opposite Amber’s Elle!

There are also brilliant behind-the-scenes moments from Gay or European, the What You Want dance break and the Bend and Snap, as well as a candid conversation about what makes Nikolai Foster’s production different from every Legally Blonde that has come before it and why this company, more than any other, feels like the cast were born to play these roles.

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On this episode of Call To Stage, Amber is joined by the effortlessly sharp Debbie Kurup - a performer whose career CV reads like a greatest hits of British musical theatre.

An Olivier Award-nominated actor (for her performance as Nicki in the World Premiere of The Bodyguard in the West End), Debbie has taken on some of theatre's most iconic roles, including in the West End productions of Chicago, Rent, West Side Story and Sister Act. On tour, she has also starred in Fame and as Cher in The Cher Show, and she appears on the Original West End cast albums of The Prince of Egypt, Girl From The North Country, Tonight's The Night and Sister Act.

Debbie currently covers the iconic role of Miranda Priestly in the West End production of The Devil Wears Prada.

On this episode of Call To Stage, Amber and Debbie talk about the unspoken pressure of stepping into the shoes of a a character based on a real person, the remarkable experience of going straight back into Chicago as Velma just three months after giving birth and the importance of representation in the industry.

Debbie also shares stories from the UK Tour and West End productions of Rent, her iconic turn in The Bodyguard and she shares her thoughts on why the material will always matter more than the money, and how she completed a university degree in a dressing room.

For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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On this episode of Call To Stage, Amber is joined by the warm and funny Meg Hately.

Growing up backstage while her mum Lindsay Hately performed in shows such as Mary Poppins and Mamma Mia!, Meg Hately has become a force in theatre in her own right. She currently stars in the West End revival of Avenue Q, having previously starred as Sophie in Mamma Mia! as well as roles in Fantastically Great Women Who Changed The World at the Other Palace and Coven at the Kiln Theatre.

On this episode of Call To Stage, Amber and Meg talk about the complete breakdown that puppetry rehearsals put the entire cast through, the full-circle moment of joining Mamma Mia! and being hugged by backstage crew who had known her as a little girl and the unexpected career path of someone who deliberately chose the acting course to avoid eight shows a week... and has ended up doing eight shows a week with a puppet on her arm!

There are also stories from Avenue Q, Mamma Mia! and her first Southwark Playhouse production, as well as a joyful conversation about watching Maz Murray sing Winner Takes It All every single night.

For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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