Her clothes shredded and disrobed by her own teeth, Lucy finds herself draped over a high tree branch in the quad of her college, naked but unafraid, a wild leopard more than any humankind. So begins Emeline Atwood’s starling debut novel, A Real Animal (Catapult, 2026). We know early on that Lucy will never be able to reach back to that precise feeling of being the leopard, powerful and at one with the natural world. Instead, she will swim in the harsher waters of a society that scorns and shames her, that seems to revel in her abuse, with a family that would prefer that she silence herself.

A Real Animal exists in a tremorous first person, the reader watching through Lucy’s eyes her attempts at intimate partnerships, with good men, horrible men, indifferent men, each relationship cast off or dissolved by the incoherence of her interior life. In sexual dramas for which she is but a prop, and family spectacles that treat her like so much wallpaper, Lucy seeks an experience of life that abandons performance for something like the sensuousness of the imminent now.

A bildungsroman that throws redemption and assimilation on the trash heap, A Real Animal does what the Russian Formalists hoped literature would do: it shakes you awake and rejects the comforts of your habitual life in favor of something as friction-full as a dirty razor. The waves come hard, and you can but experience the drowning.

Emeline Atwood graduated from the Michener Center for Writers in 2023. She writes fiction and poetry and is a recipient of the Thomas T, Hooper Prize, the Louis Begley Prize, the Roger Conant Hatch Prize for Lyric Poetry, and the Le Baron Russell Briggs Fiction Prize. A Real Animal was just shortlisted for the Center for Fiction Prize for a debut novel.

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In upstate New York in 2001, nine-year-old twins Sabina and Camilla spend the summer weathering the moods of their erratic mother while finding themselves pulled toward diverging interests: Sabina into the mystery of their absent French father and Camilla into burgeoning popularity. But their lives are shaken up by the arrival of an Arab French family across the street. Thrilled by what she sees as a link to the country of her origins, Sabina attempts to befriend the family’s son, Khalil, and is rebuffed for reasons she doesn’t understand.

Yet as the twins and Khalil come of age, they are drawn into a tense and ever-shifting triangular dynamic. As Sabina strives to find her father and make sense of her mother, as Camilla confronts whether the power she held in youth translates to adulthood, and as Khalil reckons with the psychological fallout of a family tragedy, their paths converge in ways both surprising and inevitable. Bookended by events with global resonance, Mistranslation (U Iowa Press, 2026) is a continent-spanning chronicle of family, inheritance, and the reverberations of the choices we do—or don’t—make.

Madeleine Moss grew up in Ithaca, New York, and holds a degree in French literature from Cornell University. She received her MFA in fiction from Washington University in St. Louis in 2020 and currently lives in Strasbourg, France.

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“I hear whispers: Have you seen her? The woman who is not a woman, she is a walking museum. Have you seen her wares?”

The narrator of SL Carroll’s radiant debut leads an empty life in a small town until she is employed to catalogue the Museum's collection. She has never seen anyone rewrite their bones the way the Museum has, until they are hardly bones at all. Obsession takes hold and the Museum's display case body inhabits her mind. In an attempt to duplicate the Museum's existence, the narrator secretly begins collecting objects of her own. Can she curate an authentic collection, balancing her own desires with her increasing responsibilities to the Museum?

The Art of Conjuring (Terrazzo Editions, 2026) is a lyric and whimsical novella that probes the boundaries of femininity, friendship, and the fine line between obsession and inspiration.

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Now I'm Photogenic and Other Stories I Tell Myself (Black Lawrence Press, 2026) is a collection of ten playfully strange and unsettling stories, some realistic and some surreal. The characters in these pages feel alienated: from their communities and relationships, on the streets of wealthy suburbs, at the doctor's office, in classrooms and swimming pools, in their own homes and their own skin. They wonder: is it better to be alone, imagining the life you want, as fantastic and strange as you wish, or is it better to be in the real world with real people, even if that means you might be hurt, embarrassed, and misunderstood? What if the intensity of it all feels equally threatening and glorious?

In these stories, an angry father wishes he could be loving and gentle; a seven-year-old girl wants to be better at school and thin like her sister; an uncoordinated, awkward teenager is training to be an Olympic athlete. What would happen, we are left to wonder, if these characters brought their wild sides out into the light? What if they stopped trying to be normal?

Jill Rosenberg is a graduate of Vassar College and the MFA Program at the University of Montana. Her fiction has been published by the Kenyon Review, Swamp Pink, Black Warrior Review, and other journals. She currently writes and teaches in Montclair, New Jersey, where she also works with rescued cats and practices practicing Buddhism.

Recommended Books:

• Paul Russell, Sea of Tranquility
• Margo Steines, Brutalities

Chris Holmes is Professor of Literatures in English at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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When Saul Keng Hsiu and his wife, Mei Lee, move from China to the United States to take possession of a 160-acre homestead bequeathed to them by a distant relative, all they have are the possessions on their back, some hidden gold, and a pocketful of chrysanthemum seeds. After a rocky start and a long, harsh winter, the couple find themselves successfully raising chrysanthemums and livestock, and soon after, a daughter, Mara.

But when representatives from the US Army Corps of Engineers buy an acre of the Hsiu’s farmland and begin building a missile silo, the inexplicable starts to occur: Mara can commune with the animals on the farm, Mei develops a hidden talent for augury, and the chrysanthemums become impervious to everything. When the Hsius learn that the project on their farm is an effort to make America’s nuclear deterrent invulnerable, they see firsthand the long arm of power and empire.

In the years and generations that follow, increasingly impacted by the silo and its residue, the Hsius experience strange, wondrous, and tragic events on their farm. An ambitious epic and an ode to the beauty and glory of our connection to the natural world, Babylon, South Dakota upends the idea of “strangers in a strange land” to become a classic American story. It is a daring novel about how choices reverberate across generations and asks us what we owe to one another.

Tom Lin was born in China and immigrated to the United States when he was four. A graduate of Pomona College, he also holds a PhD from the University of California, Davis. His first novel, The Thousand Crimes of Ming Tsu, won the Andrew Carnegie Medal for Excellence. He teaches English and creative writing at the University of Iowa.

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In 2024, Nina’s small-engine plane crashes into a lake in the Wyoming mountains. Her boyfriend Ben, who was flying it, is nowhere to be found. Lost and freezing on the shore, Nina is armed with only a few old protein bars, a phone with no service, and a vague hope of rescue. It is up to her to survive in the vast wilderness. But then she stumbles upon Sunrise—a town of the Old West that is strangely well maintained, but seemingly abandoned. A place that holds the missing link to a ghost story one hundred years in the making.
In 2003, Sand Daw’s golden boy Coll is putting the finishing touches on the town’s annual historical reenactment. But when an upstart would-be author comes to him with questions about one of Sunrise’s most beloved figures, it threatens to upend everything he thought he knew about the city—and himself.
In 1902, town founder, gunslinger, and legendary pulp hero Anton Vargas returns to Sunrise and quickly takes charge of a group searching for a missing boy. But who really is Vargas? What does he know about the boy’s disappearance? And why has he returned after such a long absence?
These three strangers are separated by time and circumstance. But Sunrise’s many secrets are like gunpowder: quiet, contained, until they encounter a spark. Magisterial and suspenseful, Téa Obreht’s novel Sunrise (Random House, 2026) challenges the myths we think we know: of heroes and villains, of the people and places to which we lay claim, and, most of all, of our own lives.

Téa Obreht is the internationally bestselling author of The Tiger’s Wife, Inland, and The Morningside. Her novels have won the Orange Prize for Fiction and the Southwest Book Award, and have been finalists for the National Book Award and the Dylan Thomas Prize, among others. Her work has appeared in The Best American Short Stories, The New Yorker, The Atlantic, Harper’s Magazine, and Zoetrope: All-Story. Originally from the former Yugoslavia, she divides her time between Dublin, Ireland, and Wyoming.

Recommended Books:

• Kevin Barry, City of Bohane
• Patrick DeWitt, The Sisters Brothers
• Katy Simpson Smith, The Maltese Version
• Stephen Graham Jones, The Buffalo Hunter Hunter

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Beloved author and winner of The Story Prize, Paul Yoon, is back with the unforgettable story of a working dog, Etna, who, after a devastating war, embarks on an odyssey in the hopes of returning home.
Set in a fictional country in the present day, this is a story told through the eyes of an ex-military dog, Etna. After surviving years of a devastating war, Etna decides one night to leave the men he has fought alongside for years and return home—to the place where he was taken from when he was young, in the thin but persistent hope that if a home exists for him, it might be there.
Thus begins an exhilarating odyssey told through the eyes of a dog as he traverses across ruined landscapes and fights to survive in a world that, even in peacetime, proves to be just as precarious. Along the way, he encounters other animals and humans who are attempting to figure out how to start again. What makes a life when there is no home to go back to? How do we begin to trust each other again after such profound loss?
Etna (Scribner, 2026) is a novel about the power of an idea, about never giving up, and ultimately a novel about finding hope in the most dire of times.

Paul Yoon is the author of five previous works of fiction: Once the Shore, a New York Times notable book; Snow Hunters, winner of the Young Lions Fiction Award; The Mountain, an NPR Best Book of the Year; Run to Earth, a Time Must-Read Book of 2020 also longlisted for the Andrew Carnegie Medal for Excellence in Fiction; and The Hive and the Honey, winner of the 20th annual Story Prize and longlisted for the Joyce Carol Oates Prize.

Recommended Books:

• Maria Stepanova, The Disappearing Act
• Johnathan Buckley, One Boat

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?
Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.
Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.

Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney’s Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast.

Recommended Books:

• Ben Lerner, Transcription
• Libby Edwardson, We Sent Them Down Singing
• Daniel Mason, Country People

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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