Archival research for Art Worker was conducted at the Auburn Avenue Research Library on African American Culture and History, the Museum of Contemporary Art of Georgia (MOCA GA), and the Kenan Research Center at the Atlanta History Center. Other sources listed below.

The Atlanta Women's Art Collective archival records are held at MOCA GA.

Music by The Grey Room

Short song clip: Chaise Longue by Wet Leg

Episode art: Georgia O'Keeffe - Hands and Thimble (1919), Alfred Stieglitz, CC0 license, https://creativecommons.org/publicdomain/zero/1.0/

Questions, comments, concerns? Email me at atlartaid@gmail.com

Other sources:

Julia Brock, Teresa Bramlette Reeves, and Kirstie Tepper, 2016, “Art and Activism in 1970s Atlanta,” Atlanta Studies, timestamp 00:02:35, https://doi.org/10.18737/atls20161004.

Pola F. Eisenstein, letter of support, December 16, 1977, Box: 1, Document Box: 4 Folder: 6, AWAC Grants, GR005 001, Museum of Contemporary Art of Georgia, Accessed June 6, 2025.

Julia Brock, Teresa Bramlette Reeves, and Kirstie Tepper, 2016, “Art and Activism in 1970s Atlanta,” Atlanta Studies, timestamp 00:35:03, https://doi.org/10.18737/atls20161004.

Lil Friedlander, letter of support, 1977, Box: 1, Document Box: 4, Folder: 6, AWAC Grants, GR005 001, Museum of Contemporary Art of Georgia, Accessed June 6, 2025.

Laura L. Vandenberg, “IS THERE A CONTEMPORARY SOUTHERN WOMEN'S AESTHETIC?” 1977, Box: 1, Document Box: 2, Folder: 4, AWAC Questionnaires, GR005 001, Museum of Contemporary Art of Georgia, Accessed June 6, 2025.

Episode 3, about the Atlanta Art Workers Coalition. Archival research for this episode was conducted at the Museum of Contemporary Art of Georgia (MOCA GA) and the Kenan Research Center at the Atlanta History Center. Additional resources listed below.

Music by The Grey Room

Episode art: Georgia O'Keeffe - Hands and Thimble (1919), Alfred Stieglitz, CC0 license, https://creativecommons.org/publicdomain/zero/1.0/

Questions, comments, concerns? Email me at atlartaid@gmail.com

Other sources:

Oral history sound clips: Julia Brock, Teresa Bramlette Reeves, and Kirstie Tepper, 2015, “Art and Activism in 1970's Atlanta,” https://archive.org/details/interviews-final-ipad.

Julia Brock, Teresa Bramlette Reeves, and Kirstie Tepper, 2016, “Art and Activism in 1970s Atlanta,” Atlanta Studies, timestamp 00:02:20, https://doi.org/10.18737/atls20161004.

Julia Fenton, “Loose Talk,” Contemporary Art/Southeast, vol. 1, no. 1, (1977), 2, https://gahistoricnewspapers.galileo.usg.edu/lccn/sn77641776/1977-04-01/ed-1/.

Editorial staff, Contemporary Art/Southeast supplement Artlanta!, vol. 1, no. 3, (1977), A3, https://gahistoricnewspapers.galileo.usg.edu/lccn/sn77641776/1977-08-01/ed-1/.

Carlyn Fisher, “Art in Atlanta the Present,” Contemporary Art/Southeast, supplement Artlanta!, vol. 1, no. 3, (1977), A9, https://gahistoricnewspapers.galileo.usg.edu/lccn/sn77641776/1977-08-01/ed-1/.

Atlanta Art Workers Coalition, Ltd., Community Arts Project Grant Application for the Georgia Council for the Arts and Humanities, May 31, 1977, Box: 1, Document Box: 3, Folder: 5, AWAC Grants, GR005 001, Museum of Contemporary Art of Georgia, Accessed June 6, 2025.

Abby Drue, “AAWC Insurance Plan,” Atlanta Art Workers Coalition Newspaper 2, no. 3 (1978), 13, https://gahistoricnewspapers.galileo.usg.edu/lccn/sn30633562/1978-05-01/ed-1/seq-13/.

Episode 2, about Atlanta's Neighborhood Arts Center. Archival research for this episode was conducted at the Auburn Avenue Research Library on African American Culture and History. Additional resources listed below.

Music by The Grey Room

Episode art: Georgia O'Keeffe - Hands and Thimble (1919), Alfred Stieglitz, CC0 license, https://creativecommons.org/publicdomain/zero/1.0/

Questions, comments, concerns? Email me at atlartaid@gmail.com

Highlighting the following sources:

• Smethurst, James. Behold the Land: The Black Arts Movement in the South. Chapel Hill:University of North Carolina Press, 2021.
• Tate, Rachanice Candy Patrice. “‘Our art itself was our activism’ Atlanta’s neighborhood artscenter, 1975-1990.” Atlanta University and Clark Atlanta University Theses andDissertations. Atlanta University Center Robert W. Woodruff Library. Clark AtlantaUniversity, 2012. http://hdl.handle.net/20.500.12322/cau.td:2012_tate_rachanice_c_p.

Other sources:

• Brock, Julia, Teresa Bramlette Reeves, Kirstie Tepper. Forget Me Not: Oral History Project.2015. Video. https://archive.org/details/interviews-final-ipad.
• Jackson, Maynard. Inaugural Address. January 7, 1974. Maynard Jackson MayoralAdministrative Records. Atlanta University Center Robert W. Woodruff Library.http://hdl.handle.net/20.500.12322/auc.075:00224.
• “Maynard Jackson’s Platform, 1968.” Maynard Jackson Mayoral Administrative Records.Atlanta University Center Robert W. Woodruff Library.http://hdl.handle.net/20.500.12322/auc.075:00063.
• “The Neighborhood Arts Project, circa 1975.” Maynard Jackson Mayoral AdministrativeRecords. Atlanta University Center Robert W. Woodruff Library.http://hdl.handle.net/20.500.12322/auc.075:00057.
• Oliver, Angela. “Atlanta’s ArtsXchange revives ‘art for the people’s sake.’” Scalawag. January7, 2019. https://scalawagmagazine.org/2019/01/atlanta-artsxchange/.
• Peacock, Fletcher. “SCAAW Rekindles Black Renaissance.” The Panther vol. 31, no. 2 (1978).1. Georgia Historic Newspapers.https://gahistoricnewspapers.galileo.usg.edu/lccn/sn39098424/1978-10-03/ed-1/.