In this episode, Scott Black talks with literary scholar Joseph Metz about The Feeling of the Form: Empathy and Aesthetics from Büchner to Rilke (Cornell University Press), Metz’s cultural and intellectual history of empathy that traces the origins of the concept back to 19th-century German art theory. Drawing on close readings of Georg Büchner, Adalbert Stifter, and Rainer Maria Rilke, Metz shows how empathy originated as Einfühlung, a theory of bodily projection into objects and forms, before later becoming a model for interpersonal feeling.

They also discuss Robert Vischer and Theodor Lipps, Kant and nineteenth-century neurophysiology, debates between vitalism and materialism, and the ethical limits of understanding others.

Joseph Metz is Associate Professor of German in the Department of World Languages and Cultures at the University of Utah.

Episode art: from Charles Le Brun, Expressions des passions de l’Ame, as a frontispiece to Henri Testelin, Sentimens des plus Habiles Peintres sur la Pratique de la Peinture et Sculpture, Metropolitan Museum of Art.

Episode edited by Ethan Rauschkolb. Named after our seminar room, The Virtual Jewel Box hosts conversations at the Obert C. and Grace A. Tanner Humanities Center at the University of Utah. Views expressed on The Virtual Jewel Box do not represent the official views of the Center or University.